ā¦Iāll always reblog the frog.
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@reversedough
ā¦Iāll always reblog the frog.

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English is the dominant language in the study of human cognition and behavior: the individuals studied by cognitive scientists, as well as m
more balthazar! thanks for liking him!
ālush green, comforting bluesā by titsay
Coming Of Age Day (Seijin No Hi) 2022 at Meiji Jingu shrine in Tokyoās Harajuku neighborhood. Congratulations to all of the new adults!! We tagged everyone we know on Instagram.

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he is warming his little hands
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A true craftsman showing they're on a whole different level of precision and patience | Source
After 60+ hours, this piece is finally done! :ā) by _bitterblooming
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Walk through the steps of this fabulous frog magician and axolotl unicorn! Itās always nice when I can do a painting in one day. This was a pure delight to paint! Hopefully you enjoy!
āļøššøš¦
@reversedough
hello everybody, this is a brief guide about drawing likeness i made to explain my process for some friends. itās not a tutorial on how to draw and iām also no teacher, but perhaps it can be interesting to see anyway!
also forgot to mention but itās good to have 2-3 photos from different angles when analyzing a face. i looked at that screencap there only for the hair and clothes, for the face i looked the other photos where you can see his face more clearly. then of course is the whole thing about expressions and body language etc but this got long enough as it is.
the full CDV drawing can be found here !
āThe Pleiadesā
I made this constellation for my Instagram giveaway winner!Ā
Itās only the second that I have to embroider this pattern, I like it a lot, and you?
https://www.etsy.com/fr/shop/OphelieTrichereau
š strawberry frogĀ š
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being a self-taught artist with no formal training is having done art seriously since you were a young teenager and only finding out that youāre supposed to do warm up sketches every time youāre about to work on serious art when youāre fuckin twenty-five
someone: oh yeah, do this exercise during your warm ups! itāll help
me: my what
Whatās up I have an actual college degree in art and I was never ONCE taught to do warm ups.
when i was in undergrad, it was kind of mentioned in and offhand way that we should do warmups, but we were never shown what that meant. And, yāknow, we were young so it didnāt matter so much.Ā
Being older now and having an art job itāsā¦kind of essential.Ā
So: a quick primer for those of you who are likeĀ āok but how do i actually go about doing this warmup thing.āĀ
1) you may be tempted to doĀ āa warmup drawingā which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didnāt warm up first. Itās tempting but always a trick your brain is playing on you! Do not trust!Ā
2) warmups will vary based on what feels good to you/what task youāre about to do/what motor skills you want to practice. That being said, some good standbys:
a) circles. Just a whole page of circles on whatever drawing surface youāre going to be using, whether thatās your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that youāre drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it!Ā
In order to ensure that youāre drawing from your shoulder, when youāre holding your pencil or whatever drawing tool youāre using, the only part of your hand that should be touching the drawing surface is part of the last two fingersāsome people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support.Ā
I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes iāve already drawn as a precision exercise, but i donāt do that unless iām feeling loose
b) spirals! i donāt always do spirals, but if iām stiff and the circles just arenāt cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me itās all about making sure iām comfortable with how iām moving so who really even cares about how the spirals look. Not me!Ā
c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if Iām working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface
d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I donāt always remember where I picked up my warm up exercises, but Iām pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)
e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and Iāll often take the time to do some rough shading on at least a few of them
f) spidermans! This one is really good if youāre going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics.Ā
g) beans. I donāt do beans too much anymore, but I know a lot of people like it so Iām mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper.Ā
h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what youāve already drawing. Repeat with a wavy line. Iām bad at this one, which means I probably need to do it more.Ā
And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when youāre getting bored, etc.Ā
This is a long list, I know, but I usually donāt take more than 10 to 15 minutes to warm up, and I can warm up one handed while Iām drinking coffee, so, multitasking hurrah.Ā
Sometimes Iāll advance to a precision warmup and find that I havenāt loosened up enough yet; itās totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if Iām not feeling it before I start, by the time Iāve gotten to the end Iām usually Ready For Drawinā. Brain hacks.Ā
so, yeah! thatās a lot of words, but! Warmups are important! Save your joints, take less advil, do better drawings!Ā
How on earth are you supposed to draw from a sholder? might as well tell me to draw from the foot. It makes no sense
https://youtu.be/pMC0Cx3Uk84
https://youtu.be/NBE-RTFkXDk
:3
Reblogging to save a wrist
Sohn Kee-chung & Nam Sung-yong
Now thatĀ the Tokyo Olympics is underway, letās talk about Olympic medalists Sohn Kee-chung (ģźø°ģ ) and Nam Sung-yong (ėØģ¹ė£”) - who were forced to compete under the Japanese flag during the 1936 Olympics.Ā
As you may know, Japan was an imperial power during WWII and colonized Korea (as well as many other countries). Sohn Kee-chung and Nam Sung-yong were ethnic Koreans who were forced to change their names to Son Kitei and Nan Shoryu so they could compete as āJapaneseā athletes.
Sohn won the gold in the marathon and Nam won bronze, but as you can tell from the awards ceremony photos, neither were happy about their victory as they had to stand in front of the world not as Koreans but as Japanese subjects.
Sohn specifically used the laurel plant he received as gold medalist to hide the Japanese flag on his chest. Nam recalled being jealous of Sohn - not because he won gold - but because he had something to cover the flag with. You can see Nam clenching his fist in photos instead.
Sohn was forced to give a victory speech that was pre-written for him praising the Japanese Empire. You can listen to a record here. Around the 2:39 mark - you can hear a voice threatening Sohn: āLouder. Read louder.ā
Unable to celebrate his win, Sohn sent a postcard to a friend post-match that simply read: āI am sad.ā
Korean newspapers Dong-A Ilbo (ėģģ¼ė³“) and Joseon Joong-Ang Ilbo (ģ”°ģ ģ¤ģģ¼ė³“) edited out the Japanese flag when reporting on Sohn and Namās wins. The Japanese government responded by arresting Korean journalists and putting Sohn under surveillance.
Both Sohn and Nam have repeatedly asked to be remembered as Korean athletes, not Japanese ones. But to this day, official Olympics records still use Japanese names and the Japanese flag for them.
In fact, the JOC has been introducing Sohn and 8 other Koreans as āJapaneseā athletes in order to promote Tokyo 2020. These athletes competed under the Japanese flag not by choice, but by imperialist force.
There have been many attempts to fix this. Noted example is Korean politician Park Young Rok who visited Germany for the 1970 Olympics and broke into the Berlin Olympic Stadium at night to fix Sohnās country to Korea. He fled to Korea with the letters J-A-P-A-N in hand.
In the beginning the Japanese national team wanted to kick Sohn and Nam out because they did not want to show the world that Koreans were better than Japanese athletes. When Sohn and Nam ranked 1st and 2nd respectively in the Olympic trials, they demanded a retrial in Berlin and added TWO more Japanese runners in hopes of disqualifying Sohn and Nam. Some of the Japanese players actually left the course and tried to take shortcuts to beat them. Sohn and Nam noticed this while running and swore that they would beat them no matter what.
They did.