party poison

If you’re a fan of Billy Joel’s music, chances are you also enjoy listening to The Beatles. Joel himself is a big Beatles fan, and that Lennon/McCartney influence is prominent in many of his songs, but stylistically, both artists are very different.

You don’t see Billy Joel featured in lists of ‘artists that sound like The Beatles’. But sometimes the influence pokes through…and I’m here to break it down.

Sometimes that Beatles itch needs scratching, and Billy Joel is the way to go.

If you don’t know me already, I’m Angelina — a multi-instrumentalist, music composer, lover of all things retro, and a thriller author. I write posts like this about retro pop culture, so come along for the journey. If you’re into 70s and 80s music, movies and The Beatles…I think you’ve found your new favourite writer.

Today’s hot topic: Billy Joel!

I’m still a fairly new fan of Billy Joel. I was one of those people who only knew Piano Man and Uptown Girl, but after listening to The Stranger front to back, I fell in love with the Piano Man himself. And as a long-time Beatles fan, it amazed me to discover some of Billy’s tracks have that Lennon and McCartney sound I love.

So here are five Billy Joel songs so Beatley you’ll want to sit on a cornflake.

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

#5 — You Can Make Me Free (1972)

I love Cold Spring Harbour. It is an incredible debut album with some amazing hidden gems that tend to get overlooked. The whole album has a distinct McCartney influence that’s hard not to hear, not only in the lyrics, but the melodies and how they’re sung.

You Can Make Me Free stands out for its vocals. Not only does Billy sound like Paul McCartney, but the instrumentation is very Beatles-sounding. When I hear this track, I automatically think of Let It Be. Both songs have a similar piano accompaniment, use an organ and have tone-alike guitar solos. And it makes sense. Joel recorded the tracks from Cold Spring Harbour just one year after Let It Be was released.

The melody itself is very McCartney-esque. It reminds me a lot of We Can Work It Out and Pipes Of Peace. And those raspy vocals at the end of the final chorus pay tribute to Oh! Darling and I’ve Got A Feeling. For another example of McCartney’s raspy vocals, check out Monkberry Moon Delight.

I also hear a Lennon influence, especially with that light rasp; it reminds me of Twist and Shout and You Can’t Do That.

The lyrics are optimistic and whimsical, like McCartney’s ballads, his ‘granny music’, such as When I’m Sixty Four and Martha My Dear.

“I can take to the skies, I can soar like a bird,” also rings bells for me. The mention of birds is not exclusive to The Beatles, but it reminds me of Blackbird and Bluebird.

So if you’re looking for a piano-driven, mellow vocal, optimistic track that sounds like Paul McCartney abandoned his bass for the piano, You Can Make Me Free is the way to go!

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

#4 — Scandinavian Skies (1982)

Ah, The Nylon Curtain…where to start? I love this album, but it doesn’t get the love it deserves. Scandinavian Skies is so Beatles-sounding it could pass on The White Album or Magical Mystery Tour.

This is a fairly popular observation, especially when you consider the context. Joel recorded this album between 1981 and 1982, and Lennon was assassinated in late 1980. While working on The Nylon Curtain, Joel was in the Beatles zone:

“I was thinking about the great Beatles albums, especially Sgt. Pepper’s. I had those kinds of aspirations for this.”

And he drew inspiration from their unique recording techniques.

“I want to make a good headphones album and use exotic instrumentation and layering the way The Beatles did.”

So it’s no surprise that Scandinavian Skies sounds like that.

The track begins with a mellow, experimental soundscape and voiceover. It is familiar to any Beatles fan, featured in tracks like You Never Give Me Your Money and Rain. As well as those consistent quarter-note piano chords familiar to Penny Lane and Strawberry Fields Forever.

Scandinavian Skies is melancholic, like many tracks from The White Album tracks such as Dear Prudence, Happiness is a Warm Gun and I’m So Tired. As for the orchestral instrumentation, this track resonates with The Long and Winding Road and A Day In The Life.

Instead of sounding like McCartney, Joel sounds like Lennon, especially the part: “I could play the blues all night…” where the ahhs are a signature of many Beatles tracks. And the solid beat in the chorus sounds like I’m So Tired: “You’d say I’m putting you on…”

The lyrics have political undertones. The Nylon Curtain leans into state-of-the-nation themes, especially tracks like Allentown and Goodnight Saigon. And any Beatles fan is familiar with political music, for example, Give Peace A Chance and Revolution.

Many believe Billy Joel is a pop artist who makes easily-digestible songs for the mainstream audience, but Scandinavian Skies shows that he can make complex, experimental music too. These songs tend to be appreciated more by musicians, so for my fellow musicians, this song features around twenty-two chords. Most songs feature four.

Above all, this track sounds like I Am The Walrus. When the staccato strings come in, when the drums accent them, when the song picks up, the resemblance is uncanny. It mirrors the part: “Sitting in an English garden…” Especially how it descends, like in Blue Jay Way.

I can also hear Lennon’s solo music, specifically from Double Fantasy, like I’m Losing You.

The setting itself is no stranger to The Beatles. Think about songs like Back in the USSR and Norwegian Wood. Even the way this song is written. It sounds like Lennon lyrics: “Who could say what was left and where was right?”

Can you tell who Billy Joel’s favourite Beatle is?

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

#3 — She’s Always a Woman (1977)

I love this song. I have a feeling I may start every section like this, but I really do. She’s Always A Woman is the perfect combination of Beatles — the lyrics are very Lennon and the instrumentation is very McCartney.

The style of piano playing is very resonant of Paul’s music, such as Let It Be and The Long And Winding Road. The fingerstyle acoustic guitar reminds me of She’s Leaving Home and I’ve Just Seen a Face, as well as the acoustic version of While My Guitar Gently Weeps, for some Harrison influence.

Let’s take a look at the plethora of chords and how often they change. She’s Always A Woman features around twenty chords. That is very Lennon. Think of songs like It Won’t Be Long and I Want You (She’s So Heavy). The frequent use of diminished and seventh chords seals the deal. Even that D Major to D Major 7th right before the chorus matches the pre-chorus in This Boy. These chord variations appear everywhere in She’s Always a Woman. That’s what makes it so Beatles-sounding.

The flute in the chorus reminds me of Fool On The Hill and the way Joel’s voice sounds, smooth and bright like McCartney’s, makes the resemblance uncanny.

And how about those non-lyric vocals? Specifically the ‘mmms’ during the chorus, which sound like I’ve Just Seen a Face and Words of Love. I know this is a common adlib not only used by The Beatles, but it sure does sound familiar.

The lyrics are almost identical to Girl. The only difference is She’s Always a Woman is more in denial, disregarding all the wrong his woman does because she’s only a woman, which makes her perfect. It delivers a powerful message about rose coloured lenses and how personal affiliations can water down facts. Whereas Girl tells a story about being trapped in a relationship but enjoying it too much to leave, so the protagonist is left with conflicting feelings. With both songs aligned like this, the inspiration is clear.

Listening to She’s Always A Woman feels like a mellow diss track. And us Beatles fans are familiar with this. It’s a bit of a stretch, but you could say it resonates with How Do You Sleep? and Too Many People.

And now, another song about relationship struggles. That alone is very Beatles.

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

#2 — Through The Long Night (1980)

If you think Through The Long Night doesn’t sound like early-Beatles, you’re simply wrong. Billy Joel heard Yes It Is and wrote this song inspired by it. Once you hear it, you can’t unhear it, especially with those multi-layered harmonies, the lyrics about past heartbreak, and the synth.

Many of Joel’s Beatles-sounding songs pay tribute to mid-to-late Beatles, but rarely early Beatles, which is interesting. After all, it was early-Beatles performing on the Ed Sullivan Show in 1964 that first inspired Billy Joel:

“That one performance changed my life. Up to that moment, I’d never considered playing rock as a career…This is what I’m going to do — play in a rock band.”

Listen to the melody in the verse. It is deliciously simple, like many of McCartney’s hits, and he even sounds like him, especially in the chorus, “Long, long time ago,” where Joel climbs up the scale. That’s where Paul’s vocals sit most comfortable. You could even say the vocal harmonies sound like Girl.

The short lyrical phrases are similar to early-Beatles tracks, which were often written around the title phrase, for example, A Hard Day’s Night and Can’t Buy Me Love.

The themes of sleeping remind me of the niche lullaby-sounding Beatles tracks like I’m Only Sleeping and Golden Slumbers. Whether or not this is intentional, the influence is clear.

The brass instruments make the song sound like Penny Lane and any track from Sgt. Pepper’s Lonely Hearts Club Band. Or rather, any one of McCartney’s ‘granny’ songs. I’m sensing a pattern here…

And now, the most Lennon-sounding song I’ve ever heard.

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

#1 — Laura (1982)

Man…this sounds so damn Lennon. If you can’t hear it, you don’t know The Beatles. Laura is conversational, bitter and yearnful. That alone is very Lennon. Think of songs like How Do You Sleep? and Gimme Some Truth. Additionally, the storytelling style reminds me a lot of Being For The Benefit of Mr Kite! and Girl.

Those experimental sounds are incredible, especially the effect-heavy guitar parts, which remind me of I’m Only Sleeping and Rain. It easily passes as a track off The White Album, along with Scandinavian Skies. It’s a track that comes from a deep emotional place of frustration, and I love it.

Listen to the part: “Laura loves me even if I don’t care (ahh)” and tell me it’s not four Beatles in a trench coat. The backing vocals are very early-Beatles, for example, Twist and Shout, and even late-Beatles, like Because. And the I Am The Walrus influence is obvious here, like in Scandinavian Skies.

Something else I’d like to point out: John Lennon and Paul McCartney both had trauma related to their mothers, and Laura is about the straining relationship between a mother and son, how someone close to you knows how to push your buttons. The best lyrical examples: “How can she hold the umbilical cord for so long?” and “Sometimes I feel like this Godfather deal is all wrong.” The themes of familial control and longing to get through to somebody are also found in Julia and Dear Prudence.

Even the title has similarities with Beatles tracks. A woman’s name. Other examples to feature a woman’s name: Lovely Rita, Michelle, Sexy Sadie and Mrs. Vandebilt.

Let’s not forget about the chords. The Beatles were known for experimenting heavily with song structure and instrumental composition. So does Laura, which features around twenty chords, and almost none of them are vanilla chords. That’s very interesting for any music enthusiast.

⊹₊˚‧︵‿₊⊱·✶·⊰₊‿︵‧˚₊⊹

The best thing about music: it is subjective. There’s something out there for everybody. Billy Joel is a fan of The Beatles, and so are you, I assume, if you’re reading this. It’s always a treasure to discover a new favourite song, so I hope I have given you some great new recommendations, or I’ve convinced you to re-listen to these awesome tracks.

The 1970s are a favourite amongst many. The decade saw impeccable cinematic releases such as The Godfather and Taxi Driver. As well as popular fashion and design choices like bell-bottom jeans, sunken lounges and avocado green. 

But music stands out as a highlight. 

Based on popular census and critical acclaim, the 70s is highly regarded as the best decade of modern music. Many believe that music technology peaked in a delicious combination of practicality and creative touch. 

And are they really wrong? 

The 70s brought us timeless albums such as Dark Side of the Moon and The Wall by Pink Floyd, A Night At The Opera by Queen, Goodbye Yellow Brick Road by Elton John, Rumours by Fleetwood Mac, and many more. 

But we’ve heard them dozens of times. 

So what are some 70s albums just as good, if not better? The ones we don’t automatically think of? Perhaps a few overshadowed by an impressive music catalogue? 

If you don’t know me already, I’m Angelina — a multi-instrumentalist and music composer, record and cassette collector, lover of all things retro, and a thriller author. I write articles just like this, about all things music, film and culture. So come along for the journey where we learn more about what makes our past great, with an epic soundtrack! 

The other day I found myself wondering: How did the 70s have such great music? 

So let’s talk about the 70s music scene. 

The Beatles had broken up by the beginning of the decade. The group that had laid the foundations of modern music and popularised the elements considered an industry standard these days. 

And if you’ve researched history, you know that when tragedy strikes, a renaissance follows. 

The Beatles’ breakup left the world in shock, but also showed it that music can be more than just audio. Many artists reached super stardom such as Led Zeppelin, David Bowie, ABBA and Eagles, but many groups fell into obscurity.

They still exist. They wait patiently to be discovered through a thrift store record bin or an unlabelled cassette tape. 

But does obscurity always mean underrated? 

Mostly, no. Every decade has bad music. Much like how every decade has bad movies. And bad fashion. And bad…historical events. 

But as humans, we love to feel unique. We love to play a retro track with six hundred streams and wait for others to ask us about it. That’s why the first two albums in this list are unpopular. 

How to determine popularity? I’d call an album unpopular if at least three quarters of the songs have less than a million streams. 

This list will be focused on albums that deserve some love in 2026. It will be centred on how well they hold up today, regardless of whether they were critically acclaimed upon release. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

#5 — Silver (1976) by Silver

If you love: The Beatles, The Beach Boys, America and Supertramp

Let’s kick things off with a band so unknown that their Spotify page has been recycled for a Russian rapper. 

Silver was an American country/rock band best known for their biggest hit, Wham Bam Shang-A-Lang which peaked on the charts in the USA, Canada and Australia. During their time together, they released only one album. 

Silver was a transitional band. Their lead vocalist John Batdorf had formed Batdorf & Rodney in 1970; their keyboardist Brent Mydland joined the Grateful Dead in 1979; and their bassist Tom Leadon was a former member of Tom Petty’s group Mudcrutch (and brother of Eagles’ Bernie Leadon). Nonetheless, the one album they wrote and recorded has fallen into obscurity, but that doesn’t mean it should stay there. 

My personal favourites from this album are Memory and All I Wanna Do. And funnily enough, I discovered this band through Spotify’s Discover Weekly playlist. And it’s safe to say Memory took over my life for a few weeks. I don’t know how to describe it. It has Beach Boys-style harmonies with a tinge of country charm, yet it sounds like a piece of lostwave. 

Here’s a rundown of the tracklist:

Musician (It’s Not an Easy Life): Rated 8 out of 10. I love that analogue synth sound, such a staple of 70s music. And the vocal harmonies sound flawless. 

All I Wanna Do: Rated 8 out of 10. The chord progression is so nostalgic, and the harmonies accommodate it so well. I love those guitar effects too. 

Memory: Rated 10 out of 10. I love this song, man. It sounds very Country but also very Easy Listening. The chorus is impossibly catchy. This song is perfect looped on repeat (I speak from experience). The lyrics are melancholy with an upbeat sound. 

No Wonder: Rated 5 out of 10. The instrumentals are so relaxing, especially those vocal harmonies. 

Trust In Somebody: Rated 6 out of 10. Notable for its acoustic guitar riff and Cheap Trick-esque sound. 

It’s Gonna Be Alright: Rated 7 out of 10. I love Easy Listening as much as the next music-lover. The lyrics are optimistic and the chorus has very catchy chords. 

Climbing: Rated 6 out of 10. I love the keys. As well as those backing vocal harmonies. 

Wham Bam Shang-A-Lang: Rated 8 out of 10. I love a gibberish phrase song, and it’s so iconic for the 70s. That slide guitar riff and relaxing percussion make this an awesome listening experience. 

Right On Time: Rated 6 out of 10. I love that folk country sound. This song reminds me a lot of America. 

Goodbye, So Long: Rated 6 out of 10. That 3/4 time signature makes this track a treasure for musicians to appreciate. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

#4 — Lights From The Valley (1978) by Chilliwack

If you love: Cheap Trick, Supertramp, Eagles, Lynyrd Skynyrd and Steve Miller

Chilliwack — what a name! 

This is a Canadian rock band active inconsistently since 1966. Lights From The Valley is their seventh studio album which was certified Platinum in Canada. 

I picked up this record at my local thrift store. From the name and visuals alone, I knew I’d enjoy it. And that proved true when I bought and spun it for the first time. Standouts for me are Tonight, Arms of Mary and In Love With a Look. Overall, it’s a solid album that captures the earthy-toned whimsy of the 1970s. 

It definitely makes me nostalgic for a decade I didn’t experience. 

The tracklist:

Never Be The Same: Rated 8 out of 10. I love that descending acoustic guitar intro, as well as those guitar harmonics. And that chorus is absolutely addictive; it gives 70s road trip vibes. 

I Wanna Be The One: Rated 4 out of 10. It has a great rock ’n’ roll style guitar riff and upbeat rhythm. However, the other songs outshine this track for me. 

How Can You Hide Your Love: Rated 5 out of 10. That dual guitar intro is awesome. And the harmonies in the chorus are very Brian Wilson. 

(We Don’t Have To) Fall In Love: Rated 7 out of 10. I love the singular chord for most of the song, a creative choice. And the rock ’n’ roll style guitar riff makes you wanna move. 

Lookin’ For A Place: Rated 7 out of 10. Groovy bassline galore! Reminds me of Lynyrd Skynyrd. 

Arms Of Mary: Rated 8 out of 10. The most popular from the album, at around 100k streams. Sounds like a perfect blend of country and rock ’n’ roll. And the lyrics are so uplifting. 

Tonight: Rated 10 out of 10. My favourite! It’s impossible to feel sad when this song comes on. The instrumentals are catchy and optimistic, and the chorus is so uplifting. 

She Keeps On Cryin’: Rated 8 out 10. Tremolo guitar riff makes it sound like metalcore without distortion…and it’s great. Easy to dance to with a very catchy chorus. 

In Love With A Look: Rated 8 out of 10. So damn whimsical. The chorus is so addictive, made perfect by those vocal harmonies. Reminds me a lot of Surrender by Cheap Trick. 

No Love At All: Rated 8 out of 10. I love that retro synthesizer. Reminds me of Elton John. And the chorus has a great message, “You can’t always find what you’re looking for, you might end up with no one at all.” Timeless rock at its finest. 

Mary Lou And Me: Rated 6 out of 10. Love me some rockabilly. This track has such 50s nostalgia with a touch of country. 

The Hardest Things To See: Rated 7 out of 10. Notable for its skilled lead vocals and simple acoustic elements. However, the streaming quality isn’t too great. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

#3 — Band On The Run (1973) by Paul McCartney and Wings

If you love: The Beatles (obviously), Electric Light Orchestra, Billy Joel and Steve Miller

By including this album on the list, by no means am I claiming one of the primary songwriters and performers of The Beatles is ‘unpopular’. I’ve just noticed that many love to idolise McCartney’s work with The Beatles and his albums as a solo musician, but tend to disregard his work with Wings. Or rather, group it all in one big McCartney-shaped bubble. 

Put simply: Wings are a better band than most remember. And not just for McCartney. 

You might remember Wings for Band On The Run, which happens to be the opening track of this album. Its delicious melodies and medley-style reminds many fans of Abbey Road and has become a staple in McCartney’s music. Other notable tracks with a medley-like writing style include A Day In The Life, You Never Give Me Your Money and Uncle Albert/Admiral Halsey. 

In addition to Band On The Run, I recommend Back To The Egg (1979) and Wings At The Speed Of Sound (1976). Specifically the tracks, Old Siam, Sir and Beware My Love. But for the purpose of the list, Band On The Run takes the spot of number three for its more mainstream sound. 

Band On The Run is a solid, cohesive album. It features quiet, mellower tracks such as Bluebird and Picasso’s Last Words. As well as nostalgic tracks like Jet and Nineteen Hundred and Eighty Five. Even tracks that sound like The Beatles, like Mrs Vandebilt and No Words. 

The tracklist: 

Band On The Run: Rated 8 out of 10. It has an incredibly catchy guitar riff and a chorus that’s easy to sing along to. Its orchestral elements remind fans of Sgt. Pepper’s Lonely Hearts Club Band. 

Jet: Rated 7 out of 10. I love the powerful bass in this song, it reminds me of punk rock. And the instrumentation is packed with 60s nostalgia. 

Bluebird: Rated 5 out of 10. The percussion is so peaceful and groovy. Perfect campfire song for your acoustic guitar. It’s simple in the most effective way. 

Mrs. Vandebilt: Rated 10 out of 10. One of my favourite McCartney tracks. The bass line is complex and groovy, similar to Ob-La-Di Ob-La-Da, and it’s very fun to play (for any bassists). The chord progression is musically interesting, switching from minor to major 7 chords where music theory denies the option. And that melody…gorgeous. 

Let Me Roll It: Rated 7 out of 10. Notable for its 50s rock ’n’ roll style and crunchy guitar riff. It makes you feel like lazing around in a sunken lounge. 

Mamunia: Rated 4 out of 10. Although it’s my least favourite, I can appreciate its fingerstyle acoustic guitar. 

No Words: Rated 10 out of 10. Man, what can I say about this song? It sounds like a delicious combination of Abbey Road and A Hard Day’s Night. The lyrics are beautiful, capturing the essence of love. Many fans believe the song was written for John Lennon, specifically the line, “It’s only me.” When they would argue, John would take off his glasses and say that exact line to defuse their conflict. It’s a beautiful reference, but not confirmed. 

Picasso’s Last Words: Rated 5 out of 10. I love the reprise-style lyrics.

Nineteen Hundred And Eighty Five: Rated 10 out of 10. This was the first song I heard from this album many years ago. The piano riff is groovy, for any fans of Lady Madonna, and is very fun to play. And the orchestral elements make it sound like something out of Sgt. Pepper’s but with a more mainstream sound. And those harmonies…it’s perfect for your listening needs. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

#2 — The Stranger (1977) by Billy Joel

If you love: Elton John, Ben Folds, Lou Reed and Paul McCartney

When people think of Billy Joel, they usually sing the harmonica riff in Piano Man or start belting out Uptown Girl, but dare I say his album, The Stranger, is better? It’s certainly my favourite Billy Joel album, along with Cold Spring Harbour, 52nd Street and The Nylon Curtain. 

This album changed my brain chemistry. Billy Joel understands. He absolutely understands the human condition. Tracks like Vienna hit the heart with its lyrics about existential anxiety and fearing ‘becoming nothing’. She’s Always a Woman is incredible with its many layers of a struggling relationship and the power of denial. Even Movin’ Out, about struggling up the social ladder and questioning whether there’s a ladder at all. I’m not ashamed to say I blast this song on my way to work…at a grocery store! If only my name was Anthony…

The Stranger is a concept album. The 70s really loved their concept albums… 

It focuses on the duality of human nature and references a darker persona people hide behind a pretty mask. All of its songs have similar themes of young adult disillusionment and existential questioning. Which many can relate to, of all ages. Hell, Vienna has reached one billion streams of Spotify. 

But it’s not enough. 

If you haven’t already, you need to listen to this album start to finish. The way it was meant to be listened to. 

The tracklist: 

Movin’ Out (Anthony’s Song): Rated 10 out of 10. This was the first song I discovered. And I instantly fell in love with it. The melody and the chords are perfect, and that “ack-ack-ack-ack!” part is contagious. It’s the ultimate track for discovering yourself and taking action. 

The Stranger: Rated 10 out of 10. What can I say? It’s perfect. It has beautiful whistling segments, and then dives into an upbeat piano rock track. It’s impossible to sit still listening to that groovy bass. And if the musical elements weren’t enough, listen to the lyrics. If you’ve ever contemplated the human race, you’ll understand. 

Just The Way You Are: Rated 8 out of 10. I love the analogue synth sound. It reminds me so much of Rosalinda’s Eyes. Its lyrics are also honestly romantic. 

Scenes From An Italian Restaurant: Rated 10 out of 10. This is Billy Joel’s Bohemian Rhapsody. It meets all your listening needs — saxophone solo, lyrical storytelling, ragtime and piano rock. You’ll come to love Brenda and Eddie. 

Vienna: Rated 10 out of 10. Just listen to it.

Only The Good Die Young: Rated 7 out of 10. Notable for its creative twist on the common phrase. I love the organ so much. 

She’s Always a Woman: Rated 10 out of 10. Musically, very Paul McCartney. Lyrically, very John Lennon. The chord progression is a treasure for all musicians to appreciate. I also think it sounds like She’s Leaving Home. 

Get It Right the First Time: Rated 6 out of 10. Those drums and that piano groove. The “la, la, la” section is so catchy, and its sound is so uniquely Billy Joel. However, I think the previous tracks are more memorable. 

Everybody Has a Dream: Rated 6 out of 10. Reminds me so much of New York State of Mind. The perfect ballad to belt out at karaoke. I could definitely see Mariah Carey or Steve Perry covering this song. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

#1 — Sheer Heart Attack (1974) by Queen

If you love: Muse, Sparks, Electric Light Orchestra and Iron Maiden

Ah, 70s Queen…my favourite. 

Many prefer Queen in the 80s because of their more mainstream sound and timeless pop hits such as Radio Ga Ga and I Want To Break Free. But many musicians, myself included, adore 70s Queen. 

The whimsical and wonderful songs about fantasy creatures and romance. What more could you ask for? 

Queen’s most critically acclaimed 70s album was A Night At The Opera. It is how many fans define this era (read more here!) But Sheer Heart Attack helped to define their sound first. 

Queen were relatively unknown when Sheer Heart Attack was released, transitioning from underground sensation to mainstream rock artist. This album contains popular singles such as Killer Queen, Flick Of The Wrist and Now I’m Here. As well as the delicious medley of Tenement Funster/Flick Of The Wrist/Lily Of The Valley. 

As a die hard Queen fan, I really struggled picking a 70s Queen album for this list. They’re all subjectively good, and your favourite will depend on your favourite music style. If you enjoy a heavier sound, I’d recommend Queen and Queen II. If you like whimsical operatic ballads, I’d recommend A Day At The Races and A Night At The Opera. And if you love rock ’n’ roll, it’s gotta be Jazz and News Of The World. My personal favourites are Queen II, A Night At The Opera, A Day At The Races and of course, Sheer Heart Attack. 

The album has a beautiful range of dynamics, instrumentation and music styles. Lily Of The Valley and Dear Friends are beautiful, sentimental ballads, while Brighton Rock and Now I’m Here are hard rock masterpieces. It’s difficult to define this album into a singular genre, like many of Queen’s works, but that’s what makes them so awesome. 

So if you’re looking to bring some whimsy into your life, Sheer Heart Attack is the way to go! 

The tracklist: 

Brighton Rock: Rated 8 out of 10. I love those iconic falsetto vocals from Mercury. And the drums are incredible; it’s hard not to dance. That guitar solo…I love you, Brian May. 

Killer Queen: Rated 9 out of 10. This song is simply iconic. The clicking, the guitar solo, the backing vocals, the piano — everything! Everyone knows this song, whether you’re a Queen fan or not. And it’s so damn sassy. 

Tenement Funster: Rated 8 out of 10. The only song sung by drummer, Roger Taylor, and it’s perfect for his vocal timbre. That arpeggio guitar intro is so awesome. Perfect for your groovy, rebellious listening needs.

Flick Of The Wrist: Rated 10 out of 10. I just love this song. It sounds menacing and sassy in all the best ways. And the conversation-style lyrics are awesome. That bass…I’m in love. Thank you for existing, John Deacon. 

Lily Of The Valley: Rated 8 out of 10. There is such beautiful chemistry between the vocals and piano. And Mercury knows how to tug at your heartstrings. A beautiful finale to the three-song-medley. 

Now I’m Here: Rated 9 out of 10. It’s simply iconic. The panning of vocals is an amazing touch. And that delicious guitar riff…it almost has a rockabilly sound. 

In The Lap Of The Gods: Rated 8 out of 10. Mercury’s arpeggio-style piano playing is perfect for this song. And let’s not forget those iconic falsetto vocals from Taylor. This is the perfect song to sulk to. Although it’s not very popular, it’s dear to me. 

Stone Cold Crazy: Rated 8 out of 10. Holy moly. It’s Queen II all over again. That guitar riff, those drums, the dynamic fluctuations — it’s amazing. 

Dear Friends: Rated 4 out of 10. Not my favourite, but it’s a great ballad. Mercury’s vocals are excellent. 

Misfire: Rated 6 out of 10. Funny lyrics, Mr. Deacon. Apart from that, the bass line is perfectly funky and the melodies are catchy. 

Bring Back That Leroy Brown: Rated 7 out of 10. The ukulele solo, I’m in love! The instrumentals are perfectly whimsy. 

She Makes Me (Stormtrooper in Stilettos): Rated 6 out of 10. So reverby and dreamy, also sung by Brian May. It feels like you’re floating up in the clouds. However, it gets boring after a while. Mid for Queen but a hit if it was by a different artist. 

In The Lap Of The Gods…Revisited: Rated 10 out of 10. This was one of the first songs I discovered from this album. It has amazing, emotional lyrics. And those ‘wo, wo, la, la, la’ sections are perfect. “Forgive me when I ask you where do I belong.” Just stab me, it’ll hurt less. 

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

Music is now more accessible than ever, thanks to the internet, and it’s much easier to make. Instead of manually cutting out tape pieces to fix a guitar solo mistake, you can just press ‘backspace’. 

Objectively, music isn’t what it used to be. And it’s up to you to decide whether it has gotten better or worse over the years. In my opinion, there are musical masterpieces in every decade, every genre. Personally, I prefer music from the 60s, 70s and 80s. A lot of my favourite artists were active in those decades. And I don’t follow the current charts regularly to accurately judge them. What do you think? Has music gotten better or worse?

The eighties were a whacky decade. Whether you’re into the refreshing weirdness of Bowie’s live concerts or the impeccable belting of Houston, many enjoy music from this neon-filtered era. But how much really do you know about the years that normalised remembering people’s phone numbers?

If you don’t know me, I’m Angelina, a record and cassette collector, musician, author and an old-soul with an appreciation for all things catchy and timeless, including music and film. Although I wasn’t around in the ’80s, I have a rich appreciation for everything from the era.

This is my top five picks of underrated ’80s albums you must listen to, based on the style of music, musical and lyrical quality, and how much I believe they should make a comeback. Or at least have a reserved spot on your streaming service home page.

· · ─ ·✶· ─ · ·

#5 — Forever Young by Alphaville (1984)

Although Forever Young and Big In Japan are timeless classics, the album they come from is severely underrated. This record is packed with ten empowering, emotional and upbeat tracks for all your dancing (and reminiscing) needs!

If you love that raw, eighties, reverby sound with iconic new wave vocals, this is the album to blast the next time you’re driving to the gas station. Or if you need a simple ‘lift me up’ before tackling your day of work. Lies and The Jet Set are instant mood uplifters, with bright synths and motivational lyrics, and they’re definitely on my mood booster playlist. And if you need some tracks to stare off into the sunset to, A Victory Of Love and Summer In Berlin are perfect! With slow beginnings, meaningful lyrics and a gradual pick-up, you’ll automatically be the coolest sunset-viewer.

Of course, Forever Young is, if not, the most iconic new wave track of 1984. Who could forget that catchy and uplifting chorus? I guarantee every ‘80s kid has a memory attached to this song. Big In Japan is another one of Alphaville’s big hits, a feel-good track featuring addictive synth and catchy percussion. The chord progression and melody tie in so well it should be illegal.

Have a listen to the tracks below:

A Victory of LoveSummer In BerlinBig In JapanTo Germany With LoveFallen AngelForever YoungIn The MoodSounds Like a MelodyLiesThe Jet Set

· · ─ ·✶· ─ · ·

#4 — Fiction by Time Bandits (1985)

A mostly-forgotten New Wave group formed in 1981, Time Bandits. Their music is a beautiful combination of haunting vocals and unique-sounding synths. Fiction is one of those albums that not many have heard, but those who have, love it!

The most popular track on this album is Endless Road, which has received much radio-play and remains the group’s biggest hit, alongside I’m Specialised in You. It is also my favourite from the album.

If you’re into funky percussion, saucy basslines and sassy vocals, I Won’t Steal Away is the track for you. Jam-packed with rich nostalgia, even if you weren’t around in the ’80s. Alternatively, sentimental and full of vibes, Dancing on a String and I Want To Live are two amazing openers to an amazing album.

The tracklist:

Dancing on a StringI Want to LiveI Won’t Steal AwayYou Are Every WorldRunawayOnly a FoolBack Against The WallEndless RoadAmerica

· · ─ ·✶· ─ · ·

#3 — The Pleasure Principal by Gary Numan (1979)

I’m well aware that this album wasn’t released in the ’80s, but take one listen and tell me it doesn’t sound like it! Gary Numan was way ahead of his time with this album, setting the foundations for Synthwave — what would become the biggest musical trend of the decade. With chunky bass, rich synths and lyrics about alienation and paranoia in a dystopian world, told from the perspective of machines, this album is a must-listen

Cars is the most popular track, and for good reason! Its catchy bass riff and charming instrumentals make for a great 80s-sounding track — definitely a song to add to your driving playlist. Pun intended?

Another song that deserves love is Conversation, a groovy seven-and-a-half-minute masterpiece for your throwback playlist. As well as Metal, with a catchy chord progression and melody, and M.E., which perfectly captures the android feel and focus on alienation. Make sure to give this album a listen. Maybe after two or three, you’ll be tempted to apply some eyeliner and thrift some vintage blazers.

And again, here’s the tracklist:

AirlaneMetalComplexFilmsM.E.TracksObserverConversationCarsEngineersRandomOceans Asylum

· · ─ ·✶· ─ · ·

#2 — The House Of Dolls by Gene Loves Jezebel (1987)

A satisfying stylistic blend of Van Halen, Gene Vincent and David Bowie, Gene Loves Jezebel will have you wanting to buy an old muscle car and cruise around the beach, blasting cassette mixtapes. Formed in 1980 by twin brothers Jay and Michael Aston, this underrated group has created so many unknown bangers guaranteed to make you a hit at the throwback party.

The most popular track is The Motion of Love, which remains the group’s biggest hit, is catchy with a Whitesnake-inspired guitar sound. The nostalgia it brings is unmatched.

Treasure is also a solid track with a uniquely dreamy chorus, lyrics about relationship struggles, and a driving bass part. My other favourite is Suspicion. This was the first song I discovered while searching for a theme song for my first novel, also named Suspicion. The coincidence was perfect, a song released in 1987 for my book set in 1987, with the same title! It turns out, the album was just as good. So give it a listen if you want a new gothic rock album for your nostalgia-listening needs!

You know the drill. Tracklist time:

GorgeousThe Motion of LoveSet Me FreeSuspicion Every DoorTwenty Killer HurtsTreasureMessage Drowning CrazyUp There

· · ─ ·✶· ─ · ·

#1 — Valotte by Julian Lennon (1984)

I know what you’re thinking. How could John Lennon’s first son be unknown? Although many Beatles fans know him, how many have listened to his debut? This album is stylistically and lyrically so ‘Lennon’, guaranteed to be a favourite.

The title track Valotte is a solid opening to this amazing album, with touching lyrics, unique chord arrangements and a catchy, sentimental chorus that sticks with you. Of course, Too Late For Goodbyes is the most popular track, and also Lennon’s biggest hit for good reason.

Tracks on this album are genre-diverse, but it works. On The Phone has Blues and R&B influences, O.K. For You has a rich Funk sound, and Space has a mellow, Indie style that beautifully accompanies the most guitar-focused tracks.

Tracklist:

ValotteO.K. For YouOn The PhoneSpaceWell I Don’t KnowToo Late For GoodbyesLonelySay You’re WrongJesseLet Me Be

· · ─ ·✶· ─ · ·

Bonus — Pride by White Lion (1987)

White Lion was an underrated group that came out of the popular glam metal scene of the ’80s. Although slightly more popular than the other albums on this list, this record is catchy, motivating and should be played alongside The House Of Dolls by Gene Loves Jezebel because of their musical similarities.

The opening track, Hungry, is the perfect introduction to a solid album, with an epic chorus and a chunky electric guitar riff. And then followed by Lonely Nights, you’re guaranteed a great listen if you enjoy this style of music.

When the Children Cry is the most popular track, a touching outro tune about generational guilt with beautiful acoustic guitar and emotional lyrics guaranteed to tug at your heartstrings.

Final tracklist segment:

HungryLonely NightsDon’t Give UpSweet Little LovingLady of the ValleyWaitAll You Need Is Rock ’n’ RollTell MeAll Join Our HandsWhen The Children Cry

· · ─ ·✶· ─ · ·

Queen was one of the most popular rock bands of the 70s and 80s, still receiving love from younger generations today. Blending operatic vocals, whimsical instrumentals and hard rock sounds, Queen are truly one of a kind.

Now, in 2026, A Night At The Opera remains their most loved ’70s album, and it also turns 50 years old. Does it live up to the hype, and is it still exhilarating to listen to, all these years later?

Yes.

One hundred percent, yes.

If you don’t know me already, I’m Angelina — a record and cassette collector, music composer and multi-instrumentalist, and an author of crime fiction. I love all things retro, including music and film. So come along for the journey, where we learn more about the past and enrich our knowledge of pop culture!

So, what is Queen? No, not the Queen of England. Queen is a British rock band formed in 1970, consisting of Freddie Mercury (vocals, piano), Brian May (guitar, vocals), Roger Taylor (drums, vocals) and John Deacon (bass). Their music is a blend of progressive rock, opera and pop rock, selling more than 300 million records worldwide. Undoubtedly, their most popular ’70s album is A Night At The Opera, selling over 11 million copies since its release in 1975, so what makes it so special?

It’s simple. The world hadn’t heard anything like it before. Everything about this album — the tracklist, lyrics and instrumentals — is unique and enduring.

· · ─ ·✶· ─ · ·

Track #1 — ‘Death On Two Legs (Dedicated to…)’ written by Freddie Mercury

The opening track is unique for a variety of reasons — it is a personal letter Mercury wrote to their former manager, Norman Sheffield, about his mistreatment of the band, financially and professionally. And it is brutal. Phrases such as “Do you feel like suicide? (I think you should),” and “A dog with disease, king of the sleaze,” make you feel the raw, hateful energy, making it an exceptional opening track. But does it really set the musical tone for the album? No. But can an album as progressive and creative as A Night At The Opera be organised musically? Also no.

The track opens with arpeggio-style piano playing from Mercury before blending into a menacing guitar riff. Another interesting feature is the switch from the key of Ebm to D major, which is especially interesting to anyone who knows music theory. I think that’s the beauty of Queen’s ’70s songs. They may not be radio-friendly, but they grab the attention of people who know music.

Track #2 — ‘Lazing on a Sunday Afternoon’ written by Freddie Mercury

Here, the album takes a complete turn. Lazing on a Sunday Afternoon is nothing like Death on Two Legs. It is whimsical, folk-like, and almost novelty-sounding, with lyrics that tell a story of an Englishman’s everyday activities. Again, it features Queen’s iconic opera-style vocals and bright-sounding piano parts. It is a creative approach on Queen’s part. Ambitious, much like all of their ’70s songs.

This track in particular showcases Mercury’s piano skills, including his use of dynamics and staccato. That’s another thing that makes Queen songs special. Sometimes they’ll be quiet, and othertimes they’re loud, but the transition between these dynamics is always flawless. A great example of this technique can be shown in Father to Son from Queen II, specifically the instrumental sections.

Track #3 — ‘I’m In Love With My Car’ written by Roger Taylor

Now, the album returns to its hard rock sound, with this iconic track featuring Taylor on vocals. I’m In Love With My Car is a serious-sounding song about a man who’s in love with his car (obvious, much). Some lines are purely funny, such as “With my hand on your grease gun, it’s like a disease, son,” and “Told my girl I’ll have to forget her, rather buy me a new carburettor.” And who could forget the legendary story behind this song? Taylor, who wrote the song, locked himself in a cupboard until Mercury agreed to put it as a B-Side to Bohemian Rhapsody. What a drama queen!

But as for the track’s musical quality, it is great. The harmonies in the chorus are addictive, and so is the complicated lead guitar part. When the song takes on a chugging, gritty tone for the second verse, it sounds like a different song. But it works. Just like this next track.

Track #4 — ‘You’re My Best Friend’ written by John Deacon

One of the album’s big hits, You’re My Best Friend reached #7 in the UK music charts, written by the band’s bassist, John Deacon. A change of pace, musically and lyrically, from I’m In Love With My Car, this track is bright, nostalgic and sounds like the ’70s with that analogue synthesiser accompanying Mercury on vocals. And speaking of vocals, they are beautifully rich and emotional, perfect for this song.

In addition to the instrumentals, the lyrics are warm and loving. Phrases such as “In rain or shine, you’ve stood by me. I’m happy at home,” and “Been with you such a long time, you’re my sunshine,” make this a universal anthem for best friends. Who could feel sad while listening to this happy track?

Track #5 — ‘’39' written by Brian May

Are you getting used to the structure of this album by now? Here we have yet another change of pace…and genre. ’39 is a cute sci-fi country track about space travellers who experience time dilation, and when they return to Earth after a year, a century has passed. It’s a musically interesting track because it features a double bass, played by Deacon. May originally mentioned the idea to him as a joke, but he took it seriously and taught himself how to play the instrument. And what we have is an ambitious result, a fan-favourite since its release.

The lyrics are also emotionally touching. Lines such as “Write your letters in the sand, for the day I take your hand, in the land that our grandchildren knew,” and “Your mother’s eyes, from your eyes, cry to me,” showcase May’s songwriting abilities and his extensive knowledge of space, as a qualified astrophysicist with a PhD degree. Now that’s impressive.

Track #6 — ‘Sweet Lady’ written by Brian May

Anyone who has watched the film Bohemian Rhapsody giggles a bit when they hear this song, especially at the line, “You call me sweet like I’m some kind of cheese.” But jokes aside, this is a solid song. Its 3/4 time signature, uncommon in rock music, that gives the song a Waltz feel. The main guitar riff is also very catchy, reminds me very much of the riff from Now I’m Here.

As for the lyrics, I believe the bridge has the best lyrics: “Though it seems we wait forever/Believe and we’ve got everything we need.” Cute, relatable and true — what more could you ask of song lyrics?

Track #7 — ‘Seaside Rendezvous’ written by Freddie Mercury

Seaside Rendezvous sounds like the lovechild of Lazing on a Sunday Afternoon and ’39, and I love it! It is a fun, whimsical track about lovers by the sea during the 1920s/30s. Being Queen’s most unconventional track, it features a kazoo, tap dancing sounds, whistling, a clarinet, and orchestral vocals. The instrumentals also inspired one of my short stories, Tres Charmant, My Dear, also a lyric from the song. What can I say? This song never fails to make me happy.

And Mercury singing in French is something I never knew I needed. The lyrics are fun, romantic and beautifully reflective. My favourites include “I feel like dancing in the rain, can I have a volunteer?” and “Together we’ll sail across the sea, reminiscing every night.” And how could I forget, “What a damn jolly good idea,” a phrase I now use unironically in conversation (and you should too).

Track #8 — ‘The Prophet’s Song’ written by Brian May

I like to describe this song as Bohemian Rhapsody’s wicked stepsister. Any huge Queen fan will tell you that this track is underrated, even better than Bohemian Rhapsody. And I agree. It is Queen’s most ambitious track, running at eight and a half minutes in length, and featuring a two-and-a-half-minute acapella section with layered and panning vocals from Mercury. Combined with the uncommon chord progression, the poetic lyrics, and many genre changes, it is a cult classic. Do you like this song better than Bohemian Rhapsody?

The lyrics are like a story, with beautiful, poetic lines such as, “I watched as fear took the old man’s gaze, hopes of the young in troubled graves,” and “The earth will shake, in two will break, and death all around will be your dowry.” Please, please, please listen to this song if you haven’t already. And if you have? Listen to it again. It deserves it.

Track #9 — ‘Love of My Life’ written by Freddie Mercury

Love of My Life is another popular track from the album, and for good reason. It is a mellow, emotional track featuring primarily piano and heavenly vocals from Mercury. A perfect change of pace from other heavier tracks, such as I’m In Love With My Car and Death on Two Legs. The sound, chord progression and addictive melody touch the hearts of listeners, even fifty years later. And the real message behind those lyrics makes the song a masterpiece. It is widely believed that Mercury wrote this track for his best friend, Mary Austen, when coming to terms with his sexuality.

Queen often performed a guitar and vocals arrangement of this song live, which showcased May’s expertise. The acoustic guitar part is mellow and emotional, a perfect accompaniment to Mercury’s blissful vocals. It’s also very fun to play, coming from a guitarist. Which version do you prefer?

Track #10 — ‘Good Company’ written by Brian May

One of the cutest tracks on this album, Seaside Rendezvous’s little brother. With May on vocals and the ukulele, this song beautifully breaks up the pacing of the album. The melodies and guitar parts blend so gracefully, drawing attention to the relatable, advice-like lyrics. “Take care of those you call your own, and keep good company,” is amazing advice from a great song. As well as “Marriage is an institution, sure, my wife and I, our needs are nothing more,” and “All through the years, in the end, it appears there was never really anyone but me.” This song is certainly worth a listen, if you haven’t already. Not just for its instrumentals, but for the wise lyrics. Brian May, the songwriter you are.

Track #11 — ‘Bohemian Rhapsody’ written by Freddie Mercury

Now, for the track we’ve all been waiting for—the reason why the album is as popular as it is. Bohemian Rhapsody. At six minutes long, it is the band’s most recognisable and timeless track, notable for its ambitious operatic section, emotional lyrics, iconic guitar solo, and hard rock influences. Its beautifully haunting melodies never fail to touch the hearts of many listeners — including mine. That “Mama, ooh,” will forever be iconic.

And why is it so popular? Because it’s simply amazing. It encapsulates Queen’s 1970s sound so beautifully. The lyrics are a dramatic masterpiece, with beautiful lines such as “I don’t wanna die, I sometimes wish I’d never been born at all,” and “Life had just begun, and now I’ve gone and thrown it all away.” Despite the song being regarded as overplayed, its lyrics remain powerful in their own right. How do you feel about this track? Do you think it’s overrated?

Track #12 — ‘God Save the Queen’

Very similar to Procession from Queen II, God Save The Queen is a short instrumental track at the very end of the album, a cover of the British national anthem. It’s disregarded by many Queen fans for its short length, lack of lyrics, and being a themed filler. All I know is that, when I want to get my Queen fix, this is the last song I put on. Nonetheless, the layered guitar melodies are beautiful.

· · ─ ·✶· ─ · ·

Queen’s A Night At The Opera will forever be iconic, a staple of rock music with a defining 1970s sound. It has been enjoyed by all generations since then, and will continue to be played — either through records or Spotify. What is your favourite track from this album? Mine is Seaside Rendezvous and The Prophet’s Song, could you tell?

Cassette tapes — vintage and infuriating, but loaded with personality. Many Gen X’ers remember creating their own radio mixtapes, borrowing tapes from mates and sharing tapes with a best friend or lover, but they have undoubtedly dropped in popularity since then.

Let’s start with the obvious question. What is a cassette tape? A cassette tape is a small, rectangular shell that contains two magnetic tape reels, used for recording and playback, often through a tape deck or a moveable cassette player. They are small, cheap and portable, a seemingly huge improvement from the previous bulky vinyl record.

Cassette tapes had many problems — worn belts, distorted sound, dirty playback devices, as well as that annoying high-pitched hiss. So why on Earth would anyone use them when there’s more efficient ways to listen to music? For starters, there are streaming services like Spotify, Apple Music and YouTube Music. Any song available at any time — no hassle, no bulky storage, no limits. So why are cassette tapes making a comeback?

It all comes down to three reasons: nostalgia, digital burnout and aesthetic appeal.

Before we get started, if you don’t know me already, I’m Angelina — a record and cassette collector, music composer and multi-instrumentalist, and an author of crime fiction. So come along for the journey, where we discuss all things related to music, writing and film!

· · ─ ·✶· ─ · ·

#1: Nostalgia — the entertainment industry’s cash cow

Nostalgia is responsible for a lot of entertainment. Nostalgia is why Hollywood continues to remake old movies. Nostalgia is why music from the 1980s finds its way back onto the Billboard charts today. People simply can’t get enough of the past.

Eighties kids are plagued with nostalgia. That collection of mixtapes, labelled only by year, corroding away in storage. You don’t have the heart to chuck them out — or to go through them. Maybe you made them as a teen for your eventual kids to see how cool their parents were. But they’re too busy making their own Spotify playlists, adding songs you’ve never heard. Clothes you own are older than those songs. So what changed? Nothing, really. Everyone loves music. The way we listen to it has evolved.

Instead of volume wheels, equalizer sliders and spring-loaded controls, the norm today is a touch screen with a flat design, monotone colours, and aesthetic playlist names. But which is better?

Interestingly, the cassette comeback is supported and promoted by young people. Generation Z. Custom mixtapes are sold in online shop fronts. Modern popular artists such as Ed Sheeran and Sabrina Carpenter are creating cassette releases of their new albums. And the most fascinating part? Gen Z weren’t even alive when cassettes were popular.

Anemoia is a term coined by John Koenig in The Dictionary of Obscure Sorrows (2021), referring to nostalgia for a time you never experienced, a longing for a past era seen through photos, music, and films. It seems to describe exactly what young people are experiencing, myself included.

Of course, nostalgia is nothing new. The entertainment industry has been profiting off this psychological phenomenon since the dawn of time. Whether it be through the decadent 1980s aesthetic of the hit television series, Stranger Things (2016-) or even the rich 1950s aesthetic of the television series, Happy Days (1974–1984).

Nostalgia has promoted the sale of not only cassettes, but vinyl records. During the 2020s, records surpassed the sales of CDs, steadily rising in popularity since their initial revival in 2007. But what’s most interesting is the cassette revival. Cassette tapes — the awkward, less likable cousin of vinyl records, now a trend like iced matcha lattes and labubus?

· · ─ ·✶· ─ · ·

#2: Digital Burnout — we yearn to hold and collect things, not use touch screens

In a world of streaming services and subscriptions, the physical media age has died out. Why visit a Blockbuster with friends for a movie night when you can stream on Netflix? Why pre-order a new 7" single at your local record store when you can stream it on Spotify the second it comes out? But with this convenience, decision-paralysis, and the lack of tangibility, comes a new problem, or rather, a new yearning for something real.

Put simply, today’s teens yearn for a tangible, intentional listening experience. They want to rewind to re-listen to a song they liked rather than just shuffle an AI-generated Spotify playlist. Music is supposed to be theorised about, shared with friends, and dissected with a creative perspective. Not the soundscape of a YouTube video, or a looping 15-second snippet on TikTok.

Many in Generation Z don’t want to hear a new popular song all over their For You Page, get sick of it, and then have it replaced by another generic hit. A popular observation amongst many generations is that ‘new music sounds the same’. And while this is objectively true, it’s not an entirely accurate statement.

Yes, a lot of new music sounds the same. Why? The same reason why a lot of music from the 80s sounded the same. Why music from the 90s sounded the same. It’s simply music trends amongst the masses. The 80s had drum machines and reverb, Michael Jackson and Madonna. The 2020s have autotuned vocals and one-note melodies, Taylor Swift and Harry Styles. It is simply what’s popular. What people enjoy.

On the contrary, many argue that recently-released popular songs follow the same formula — under three minutes, a 15–30 second catchy snippet, and genericly safe lyrics. And what is there to blame but TikTok? Social media prioritises trending sounds over musical masterpieces because they’re easier to classify and make videos out of. A safe, generic sound designed to trend.

What did we have in the past? Ambitious, genre-blending, musical masterpieces by artists like Pink Floyd and Queen, such as Dark Side of the Moon and A Night At The Opera. The ever-influential White Album by The Beatles, with enduringly bizarre tracks such as Happiness Is a Warm Gun which changes time signature every couple of bars, and Revolution 9 which was unlike anything ever released before.

If you’d like to learn more about Queen’s, A Night at the Opera, I have another article about it, where I break down all of its tracks and explain how they’re still iconic fifty years later. You can view it here.

None of them would’ve trended on social media if released today.

With this disposable modern music culture, many in Generation Z yearn for original, immersive, and album-focused listening. So, of course, today’s teens yearn to listen to music the same way Generation X did, even if they weren’t around to experience it at its prime.

· · ─ ·✶· ─ · ·

#3: Aesthetic Appeal — humans love nice things

There is no doubt that humans love to collect nice things. Think about it. Your mother has her collection of silverware and ceramic teacups. Your father has his collection of stamps and old coins. Your little cousin has their collection of toys and trading cards. And you, probably, with your collection of records. Humans are essentially oversized Magpies.

Records and cassettes are nice. They come with album art, tracklists, and sometimes lyric sheets and posters. What do we get with streaming? A flat design play button and four ads every two songs. The teens of the ‘80s and ‘90s had something special, and today’s teens are jealous.

That’s why we’re collecting records and cassettes.

Think about your favourite albums. Chances are, its album art is iconic. Whether it be an aesthetic snapshot of the band or some amazing art. Duran Duran’s Rio featured art from Patrick Nagel, and it was incredibly popular, defining the 80s in a single art style.

The difference between streaming and physical media is that the listener gets to admire these artistic touches. There’s no digital screen to turn off while the music plays. Music is already a non-visual medium, but the aesthetic appeal of physical media makes the experience visual.

What’s your favourite album art? Here are some of my favourites.

As a member of Generation Z, I personally love cassette tapes. Or rather, anything physical media. I have my own collection of cassettes, DVDs and records which I use to engage with retro entertainment. But I also use Spotify daily, so I can vouch for both sides. Here’s what I think about this comeback.

Both are good. But physical media is better.

For discovering new music, listening while working on a laptop, and having tunes playing while travelling — Spotify wins. Streaming wins. Why? It’s simply convenient. As someone who listens to a variety of music styles, streaming is just easier. It’s impossible for me to switch from The Beatles to My Chemical Romance then to Iron Maiden quicker on tapes than streaming.

For listening to my favourite albums, bedroom listening, sharing music with friends, and for the sake of collecting — physical media all the way, baby. It’s one thing to stream a song, but it’s another to hold the album, read through the lyric sheet and look at the poster in a record sleeve. Just the idea of holding your favourite music will make any music enthusiast excited.

The Beatles need no introduction. If you haven’t heard of them, chances are you’ve been living under a rock for the last sixty years. Consisting of Paul McCartney, John Lennon, George Harrison and Ringo Starr, The Beatles were part of the British Pop Invasion of the 1960s, alongside other timeless acts such as The Rolling Stones, The Who and The Kinks. The Beatles achieved stardom following their television appearance on the Ed Sullivan Show in February, 1964. Millions worldwide screamed for the four Liverpool lads with quick fingers and charming voices. A refreshing break from Jazz and a reboot of the good old fashioned rock and roll from the 1950s.

But Beatlemania peaked sixty-two years ago. So has has being a Beatles fan changed?

Hello and welcome to my corner of the internet. If you don’t know me already, I’m Angelina — a record collector, music composer, multi-instrumentalist and author of crime fiction. Also a massive Beatles fan who loves all things retro, including music and film. So come along to learn about the past and enrich our knowledge of pop culture! Because Earth without art is just…eh.

I know what you’re thinking. What does Generation Z know about The Beatles? Quite a bit, actually. The internet offers unlimited access to music, interviews and…other Beatles media.

We’ll get into that in a moment.

So how does Gen Z listen to The Beatles? The children of the future have access to all music technologies, from vinyl records to streaming. According to a 2022 study by Roberts, roughly 70% of Gen Z know The Beatles, making them one of the most widely recognised ‘older’ bands amongst the demographic. And a Key Production study in 2025 found that 60% of Gen Z collect records.

The truth is, The Beatles sound great in any musical format. As a Gen Z Beatles fan, I have my own record collection, including my favourites, Revolver (1966), Rubber Soul (1965) and A Hard Day’s Night (1964). And I also have their greatest hits on CD. And a ten-hour-long Spotify playlist of their whole discography. So which is the best? Ultimately, it is up to personal preference. But the authenticity of vinyl takes the cake. It’s just more genuine than clicking play on a touch screen.

· · ─ ·✶· ─ · ·

Part 1 — Music Is Subjective…Or So They Say

Gen Z are known as the ‘meme’ generation. We take nothing seriously. I can confirm. So why would The Beatles be safe? In 2025, the ‘Paul McCartney explodes’ meme circulated Gen Z, and it’s exactly how it sounds.

McCartney’s live performances feature the track, Live and Let Die from Wings’ Red Rose Speedway (1973). Written for the James Bond film of the same name and recorded in a single day.

But that’s now what caught our eye because during these performances, McCartney has arranged pyrotechnics after the line, “So live and let die…” And some angles of these performances make it look like Paul himself is exploding.

Here’s an example: https://www.tiktok.com/@bonded.uk/video/7382128329240923425?is_from_webapp=1&sender_device=pc

Poor Paul isn’t safe from further memeing. In recent years, McCartney has experimented with different music genres, the most infamous being his ‘hyper-pop’ era with Egypt Station (2018) and Get Enough (2019). Of course, these tracks went viral on TikTok for all the wrong reasons.

In 2025, no Beatles fan could scroll through their FYP without hearing Fuh You (2018) or Get Enough (2019) with a sarcastic caption like, “I hope Paul adds this to the setlist!” or “Same man who wrote Yesterday btw.”

Here’s an example: https://www.tiktok.com/@st4rz_211/video/7535183743695293718?is_from_webapp=1&sender_device=pc&web_id=7559778850672117249

And another…https://www.tiktok.com/@lesbiannoelgallagher/video/7540378313538145591?is_from_webapp=1&sender_device=pc&web_id=7559778850672117249

And John Lennon isn’t safe either. When Gen Z isn’t fighting over his quality of character, they’re memeing his music. Remember Lennon’s powerful track about women’s rights? An amazing track with impressive instrumentals, but questionable lyrics — Woman Is The N**** Of The World (1972). Shocking, even for its time. More shocking for allegedly ‘sensitive’ Gen Z listeners. Some say it was a product of its time, others say Lennon should be cancelled, others argue it’s difficult to ‘cancel’ someone who passed away forty-six years ago and doesn’t know what the internet is. What are your thoughts?

Lennon’s first solo studio album, Plastic Ono Band (1970) features the track Hold On — heartwarming and relaxing, featuring a modern Indie guitar tone.

Not safe from the memes. Lennon randomly says ‘Cookie’ in a deep voice. Gen Z lost their composure, and rightfully so.

· · ─ ·✶· ─ · ·

Part 2 — Tin Foil Hats and Beatlemania Badges

As The Beatles are a music group, its safe to assume fans discuss their music. But not Gen Z. Fan communities used to exist at record stores and concert venues, but in the internet-age, they have moved to digital spaces on social media platforms such as TikTok, Instagram and Pinterest. In this sea of content, a fair chunk of them are fan ‘edits’. Basically, old clips of interviews and performances with captions and music. These comment sections are often filled with Gen Z, with comments ranging from “I feel so maternal towards him,” to “I need to get him pregnant.” It’s the modern equivalent of wearing an ‘I love Paul!’ badge in the 60s. Some things never change.

Like many fanbases, disagreements arise. Sometimes over whether early-Beatles is better than late-Beatles, or if Paul McCartney is actually dead. That’s right. Gen Z have found the conspiracy theories. ‘Paul Is Dead’ is nothing new. The conspiracy began circulating in September 1966 after rumours of McCartney’s health deteriorating, but it gained popularity in 1969 after an Iowa University published an article about it.

But this isn’t the only conspiracy being discussed. Whether it just be my FYP, but there’s a theory circulating that McCartney’s childhood home caretaker, John Halliday, is the real Paul McCartney. Some even claim all Beatles have been replaced multiple times. Personally, I think we should lay off the Crumbl Cookies and step outside.

Part 3 — Other Beatles Media; Obscure or Strange?

Other Beatles media includes your typical fanart and fanfiction. Now thriving on social media platforms such as Wattpad, Ao3 and Tumblr, instead of in homemade magazines and letters in the 60s. To take it up a notch, Brummelliana on itch.io created a video game dating simulator for The Beatles, called Can’t Buy Me Love. To sum up the plot, Paul McCartney genuinely buys a young lady, keeps her in a cage, and The Beatles fight over her.

There’s also the strange world of Pinterest whisper posts. And their ultra-freaky comments I don’t want to quote. If you know, you know.

And McLennon. But what’s new? Fans have been shipping Paul McCartney and John Lennon since Beatlemania. Only now, there’s a sea of photoshopped images and ‘Dear John’ edits, referencing the speech McCartney gave at the 1994 induction of John Lennon into the Rock N Roll Hall Of Fame. All I can say is, Gen Z knows how to make a damn good edit.

And surprisingly, Lennstein. If you’re unfamiliar with this ship, you’re not alone. It involves John Lennon and The Beatles’ manager, Brian Epstein. If there’s one thing about Gen Z, they love obscure things.

· · ─ ·✶· ─ · ·

The Beatles are arguably the most popular band of all time, having captured the hearts of teenagers and music nerds, from all eras. And for good reason. The lads from Liverpool were so musically ahead of their time. But the basis of being a Beatles fan stays the same. Good music.

What are your favourite Beatles songs? Mine are Michelle, Girl, Being For The Benefit of Mr. Kite! and While My Guitar Gently Weeps.

The Outsiders (1983) is a coming-of-age film about intense class rivalry and the struggle of identity, starring iconic 80s heartthrobs such as Matt Dillon, Ralph Macchio and Thomas C. Howell, amongst others. Many of us watched this film in high school English class. But maybe you discovered it organically. Either way, it’s hard not to love its emotionally-uplifting story and iconic characters.

That’s why you’re here, aren’t you? Because you love The Outsiders?

After your fifth film rewatch, millionth scroll through #TheOutsiders on TikTok, and maybe a browse of a sneaky fanfic tab, have you ever found yourself wondering:

I need to get a life. (Wait, no.)

Have you ever found yourself wondering: I need to watch another film with the same vibe as The Outsiders?

Fear not. As an enjoyer of coming-of-age films from the 80s and beyond, I’m here to provide my best recommendations for all you Greasers. Emotional, dramatic and full of unhinged youth energy, other than the obvious similar films such as The Wanderers (1979), The Warriors (1979), The Karate Kid (1984) and Ferris Bueller’s Day Off (1986).

Spoiler warnings ahead!

If you don’t know me already, I’m Angelina — an avid film and music enthusiast, obsessed with all things retro. As well as a multi-instrumentalist, music composer and thriller author. I write articles about all things related to music and film, so come along for the journey!

· · ─ ·✶· ─ · ·

#5 Title: Road House Release: 1989 Genre: Action/Thriller Director: Rowdy Herrington Starring: Patrick Swayze and Ben Gazzara Watch on: YouTube (free with ads) and Prime Video

Road House and The Outsiders have a lot in common — action, romance and denim jeans. As well as Darry Curtis’ actor, Patrick Swayze, who plays a bouncer named James Dalton.

Dalton works at a roadside bar in a small Missouri town, tasked to save the business and its people from a corrupt businessman. His character is strikingly similar to Dallas Winston, due to his effortlessly cool demeanour and violence tendencies. But he’s also similar to Darry Curtis because of his stoic composure. Both plots involve crime and violence, including retaliation and self-defence. Except the film focuses on adults rather than teenagers, so the element of juvenile delinquents isn’t present.

It’s also worth noting that the film features many raunchy scenes, so I recommend this film for mature viewers.

· · ─ ·✶· ─ · ·

#4 Title: Toy Soldiers Release: 1991 Genre: Action/Thriller Director: Daniel Petrie Jr. Starring: Sean Astin and Wil Wheaton Watch on: YouTube (free with ads) and Prime Video

Although Toy Soldiers doesn’t feature the same actors from The Outsiders or a similar storyline, it has all the vibes. Toy Soldiers is about a group of delinquents at an all-boys boarding school, which is overtaken by a group of terrorists. Authorities remain helpless so the group of rebellious students put their resourcefulness to good use to save everyone.

Take one look at the cast. Doesn’t this feel like The Outsiders, but set in the 80s?

Toy Soldiers has everything that made The Outsiders special — friendship, living on-the-run, us vs. them and a heart-wrenching death or two. Instead of rivalry between Socs and Greasers, Toy Soldiers features a three-way battle between the troubled youth, a gang of Columbian Cartel and the authorities. It’s basically The Outsiders, except set in a boarding school with significantly more explosions.

This was one of the most engaging films I’ve watched recently. The cinematography, score and characters really build up the action element. So I definitely recommend this film to anyone who loves The Outsiders and action films.

· · ─ ·✶· ─ · ·

#3 Title: The Lost Boys Release: 1987 Genre: Comedy/Horror Director: Joel Schumacher Starring: Jason Patric and Corey Haim Watch on: YouTube ($4.99) and Prime Video

Imagine The Outsiders except the whole gang are vampires. That basically sums up The Lost Boys. Although there’s no cast in common with The Outsiders, the plot premise is the same — finding a place to belong and sticking together.

The Lost Boys follows two brothers who move to Santa Carla but discover it’s overrun by vampires. Michael Emerson, played by Jason Patric, becomes mixed up with a dangerous vampire gang while chasing a love interest.

Just like The Outsiders, this film explored rivalry between social groups (humans and vampires) and 80s heartthrobs. Come on. Alex Winter? Kiefer Sutherland? Eye candy.

The only main difference is the aesthetic and the types of characters, but the main themes remain the same. Teens trying to fit in and relate to each other. And this film has a killer soundtrack, so what’s not to love?

· · ─ ·✶· ─ · ·

#2 Title: Rebel Without a Cause Release: 1955 Director: Nicholas Ray Genre: Teen/Drama Starring: James Dean and Natalie Wood Watch on: YouTube ($4.99) and Prime Video

The Outsiders and James Dean go hand-in-hand. Not only did Dean represent an entire generation of teenagers, but his acting style and character archetype inspired actors such as Henry Winkler, Leonardo DiCaprio and Johnny Depp, as well as Elvis Presley and Bob Dylan from the music scene.

Rebel Without a Cause follows three teenagers, Jim Stark, Plato and Judy as they navigate their tricky world in a heartwarming and emotional coming-of-age story. Together, they face tragedy, guilt, peer pressure, love and violence. Even some premature and heart-wrenching deaths. The similarities to The Outsiders is uncanny. Even the films’ endings are almost identical.

Wardrobe-wise, both films are a complete match — leather jackets, denim jeans and leather boots. Could you ask for more?

It’s worth noting that Jim’s parents play a minor role in the film, contrary to The Outsiders where the gangs’ parents are merely mentioned.

‘Shipping’ is popular in any fandom, and The Outsiders is no exception. If you’re unfamiliar, ‘shipping’ is the pairing of two characters in a romantic or platonic relationship. Popular ships for The Outsiders include Jally (Dallas and Johnny), Stevepop (Steve and Sodapop) and Johnnyboy (Johnny and Ponyboy). Similar to The Outsiders, the Rebel Without a Cause fandom loves to ship Starkford (Jim and Plato). And their actors in real life. But that’s a whole other story.

In addition, East of Eden (1955) also starring Dean is a great choice. Not only for its striking similarities to The Outsiders but for Dean’s impeccable, emotional acting style that makes him a legend.

· · ─ ·✶· ─ · ·

#1 Title: Rumble Fish Release: 1983 Director: Francis Ford Coppola Genre: Neo-Noir Drama/Teen Starring: Matt Dillon and Mickey Rourke Watch on: YouTube (free) and Prime Video

No list of film recommendations, relating to The Outsiders or not, is complete without Rumble Fish. It’s incredible cinematography, characters and message make it a must-watch for any film enthusiast. If you’re looking for a film exactly like The Outsiders, here it is. They have so much in common, such as:

Starrs Matt Dillon (Dallas Winston) and Diane Lane (Sherri Valance)

Written by S.E. Hinton (who makes a cameo appearance in both films)

Directed by Francis Ford Coppola

Set in Tulsa, Oklahoma

Main character death

To list every similarity would mean we’d be here all day. It’s so similar it could be considered an alternative universe where Dallas has a biker brother. Rusty James, played by Matt Dillon, is almost a carbon copy of Dallas — violent, trouble-making, prone to rocky relationships and battling with buried emotions.

Rumble Fish follows two brothers — Rusty James and The Motorcycle Boy. Rusty is a naive teen gang leader trying to fill in his older brother’s legacy while his life spirals out of control. His brother, only known as The Motorcycle Boy is heavily targeted by law enforcement and a ‘crazy’ reputation. Throughout the film, Rusty tries to navigate his relationship with his girlfriend, Patty and his friends, Steve, Smokey, B.J. and Midget.

The Motorcycle Boy, played by Mickey Rourke, holds heroic qualities, much like Johnny Cade, when he rescues a variety of animals from a pet store and releases them into the wild. And he too suffers the ultimate punishment for his good deeds.

· · ─ ·✶· ─ · ·

BONUS 1 Title: Tex Release: 1982 Director: Tim Hunter Genre: Teen/Drama Starring: Matt Dillon and Meg Tilly Watch on: Prime Video

When discussing The Outsiders, it’s hard to forget Matt Dillon. Not only did he star in three S.E. Hinton film adaptation, but he’s become the face of teenage rebellion, especially during the 1980s, for his exceptional acting and handsome face. Young rebellion, the price of survival and proving yourself — all themes in The Outsiders and Matt Dillon films.

Tex follows two teen brother, Mason and Tex McCormick as they struggle to raise themselves following abandonment from their parents. Together, they fight against financial struggle, law enforcement while taking care of themselves and their horses.

Dillon’s role in Tex is different to the character of Dallas Winston. He plays a horse-obsessed country boy rather than a violence-fuelled kleptomaniac. Unconventional, but it works. The themes remain the same — brotherhood, resilience, loss of innocence and abandonment. Tex is essentially The Outsiders with variations in setting and character archetypes.

· · ─ ·✶· ─ · ·

BONUS 2 Title: That Was Then, This Is Now Release: 1985 Director: Christopher Cain Genre: Coming-Of-Age/Drama Starring: Emilio Estevez and Craig Sheffer Watch on: YouTube (free) and Prime Video

That Was Then, This Is Now was written as a loose sequel to The Outsiders, so how similar can you get? It follows two young delinquents who find themselves growing apart; one is maturing and the other is remaining young and reckless. Contrary to The Outsiders and Rumble Fish, this film wasn’t a popular release and remains relatively unknown. Even though Ponyboy makes a guest appearance.

Written as a loose sequel to The Outsiders by S.E. Hinton, That Was Then, This Is Now follows the story of two delinquents who find themselves growing apart, as one is maturing and the other remains young and reckless. Contrary to Rumble Fish and The Outsiders, the film was not a popular hit upon release and is therefore not as well known. Personally, I prefer the book, but this article is about films! And Ponyboy makes a guest appearance too.

Worth noting is that the film starr Emilio Estevez, who played Two-Bit in The Outsiders. He also wrote the screenplay, which is very impressive.

· · ─ ·✶· ─ · ·

With all these film recommendations, you’ve got everything you need to ‘stay gold’. Now it’s time to organise a movie night and watch all these films. Who knows? You might find your latest obsession. Happy viewing!

The Ghost Of You MV - My Chemical Romance (2004)