[1971]

(the boys be chilling in Freddie’s flat)

Roger: is kidnapping illegal?

Brian: umm yes?????

Freddie: what if they consent to it??

Brian: YES

Roger: what if it’s for a good cause?

Brian: *pauses* what kind of cause are we talking here???

Roger: like making sure our band doesn’t go down the drain before it even had a chance to get started

Freddie: *nods in agreement*

Brian:

Roger:

Freddie:

Brian: … what did you do

Roger: nothing

Freddie: just discussing the morals of kidnapping. As people do

Brian: no, people don’t do that, YOU do that

Roger: well it really doesn’t matter *gets up from his chair* bc I believe kidnapping can be the answer to our problems

Brian: you—what

Freddie: just hear us out Brian *follows Roger*

Brian: *sitting dumbfounded in the chair*

*moments later Roger and Freddie return, dragging a long-haired, green-eyed, scarred for life man behind them*

Roger: *smiling proudly* Brian, I’d like to introduce you to John Deacon!

Freddie: we’re calling him Deaky for short

Brian:

Freddie:

Roger:

Deaky:

Brian: dID YOU KIDNAP US A BASS PLAYER-

Roger: … perhaps

Brian:

Thank you, Freddie 💕👑

And huge apologies if this year's drawing is a bit rushed, I'm awfully busy these days and had no time to get ready in advance... but hey, I think it's still quite good and I hope you like it 🥰

For this year's tribute I wanted to draw a younger Freddie, proudly admiring the final design of the Queen logo. I've always been fascinated by the fact he's drawn it himself, and by how much of himself he put into Queen (also demonstrated by the absolute care he had for all the memories he kept, as we saw at Sotheby's). I also wanted to draw him with cats, but not any cat... take a better look at them, can you recognise his inseparable best friends? 💖💖💖

Thank you for sharing your art with us, Freddie, I'm sure you know it's still alive, loved and celebrated. 🙏🏻💕💜💖💕💜💖

Happy birthday Freddie, we love you so much and you will live forever in our hearts ❤️❤️

Queen was one of the most popular rock bands of the 70s and 80s, still receiving love from younger generations today. Blending operatic vocals, whimsical instrumentals and hard rock sounds, Queen are truly one of a kind.

Now, in 2026, A Night At The Opera remains their most loved ’70s album, and it also turns 50 years old. Does it live up to the hype, and is it still exhilarating to listen to, all these years later?

Yes.

One hundred percent, yes.

If you don’t know me already, I’m Angelina — a record and cassette collector, music composer and multi-instrumentalist, and an author of crime fiction. I love all things retro, including music and film. So come along for the journey, where we learn more about the past and enrich our knowledge of pop culture!

So, what is Queen? No, not the Queen of England. Queen is a British rock band formed in 1970, consisting of Freddie Mercury (vocals, piano), Brian May (guitar, vocals), Roger Taylor (drums, vocals) and John Deacon (bass). Their music is a blend of progressive rock, opera and pop rock, selling more than 300 million records worldwide. Undoubtedly, their most popular ’70s album is A Night At The Opera, selling over 11 million copies since its release in 1975, so what makes it so special?

It’s simple. The world hadn’t heard anything like it before. Everything about this album — the tracklist, lyrics and instrumentals — is unique and enduring.

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Track #1 — ‘Death On Two Legs (Dedicated to…)’ written by Freddie Mercury

The opening track is unique for a variety of reasons — it is a personal letter Mercury wrote to their former manager, Norman Sheffield, about his mistreatment of the band, financially and professionally. And it is brutal. Phrases such as “Do you feel like suicide? (I think you should),” and “A dog with disease, king of the sleaze,” make you feel the raw, hateful energy, making it an exceptional opening track. But does it really set the musical tone for the album? No. But can an album as progressive and creative as A Night At The Opera be organised musically? Also no.

The track opens with arpeggio-style piano playing from Mercury before blending into a menacing guitar riff. Another interesting feature is the switch from the key of Ebm to D major, which is especially interesting to anyone who knows music theory. I think that’s the beauty of Queen’s ’70s songs. They may not be radio-friendly, but they grab the attention of people who know music.

Track #2 — ‘Lazing on a Sunday Afternoon’ written by Freddie Mercury

Here, the album takes a complete turn. Lazing on a Sunday Afternoon is nothing like Death on Two Legs. It is whimsical, folk-like, and almost novelty-sounding, with lyrics that tell a story of an Englishman’s everyday activities. Again, it features Queen’s iconic opera-style vocals and bright-sounding piano parts. It is a creative approach on Queen’s part. Ambitious, much like all of their ’70s songs.

This track in particular showcases Mercury’s piano skills, including his use of dynamics and staccato. That’s another thing that makes Queen songs special. Sometimes they’ll be quiet, and othertimes they’re loud, but the transition between these dynamics is always flawless. A great example of this technique can be shown in Father to Son from Queen II, specifically the instrumental sections.

Track #3 — ‘I’m In Love With My Car’ written by Roger Taylor

Now, the album returns to its hard rock sound, with this iconic track featuring Taylor on vocals. I’m In Love With My Car is a serious-sounding song about a man who’s in love with his car (obvious, much). Some lines are purely funny, such as “With my hand on your grease gun, it’s like a disease, son,” and “Told my girl I’ll have to forget her, rather buy me a new carburettor.” And who could forget the legendary story behind this song? Taylor, who wrote the song, locked himself in a cupboard until Mercury agreed to put it as a B-Side to Bohemian Rhapsody. What a drama queen!

But as for the track’s musical quality, it is great. The harmonies in the chorus are addictive, and so is the complicated lead guitar part. When the song takes on a chugging, gritty tone for the second verse, it sounds like a different song. But it works. Just like this next track.

Track #4 — ‘You’re My Best Friend’ written by John Deacon

One of the album’s big hits, You’re My Best Friend reached #7 in the UK music charts, written by the band’s bassist, John Deacon. A change of pace, musically and lyrically, from I’m In Love With My Car, this track is bright, nostalgic and sounds like the ’70s with that analogue synthesiser accompanying Mercury on vocals. And speaking of vocals, they are beautifully rich and emotional, perfect for this song.

In addition to the instrumentals, the lyrics are warm and loving. Phrases such as “In rain or shine, you’ve stood by me. I’m happy at home,” and “Been with you such a long time, you’re my sunshine,” make this a universal anthem for best friends. Who could feel sad while listening to this happy track?

Track #5 — ‘’39' written by Brian May

Are you getting used to the structure of this album by now? Here we have yet another change of pace…and genre. ’39 is a cute sci-fi country track about space travellers who experience time dilation, and when they return to Earth after a year, a century has passed. It’s a musically interesting track because it features a double bass, played by Deacon. May originally mentioned the idea to him as a joke, but he took it seriously and taught himself how to play the instrument. And what we have is an ambitious result, a fan-favourite since its release.

The lyrics are also emotionally touching. Lines such as “Write your letters in the sand, for the day I take your hand, in the land that our grandchildren knew,” and “Your mother’s eyes, from your eyes, cry to me,” showcase May’s songwriting abilities and his extensive knowledge of space, as a qualified astrophysicist with a PhD degree. Now that’s impressive.

Track #6 — ‘Sweet Lady’ written by Brian May

Anyone who has watched the film Bohemian Rhapsody giggles a bit when they hear this song, especially at the line, “You call me sweet like I’m some kind of cheese.” But jokes aside, this is a solid song. Its 3/4 time signature, uncommon in rock music, that gives the song a Waltz feel. The main guitar riff is also very catchy, reminds me very much of the riff from Now I’m Here.

As for the lyrics, I believe the bridge has the best lyrics: “Though it seems we wait forever/Believe and we’ve got everything we need.” Cute, relatable and true — what more could you ask of song lyrics?

Track #7 — ‘Seaside Rendezvous’ written by Freddie Mercury

Seaside Rendezvous sounds like the lovechild of Lazing on a Sunday Afternoon and ’39, and I love it! It is a fun, whimsical track about lovers by the sea during the 1920s/30s. Being Queen’s most unconventional track, it features a kazoo, tap dancing sounds, whistling, a clarinet, and orchestral vocals. The instrumentals also inspired one of my short stories, Tres Charmant, My Dear, also a lyric from the song. What can I say? This song never fails to make me happy.

And Mercury singing in French is something I never knew I needed. The lyrics are fun, romantic and beautifully reflective. My favourites include “I feel like dancing in the rain, can I have a volunteer?” and “Together we’ll sail across the sea, reminiscing every night.” And how could I forget, “What a damn jolly good idea,” a phrase I now use unironically in conversation (and you should too).

Track #8 — ‘The Prophet’s Song’ written by Brian May

I like to describe this song as Bohemian Rhapsody’s wicked stepsister. Any huge Queen fan will tell you that this track is underrated, even better than Bohemian Rhapsody. And I agree. It is Queen’s most ambitious track, running at eight and a half minutes in length, and featuring a two-and-a-half-minute acapella section with layered and panning vocals from Mercury. Combined with the uncommon chord progression, the poetic lyrics, and many genre changes, it is a cult classic. Do you like this song better than Bohemian Rhapsody?

The lyrics are like a story, with beautiful, poetic lines such as, “I watched as fear took the old man’s gaze, hopes of the young in troubled graves,” and “The earth will shake, in two will break, and death all around will be your dowry.” Please, please, please listen to this song if you haven’t already. And if you have? Listen to it again. It deserves it.

Track #9 — ‘Love of My Life’ written by Freddie Mercury

Love of My Life is another popular track from the album, and for good reason. It is a mellow, emotional track featuring primarily piano and heavenly vocals from Mercury. A perfect change of pace from other heavier tracks, such as I’m In Love With My Car and Death on Two Legs. The sound, chord progression and addictive melody touch the hearts of listeners, even fifty years later. And the real message behind those lyrics makes the song a masterpiece. It is widely believed that Mercury wrote this track for his best friend, Mary Austen, when coming to terms with his sexuality.

Queen often performed a guitar and vocals arrangement of this song live, which showcased May’s expertise. The acoustic guitar part is mellow and emotional, a perfect accompaniment to Mercury’s blissful vocals. It’s also very fun to play, coming from a guitarist. Which version do you prefer?

Track #10 — ‘Good Company’ written by Brian May

One of the cutest tracks on this album, Seaside Rendezvous’s little brother. With May on vocals and the ukulele, this song beautifully breaks up the pacing of the album. The melodies and guitar parts blend so gracefully, drawing attention to the relatable, advice-like lyrics. “Take care of those you call your own, and keep good company,” is amazing advice from a great song. As well as “Marriage is an institution, sure, my wife and I, our needs are nothing more,” and “All through the years, in the end, it appears there was never really anyone but me.” This song is certainly worth a listen, if you haven’t already. Not just for its instrumentals, but for the wise lyrics. Brian May, the songwriter you are.

Track #11 — ‘Bohemian Rhapsody’ written by Freddie Mercury

Now, for the track we’ve all been waiting for—the reason why the album is as popular as it is. Bohemian Rhapsody. At six minutes long, it is the band’s most recognisable and timeless track, notable for its ambitious operatic section, emotional lyrics, iconic guitar solo, and hard rock influences. Its beautifully haunting melodies never fail to touch the hearts of many listeners — including mine. That “Mama, ooh,” will forever be iconic.

And why is it so popular? Because it’s simply amazing. It encapsulates Queen’s 1970s sound so beautifully. The lyrics are a dramatic masterpiece, with beautiful lines such as “I don’t wanna die, I sometimes wish I’d never been born at all,” and “Life had just begun, and now I’ve gone and thrown it all away.” Despite the song being regarded as overplayed, its lyrics remain powerful in their own right. How do you feel about this track? Do you think it’s overrated?

Track #12 — ‘God Save the Queen’

Very similar to Procession from Queen II, God Save The Queen is a short instrumental track at the very end of the album, a cover of the British national anthem. It’s disregarded by many Queen fans for its short length, lack of lyrics, and being a themed filler. All I know is that, when I want to get my Queen fix, this is the last song I put on. Nonetheless, the layered guitar melodies are beautiful.

· · ─ ·✶· ─ · ·

Queen’s A Night At The Opera will forever be iconic, a staple of rock music with a defining 1970s sound. It has been enjoyed by all generations since then, and will continue to be played — either through records or Spotify. What is your favourite track from this album? Mine is Seaside Rendezvous and The Prophet’s Song, could you tell?

Habbie borfday John Deacon!!!!! My fave Queen member X3

I Dont post much about Queen much anymore but....still. hehehe my Murder Drones obsession took over my whole blog but I should make more Queen things soon. I should get to drawing the members again.....maybe as Drones? Bec my obsession???? Idk XD