12 years on and still the best articulation ever made of how one should respond to useless critiques

Love Begins

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@renegadelibrarian
12 years on and still the best articulation ever made of how one should respond to useless critiques

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This is the 85 year old creator of Roger Rabbit:
Tag yourself Iβm the βOverdressed and Underappreciatedβ. Artist : http://www.mattadrian.com/Β
If you thought βhm those styles of art AND speech seem very familiar,β you are right because it is the same person that did these
Oh my god damn
It's that time again, where I beat the maddening drum for another trans femme musician I think fucks hard.
CRAWLING FROM THE WRECKAGE
"These are songs about disability, car crashes, and your brain starting from a broken foundation. Five tracks of noise-inflected heaviness inspired by the feelings and experiences of having epilepsy."
A new EP just dropped today from Error Sparrow. She's an industrial noise & electronic artist. It's bandcamp Friday and it's three bucks so, well, you know what to do. Go get your brain ate.

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AI tool use is becoming mandatory for more and more roles at my company, unfortunately including mine, so I've spent the last week or so undergoing training courses and practice exercises for Claude Cowork, and here is my conclusion:
Congratulations, you made a computer that cannot successfully count to ten.
claudd Cowork perfec t size for put personal financial data inside for a\nalysis! inside very Safe and Convenient financ data consume put data in Claude Cowork. Put Personal Financial Data In Claude Cowork. no problems ever in clode cwork because Anthropic is Friend who will take sososo good care of your data trust <3 Cowwork yes a place for a data health data put financial data in cowok mouth can trust claud for giveing good work to data. friend cowork
so as someone who isn't required, how do they know you used ai to do work?
Each person's account is given 'credits' which are centrally tracked and if you aren't using any they ask why not.
frothing at the mouth because my friend suggested a drunk shakespeare play where every single actor is drunk except for horatio and he has to try to keep the play on track while still having his own part to play
everyone shut up, i need to be alone with this person
Which half varies night to night.
More from that one post
βI very proudly entered the forestry school as an 18-year-old and telling them that the reason that I wanted to study botany was because I wanted to know why asters and goldenrod looked so beautiful together. These are these amazing displays of this bright, chrome yellow and deep purple of New England aster, and they look stunning together. And the two plants so often intermingle rather than living apart from one another, and I wanted to know why that was. I thought that surely in the order and the harmony of the universe, there would be an explanation for why they looked so beautiful together. And I was told that that was not science, that if I was interested in beauty, I should go to art school. Which was really demoralizing as a freshman, but I came to understand that question wasnβt going to be answered by science, that science, as a way of knowing, explicitly sets aside our emotions, our aesthetic reactions to things. We have to analyze them as if they were just pure material, and not matter and spirit together. And, yes, as it turns out, thereβs a very good biophysical explanation for why those plants grow together, so itβs a matter of aesthetics and itβs a matter of ecology. Those complimentary colors of purple and gold together, being opposites on the color wheel, theyβre so vivid, they actually attract far more pollinators than if those two grew apart from one another. So each of those plants benefits by combining its beauty with the beauty of the other. And thatβs a question that science can address, certainly, as well as artists. And I just think that βWhy is the world so beautiful?β is a question that we all ought to be embracing.β
β Robin Wall Kimmerer, βThe Intelligence of Plantsβ, from the podcast On Being with Krista Tippett (via peatbogbodyhasmoved)
Googled it and you know what, it is beautiful:
[ID: a photograph of purple asters growing amidst bright yellow goldenrod flowers. End ID]
An accidental Magritte painting in Bundoora

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Just make it exists first, you can make it good later
Shuttered Street Glow
Gleaming Facade
Very stoked on this little frog sculpt. Low-fire clay raku-fired in our microwave kiln.
you may have already answered this but what is your digital painting process like? your blending and colors are so rich like an oil painting. I have a hard time getting that sort of look digitally!
Oh thank you! I'll try to show you from my most recent work! I think faces are the best example, as they are the most important part of a painting (at least for me). Fair warning tho, the process is messy and ugly and I'm not entirely sure if it's helpful haha.
I start with a general shape dummy. It's important for me to have a hatched base with deeper and lighter color, this way I can find perfect medium tone and variation when painting.
...like so! I fill out the medium and still use textured brushed to always keep the tone varied. I also use brushed that are slightly transparent so previous layers always shine through.
this phase of building is the ugliest, and very much a trust-in-the-process part of painting. I think of painting like using clay, you just have to start carving out shapes.
..but the carving does it's magic eventually! Here I've finally found the shapes I want and I can just *add the rest*
and there he is! If you're wondering on the painterly feel, some of it comes down to using textured brushes (I recommend rake and scatter effected brushes), some of it from the fact that I hatch quite a lot and leave the strokes visible in some areas on purpose. Most importantly, at least to me, to achieve the painterly glow is to build up the 'paint'. Never lay out dark color and leave it as is. I usually manage this by either painting over black areas with my mid tone during the earlies stages, or by periodically putting contrast OR curves adjustment layer over the painting and starting painting on top of that. I can't explain this way of painting as anything else but as onion layers....the final product is always a ghost of multiple layers shining together to make a whole onion....

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I've been scream laughing at this for several days
Science!