Do it scared but please don't do it hungry. Please don't do it dehydrated. It's gonna make it so much scarier. Please.
Today's Document
TVSTRANGERTHINGS
Cosmic Funnies
Misplaced Lens Cap

Product Placement
"I'm Dorothy Gale from Kansas"

⣠Chile in a Photography âŁ
tumblr dot com
h
todays bird
NASA
untitled
Claire Keane
Xuebing Du

izzy's playlists!
Lint Roller? I Barely Know Her
will byers stan first human second
Cosimo Galluzzi
Fai_Ryy

â

seen from Saudi Arabia
seen from China
seen from Netherlands
seen from United Kingdom
seen from United States

seen from United States

seen from United States

seen from United States

seen from Indonesia
seen from Israel

seen from United States
seen from Germany
seen from Singapore

seen from Brazil

seen from United States
seen from United Kingdom

seen from United States

seen from United States
seen from South Korea

seen from Russia
@reblog-always
Do it scared but please don't do it hungry. Please don't do it dehydrated. It's gonna make it so much scarier. Please.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Aaron Wheelz
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as wellâincluding a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
Listen to me. Listen. I need you to dig up your old LJ fan fiction and move it to ao3 or Squidge. I need you to do this. I know, I know! Itâs old fic! But please, for the love of those who will come after you, do it. Nobody can get into those communities. The doors are locked and the mods are gone. You must bring the treasures out for the next generation đ
"Woof" by Madalyn Eastus
This book is a collection of designs inspired by world textiles. It is made with cut and folded papers slotted together. Even physically holding the book in my hands I often struggle to work out which colour shows through from which layer.
I am listing the titles and countries as the artist listed them. I have put the front+back of each page next to each other for ease of formatting.
There is no tape. There is no glue.
Amish "Bars" qulit (USA) | Salish ceremonial blanket (Canada)
Chucuito knitted cap (Peru) | indigo resist-dyed adire (Nigeria)
Mamluk woolen carpet (Egypt) | Huichol beaded bag (Mexico)
Ceplokkan batik (Indonesia) | silk and linen weaving (Greece)
blue and white embroidery (China) | Bessarabian rug (Poland)
Maori taaniko weaving (New Zealand) | San Blas Islands mola (Panama)
Manjaka woven cloth (Guinea-Bissau) | white knitting bedspread (England)
Otomi quechemitl (Mexico) | Fair Isle knitted sweater (Scotland)
Navajo flat-weave rug (USA) | Hawaiian ahinahina quilt (USA)
Caen table linen (France) | traditional knitted sweater (Iceland)
indigo dyed fabric (Japan) | Ezine Bergama rug (Turkey)
heritage embroidery (Armenia) | Soumak carpet bag (Daghestan)
Ikat woven sari (India) | silk embroidered cloth (Morocco)
Artist statement from the end of the book:
When I was very young, I fell in love with the concept of a book as a work of art. My sixth grade class went on a trip to the museum, where I was fascinated by a Chinese hand scroll. Inside a plexiglas box, the scroll was unrolled to reveal part of a landscape covered with red signature seals. A grown-up told us that these scrolls were not meant to be displayed, but only brought out on special occasions when a portion of the painting would be viewed. This seemed so different from art that hangs on walls and different from books which we experience privately. I liked the idea of a book that should be shared and art that could be touched and unfolded over time. The design of this book began with traditional knitting and quilting patterns. Since the pages rely on those before and after, every decision affected the whole. Patterns began to emerge that suggested other sources; they resembled motifs from many cultures and various media. The patterns that the pages create seem unique to human invention rather than abstracted from nature. They are icons of order, derived from the very structure of textiles - from the grid that is the warp and the woof.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
somebuggy
i aint the snuggest bug in the bed
once upon a time young young teenage me used to write fan fiction like my life depended on it, new fics every week and I had no idea there was someone out there printing out my fics and putting them in a box to read when they needed something to cheer them up
anyways fast forward to 20 year old me on my third date with Emily and she mentions offhand that sheâs got this box of fic she printed out and saved
itâs a few months later after that and she shows me one of the fics in the box and holy shit thatâs my garbage fic from so long ago
anyways my point is life is a fucking trip my dude
i still remember when we found this out. i donât think either of us stopped yelling for hours
look itâs been eight years and Iâm still like LMAO I MARRIED A FAN
This is the cutest thing Iâve ever read in my whole life
i feel like there is a sleep in me that needs to be slept but each time i sleep i don't sleep that sleep
"Why do you need age verification on a site where everyone is 38?"
hey uhh, @daysleftofsecondterm, unsure if this is the right way to notify you about this but seems maybe like this'd be good to share?
So apparently, over the summer, Quibi (the shortest-lasting streaming service ever lmao) did a quarantine project called âHome Movie: The Princess Brideâ where a bunch of celebrities recreated The Princess Bride in tiny chunks at home.
And like there was no permanent cast, all these celebrities seem to have gotten a scene or part of a scene to do (iâm not sure exactly, I did not ever watch Quibi and thus havenât seen this yet), and then they just⌠recreated it as best they could. At home. Under quarantine.
So like, you had Jennifer Garner in a blanket cape playing Princess Buttercup AND the Booing Old Woman with a crowd comprised entirely of stuffed animals:
Or Taika Waititi paying Westley off a badly-drawn Inigo on a piece of cardboard held in front of someoneâs face:
And itâs all just delightful.
But my absolute favorite part of this thing that Iâve sadly never seen but assume is probably absolutely hilarious and a treasure and I want to find it some day and watch the whole thing⌠is that Carey Elwes is in it.
As Prince Fucking Humperdink.
https://youtu.be/lR8pA_WV9QI
Here ya go
In case you need a comfort watch and because Youtube search nowadays sucks rancid farts, I remind you of the Princess Bride Home Movie from the lockdown, starring everybody

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Ipnotico
researching the history of education in japan and learning that, preâMeiji Restoration, peasants/commoners formed their own schools to become educated because it was the best way of fighting tax fraud.
That is, when an official told you, a rice farmer, that you owed more taxes than you really did, it was very useful if you were good enough at math to know he was lying (and could prove it) and if you were good enough at writing to write a letter to your government defending your case.
all of which is to say it's crazy that mega-corporations are now pushing education to be "what if you paid us whatever we tell you to for the rest of your life and never do math or write anything ever again"
It's been a while since I said "this person wins the internet", but today it is merited.
(via bsky)
(The classic XKCD comic)
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
#i HAVE to include context as a classical musician who is *almost*in these spaces #this is from the schleswig-holstein music festival #(presumably faculty????) #which is probably The most selective classical music festival in the goddamn world #these people are some of the best you will ever hear on their respective instruments #this was literally posted originally by the goddamn schleswig-holstein music festival #these are their dudes #classical musician me is being shocked by seeing them on tumblr #yâall donât even know how insane this is #yâall are just enjoying chickens playing saxophone and cornet (via @clockworkouroboros )

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Diplodocus spice jar by Kayser Ceramics
Sorry but it's not complete without...