Lo so, siete a bocca aperta. Lâopera è di Darian Rodriguez Mederos, classe 1992, artista cubano di cui sentiremo parlare ancora.
via Jacopo VenezianiÂ
ITS A PAINTING BITCHESSSSS
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
The Bowery Presents
The Stonewall Inn
occasionally subtle
Misplaced Lens Cap
Claire Keane
KIROKAZE

⣠Chile in a Photography âŁ
Jules of Nature
$LAYYYTER

PR's Tumblrdome
Fai_Ryy

oozey mess
todays bird
đ
Show & Tell
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open
Mike Driver
seen from United States
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seen from United States
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@rebelacacia
Lo so, siete a bocca aperta. Lâopera è di Darian Rodriguez Mederos, classe 1992, artista cubano di cui sentiremo parlare ancora.
via Jacopo VenezianiÂ
ITS A PAINTING BITCHESSSSS

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"you don't like mpreg?" i don't even like fpreg
I've been playing Inquisition again and last night my spouse said "Cullen really is the Ken of the group, isn't he? His name is Cullen and his job is war table."
pros: it would most likely vastly improve my life in a multitude of ways
cons: might get scared

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I don't think that's how it's supposed to work
I like how at the end she just switches to licking her friend's head. Like, "Yeah, I was going to help out with some childcare, but they keep sticking to my tongue, so I'm just gonna give you a hug and say 'there, there.' This motherhood thing is a lot harder than I thought."
dragon age the veilguard text posts previous parts: [1]
Someone hit me with their car and I got isekai'd to a world that's really similar to my old one except in this one my collarbone is mysteriously broken
lucanis edition
tiktok: christinajulian_91
audio credit: anthony vincent
That was not the audio I was expecting
i have to reblog this everytime i see it, its too good of a video

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As someone who's been a lover of traditional folk music from the British Isles for several decades, one thing I've learned is that "True Love" didn't always mean what you think it means. In the older songs, "true love" is not some mystical quality, some type of connection that is magically better than other Loves. No. A love that is "true" merely means that your Love is "true TO YOU." "True" as in faithful and loyal and trustworthy. A lover who will stand by you and with you no matter what comes. True the way a good sword is True. True the way a good knight is loyal. The contrast is "False Love," which is a lover who betrays you, who cannot be trusted.
"True Love" isn't something you find, it's a vow and a choice that you make, every day, to BE TRUE.
Tactical reloading of things that donât need tactical reloads
I lost it at the toaster and couldn't make it past the smoke detector before reblogging
This is so satisfying to watchâ
the half life tattoo makes this.
Frodo Laid a Geas (and other invisible magic)
This was so obvious when I realized it, but I think most people miss it, because weâre so desensitized by D&D-style magic with immediate, visibly, flashy effects, rather than more subtle and invisible forces of magic. When Gollum attacks Frodo on the slopes of Mount Doom, Frodo has the chance to kill him, but he doesnât. Instead, he says:
Frodo: Go! And if you ever lay hands on me again, you yourself shall be cast into the Fire!
Frodoâs not just talking shit here. He is literally, magically laying a curse. Heâs holding the One Ring in his hands as he says it; even Sam, with no magic powers of his own, can sense that some powerful mojo is being laid down. Frodo put a curse on Gollum: if you try to take the Ring again, youâll be cast into the Fire.
Five pages later, Gollum tries to take the Ring again. And thatâs exactly what happens. Frodoâs geas takes effect and Gollum eats lava.
On further reflection:
All the other people in the franchise who were offered the Ring declined to take it because they were wise enough to know that if they used its power â and the pressure to do so would be too great â they would be subject to its corruption.
Frodo uses the power of the Ring to lay a geas, and then five minutes later at the volcanoâs edge, succumbs to its corruption. The Ring has gotten to him and he can no longer give it up. Because he used its power.
On further further reflection: Iâd have to read the section again, but I recall that after throwing Gollum off and laying the geas, Sam observes that Frodo seems suddenly filled with energy again when previously he had been close to dead of fatigue. He hikes up the mountain so fast he leaves Sam behind â and doesnât even seem to notice that heâs left him behind.Â
Could he have been drawing on the Ringâs power at this point in the story? At this point in the story weâre relying on Samâs narration, and Sam doesnât know whatâs going on in Frodoâs head, so itâs hard to say for sure. Having used it once, after spending so long holding out against it, was that the breach in the dam?
Which means that the moment that Frodo succumbs to temptation is not the moment at the volcano â it was already too late by then. The moment he is taken by temptation was when he used the power of the Ring to repel Gollum.
If so, this ties in neatly with discussions Iâve seen about how Tolkien subscribes to a ânot even onceâ view of good and evil â that in many other works itâs acceptable to do a small evil in service of a greater good, but in Lord of the Rings that always fails.
Re-reading Fellowship of the Rings, and I got to this passage in Lorien:
âI would ask one thing before we go,â said Frodo, âa thing which I often meant to ask Gandalf in Rivendell. I am permitted to wear the One Ring: why cannot I see all the others and know the thoughts of those that wear them?â
âYou have not tried,â [Galadriel] said. âOnly thrice have you set the Ring upon your finger since you knew what you possessed. Do not try! It would destroy you. Did not Gandalf tell you that the rings give power according to the measure of each possessor? Before you could use that power you would need to become stronger, and to train your will to the domination of others.â
In other words:
Frodo asks Galadriel, herself carrying a Ring of Power, âCould I, hypothetically, use the power of the One Ring to do something magical aside from turning invisible?â and Galadriel replies, âYes, hypothetically, you totally could, assuming the magic you want to do involves laying compulsions on others, but I strongly recommend against it, because it would fuck up your brain.â
This was in the first book. At the end of the third book Frodo uses the Ring to fuck Gollum up, forcing him to throw himself into lava if he disobeys Frodoâs commands.
Talk about a chekovâs gun.
Got to this point in my re-read and uh. This was a lot less subtle than I remembered it.
âDown, down!â [Frodo] gasped, clutching his hand to his breast, so that beneath the cover of his leather shirt he clasped the Ring. âDown, you creeping thing, and out of my path! Your time is at an end. You cannot slay me or betray me now.â
Then suddenly, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.
âBegone, and trouble me no more! If you touch me ever again, you shall be cast yourself into the Fire of Doom.â
Then the vision passed and Sam saw Frodo standing, hand on breast, his breath coming in great gasps, and Gollum at his feet, resting on his knees with his wide-splayed hands upon the ground.
âŚ
Yeah.
Interestingly, I feel that there is another layer to this, and that is Frodoâs mercy (mirroring âthe pity of Bilboâ which Gandalf said would prove significant) at play, tangled up in his use of the Ring and the chain of events that would play out.
Frodo is sparing Gollumâs life here, and shaping that into his curse. He is only cursing Gollumâcan only curse Gollumâas an effect of this mercy; if Gollum were dead, he could not be cursed by Frodo or the Ring; his survival makes the curse possible and serves as payment for the curse: they are in effect making a bargain here, wherein Golllumâs life and his sentence of dying in the Fires of Doom should he take the Ring again are as one, a package deal, which Gollum âacceptsâ by retreating with his life.
Then, once Frodo comes to Mount Doom, he cannot cast the ring into the fires; the Ring has him in thrall, since he has used it. Now into the picture again comes Gollum, whose greed for the Ring has surpassed his love of his own lifeâeven having been cursed with death should he touch it again, he craves it and demands it for himself, taking it from Frodo by force.
Thus we see the Ringâs power divided against itselfâit has defeated both Frodo and Gollum, and its defeat of Gollum inspires Gollum to fight Frodo for it, invoking the curse. And thus Sauron, who has it, now, by virtue of both its erstwhile Bearers falling under its (and therefore its Lordâs) sway, is cheated out of it by the effects of Frodoâs act of mercy.
Frodo spared Gollum, and used the Ringâs power to set a curse, and when Frodo faltered, it was Gollum whom he spared who took the Ring from him and invoked that curse, falling into the Fires of Doom and, due to the same greed that defeated Frodo, taking the Ring with him.
If there had been no sparing Gollum, there would have been no curse, and Frodo would have had the task Isildur failed atâdestroying the (beautiful, useful, lovely ring)âset before him alone, and he may have succeeded, or he may have failed, or he may have tarried too long in the struggle for Sauronâs destruction to come in a timely fashion, or the resolution and the Ringâs destruction may have hurt him far beyond the loss of a finger.
Instead, there was Gollum, in thrall to Sauron yet doomed by Frodo, to take from Frodo both the Ring and the burden of destroying it. Frodo, in his mercy-tinged use of the Ring, effectively shifted the impetus behind the Ringâs destruction from himself to the doom laid on Gollumâand Sauronâs hold over Gollum made it a near certainty that the doom would come to pass: Gollum would die, and not surrender the Ring, and thus the Ring would fall with him into the fires of Mount Doom.
And Frodo ⌠like Indiana Jones in the Chapel of the Holy Grail, could avoid falling himself by either a willingness to let go, or the presence of a loved one to hold him back. Or, yâknow, Gollum deciding to bite rather than just grab. A few more options here.
This really hearkens back to old Celtic mythological geasa, and how so often someone dies because of a forced contradiction of a geasâ rules. A geas essentially allows for an easy setup of a no-win situation.
The warrior-poet-king CĂş Chulainn was, eventually, brought down because he was bound by a geas. His geas was to never eat the flesh of a dog (I believe by Culann, but Iâm not sure on that). Well, he got served some dog stew. He couldnât eat it, because it was dog. But he couldnât not eat it, because that would be extremely rude, according to cultural custom at the time - a custom so strong, it might as well have been a geas on its own. Either way, he was breaking a geasâ rules, and this magically weakens him before an upcoming battle. He - and his charioteer and horse - are slain
So, yeah, this all tracks with how geasa work. Gollum had such a strong desire for the ring that he, quite literally, had no choice but to attack Frodo for it. But, in doing so, he contradicts the geas Frodo laid upon him, and so falls.
Just came across this while reading The Two Towers:
[Frodo to Gollum]: ââI did not mean the danger that we all share,â said Frodo. âI mean a danger to yourself alone. You swore a promise by what you call the Precious. Remember that! It will hold you to it; but it will seek a way to twist it to your own undoing. Already you are being twisted. You revealed yourself to me just now, foolishly. Give it back to Smeagol you said. Do not say that again! Do not let that thought grow in you! You will never get it back. But the desire of it may betray you to a bitter end. You will never get it back. In the last need, Smeagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Smeagol!ââ
#oh I am COMPELLED by this
yeah so was gollum
Just gonna tag @qrovidcore and @jaz-the-bard here

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The Sound of Music (1965) dir. Robert Wise
exercising my active listening by sending đđ in the group chat