Aussie Monster Lover

I've talked in the past about how Hasbro's efforts to deceptively market Dungeons & Dragons as universal entry-level game have fostered a culture of play in which any appearance that D&D isn't a universal entry-level game is regarded as evidence that you have a "bad GM", and how, in order to avoid being a "bad GM", it's necessary to treat it as a normal part of the GM's responsibilities to constantly monitor the outputs of the rules and quickly paper over any gaps between the game the rules want to produce and the game the group wants to play, like a cartoon train conductor frantically constructing the very tracks along which the train they're conducting is riding.

The trouble is that most players aren't stupid, and readily see through the act. They (correctly!) observe that the particulars of the rules don't actually seem to matter all that much, because most of the desired experience of play is the product of the GM's constant interventions, rather than the product of interpreting the outputs of the rules – but instead of identifying this as a problem, they conclude (again, quite reasonably, as they've probably never seen it done differently) that this is what tabletop roleplaying is. The GM merely pretends to be moderating a game; in truth, they're a pantomime-leader whose job is to maintain the illusion that we're playing a game with rules, when in fact what we're really doing is guided improv theatre.

And of course there's nothing wrong with guided improv theatre – it's a fine pastime, and one I've enjoyed myself on many occasions. However, it does put folks who really do want to play a game in a bind, because now there's this insurmountable communication barrier. You can say "I want to play a game, and these are the rules of that game", and receive what seems to be enthusiastic agreement with that premise; however, a significant portion of the people expressing that agreement think they're participating in a bit of kayfabe, like very dedicated professional wrestlers who stay in character even outside the ring.

Critically, nobody is necessarily acting in bad faith in this equation. The folks who don't bother to learn the rules because they think games aren't real mostly aren't fucking with you on purpose; they honestly thought they were yes-anding your improv prompt by pretending to care about the mechanics of play, and when they discover that you really do expect them to do all that fiddly dice math, from their perspective it genuinely looks like you were the one misleading them. It's just a fucked up culture of play garbling all the signals in both directions.

Yeah, big name "actual play" podcasts that pretend they're not scripted and workshopped to hell are a big contributing factor, though I wouldn't classify them as distinct from Hasbro's marketing apparatus so much as one of the most visible arms of that apparatus. The fact that Hasbro isn't paying them directly doesn't mean they aren't serving the brand.

Maaaaaan. So I'm DMing two DnD 5e games at the moment. One of them is a high level combat focused megadungeon with very experienced players, while the other is more open and has more RP with a mix of experienced and new players. I always feel way more drained after a session running the latter game than the former. And I think you really helped me see why. I'm DEFINITELY having to do a ton of track-laying while running that game, because it's such an unfocused game. I feel way more like I have to be an entertainer who's always the one responsible for my players' fun, rather than expecting them to make their own fun using the rules of the game, like the players in my other group do.

Hey everyone! I need to make some more money since job searching really isn’t going well, so here’s a new commission post! My rates are pay what you want, with minimums.

Quick doodle- 10$

Sketch- 20$

Full color- 50$

Years later, it doesn't suffocate you.

post-apocalyptic game design game i wrote when i shouldve been making promo posts for my existing ttrpgs. ill probably make an itch page for it later. enjoy.

More of the Heartful AU as I've been dubbing it, pretty much an entire potential character and redemption arc for Caine where he's brought back from being deleted and he's no longer in charge of, well, anything really except for his own actions.

And it begins with Pomni sucker punching a heart she conjured into his chest. (Though no one except for really Kinger knows that it's nothing more than a placebo)

I was trying to track down a non-soundcloud version of Chords of Humanity, the song he wrote that when he was 17 was used by Doctors Without Borders, and instead found that it was used in a Fallout New Vegas mod that he may also have made at 17?

which is a sequel to another mod that's also credited to a Dylan Hollis, which I'm not necessarily assuming is him. Could have been a different Dylan Hollis who happened to have found the song by searching his name--oh, wait, there's a video of game play (with the song as background), and there's a tiny bit of voice acting...yeah, that's him.

okay so I fucking love event planning and decorating and hosting and baking, aka all the elements of a banger birthday party. I am so freaking happy to throw people parties because it means I get to throw a party, then go to a party! yippee!

so my friend's birthday rolled around and I knew she wanted a party because I'd done them for her before, but I wanted to make it extra special because she was turning the big 25. so I did all the regular stuff I am So Excited About: had her roommates let me into her apartment while she was out, put up balloons and homemade garlands and streamers and table decor, made her favorite cake and snack plates and cocktails, ordered catering from a restaurant she loves, got a bunch of our friends to come over to surprise her, wrote her a disgustingly heartfelt card, etc. and then because it was the big quarter century, I was like I gotta do something extra.

now. I do not like clowns. my friend loves clowns. we've gone to the circus together and she's seen me literally close my eyes and hide when the clowns are out in the audience, meanwhile she's screaming and waving at them. so obviously I hired a clown for her birthday. (btw seeing him out of clown costume made me less freaked out because now I knew that the guy under there looks like someone's uncle.)

so she showed up after work totally expecting a party because I'm too paranoid to throw a real surprise party, and obviously loved it. and then I was like btw. there's a clown.

she lost her mind. she was sooo excited. she loved the party and she loved the clown. I was like haha yes I'm getting a good grade in birthday parties and didn't think much of it because frankly I do this a lot, and it's so much fun for me that I don't consider it work. like, I love doing all that for my friends. it's not any kind of sacrifice.

two days later, she texted me that she broke up with her boyfriend.

naturally I was like omg tell me everything I hated that guy let's get coffee. so we did and she told me that for her birthday, her boyfriend of nine months 1) forgot about it and didn't get her anything, 2) got mad at her for not texting him while she was at her party, 3) got mad at her for telling him about the party because it was "passive aggressive", and 4) called her immature and stupid for being excited about a clown at her birthday.

Ironically, hard light is bad for recording sexy time.

It will highlight every pore, every vein, every wrinkle on your nutsack.

These outtakes where the flash didn't go off are also AI generated.

I like this spooky dutch angle one.

I was just starting to learn flash and I didn't have all the equipment I needed. Since corgis are quite short, I had to put the lighting on the ground. The off camera flash was on a tipped over lightstand with a shoot-through umbrella to diffuse the light.

But I had no wireless triggers. And the only other way to trigger a flash, is with another flash. So I used the on-camera pop up flash to trigger the main flash.

But I had two issues.

First, I did not want that dinky on camera flash affecting my picture.

Second, triggering a flash with a flash is best done indoors. The flash will bounce all around the room and eventually hit the sensor so the main flash triggers. When you are outdoors, there is no bouncing.

SO... I took a little handheld makeup mirror and angled it toward my main flash. This blocked the dinky pop up flash and sent the beam of light towards the main flash to trigger it.

I was lying on the wet morning grass, holding a camera in one hand, a mirror in the other, trying to aim the mirror exactly toward the main flash, making crazy noises to get Otis's attention, and trying to get the focus point on his face so I didn't get a blurry photo. Also, Otis was much more interested in sniffing things than posing for a photo.

Here is an overhead view that might help explain.

I await all of your comments saying my amazing drawring is clearly AI generated.

Only 30% of the time did the flash actually go off. Aiming the mirror was tricky and I was doing like 8 things at once. I wasn't even sure I got the photo I wanted. But when I came back to the computer there was one that stood out and it is one of my favorites I've ever taken.

It was the best combination of monumental effort, great discomfort, perfect foggy sunrise light, and just pure luck.

Unfortunately, people like me who use advanced sculpting light techniques are getting accused of using AI more and more. Not really sure what to do about it—other than show the 30 awful photos it took to get the good one.

My 80s sunglasses photo and spoon photo get called out the most.

But it's just good old fashioned gradient lighting which has been used in product photography since the days of film.