better pictures of my papier mache cat i made when i was 17 (its cat-sized)

shark vs the universe
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@rainbowglittr
better pictures of my papier mache cat i made when i was 17 (its cat-sized)

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Me looking at the imaginary camera when there is a plot twist in the fanfic I'm reading
You can cure people by removing their illness and turning it into slime, which must be kept sealed in jars. The slime still carries the sickness, and if anyone else touches it, they can catch the illness themselves.
people who don't use or spend time on tumblr don't really understand how solid this place is for creatives and how we could be living in artist utopia if they fully undid the nsfw ban. the tag system? the dashboard? the silly anons who will send you the most insane sentences known to mankind? having your very old, shitty art make the rounds again because somebody finds value from it and wants to show their friends? no other place even comes close

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âI have characters/a world, but no plot, what do I do?â
Here are some options!
âď¸ Disrupt normalcy
What does a normal day look like in your world, or to your characters? What are ways that could be entirely thrown off track?
If your characters go to a magical university, maybe the magic becomes corrupt, or thereâs a mysterious death. If your character is an assassin, maybe they recognize one of their targets, or they fail to eliminate a high-profile target, and now they need to decide if they admit their failure to their bosses. Think about how your characters would react to this, how the authorities in your world would respond, etc.
đ Wants/goals of your cast
Do your characters actually want anything? What are they working towards in their everyday life? Whatâs a dream goal theyâd take if it was presented to them, but canât get right now? Figure out what they want, and then figure out why they canât have it. That is the core of conflict.
Does your magical university-goer want to graduate in their major, or are they doing it because their parents insist, maybe they want to study something else entirely, but thereâs a lot of external pressure on them? Maybe your assassin wants to be the top of their organization, but to do so they need to kill someone dear to them? Maybe they fail to catch their high-profile target because the target they were trying to kill was their boss, in order to take their job, but they got found out?
đ°ď¸ Systemic issues
Think about your world. Are there any issues youâve established that you can explore in your conflict? Is the government over-controlling, is there prejudice against any members of society, are there forms of slavery, is there a large class distinction or a strict caste system? You could explore how your characters exist in a world that experiences these things, how your antagonists use them to their advantage, or how the protagonists try to fix these issues. Not every society is going to be perfect, so play with it!
To get into their university, does your magician need to pass an elitist certification exam? Are there laws about who can perform magic? What does your assassin think about other laws, not just the ones about murder? Is there a reason assassins as a business are being explored here, is there a lack of other ways to deal with inter-personal conflict supported by authorities?
âď¸ Character flaws
Look at your characters, their pasts, their general personality. Why do they act the way they act, and what destructive behaviors do they have? Is there anything that could cause inter-personal conflict, or just regular conflict?
Does your magician cheat on tests to get better grades and impress their peers/parents/teachers? Does your assassin have trouble trusting people, are they always planning a way to end the relationship at the drop of a hat? How would these character flaws affect their relationships and how they interact with the rest of your cast? Maybe two characters have flaws that really rub against each other in the wrong way; someone is brutally honest because they think lying is wrong, and someone refuses to say anything critical because they canât not people-please. Does person A think lying is wrong because they were lied to very badly in the past? Is it just related to the way their brain and sense of justice works? Does person B have a past of being insecure, from friends or from family members? Maybe they have abandonment issues and donât want to say anything that makes people leave them again?
đ Scale of your stakes
There are many different kinds of stakes and conflict, and not everything has to be world-ending superhero action movie number five hundred. The stakes of a romance novel will usually be centered around the main characters getting together, or falling out. Thereâs plenty of cozy stories about being unsure if theyâll be able to raise enough money to buy back the family bakery. Any level of stakes are viable, as long as theyâre important to your characters. If your character can leave and never do anything to further the plot again with no consequences, your stakes are nonexistent. You need to find a reason they canât walk away from this.
If thereâs a murder at your magicianâs university, maybe theyâre a suspect and need to clear their name. If their magic becomes corrupt, maybe they have a clock ticking down on how long they have to fix it before it corrupts their soul and they die. If your assassin recognizes their target, they have to weigh whatâs most important to them; completing the job successfully, or keeping a person they know alive. They could leave, but that would be a failure too, and they would probably be pursued. If they fail to catch their target, maybe theyâre put on probation, maybe their employers are starting to question their worth, and they need to complete this next mission perfectly in order to avoid getting disappeared.
đ°ď¸ Themes
What is the story about? What conversation are you having with your readers? What ways can you incorporate that into the plot?
Maybe the magicianâs story is about coming of age, maybe itâs about the elitism of academia, maybe itâs about pursuing your own dreams instead of what your family wants/generational trauma. Maybe the assassin has to learn itâs okay to open up and be soft, maybe itâs about revenge, maybe itâs about the cycle of violence. These can inform the direction your story goes, and what sort of choices and development your characters have. Every story will have several themes, but thinking about a few of them to inform your plot direction can be a good start.
âď¸ Genre and tropes
What genre does your story fall into? There are different expectations for each genre (for example, romances need to have a happily ever after/happily for now to be considered a romance), and thereâs a lot of common tropes and themes in each genre. Most stories will fit into 2-3 genres, some of the most popular being crime, fantasy, romance, sci-fi, and horror, each of which have many subgenres within them, I recommend doing research into these yourself. For example, my main project would fall under fantasy as a main genre, since it uses magic and is in a world different than our own, but more specifically would fall under dark fantasy for darker tone and horror elements, and gaslamp fantasy for a Victorian-inspired setting that involves magic. If I wanted ideas, I would want to look at common dark fantasy and gaslamp tropes, prompts, and themes.
Thereâs hundreds upon hundreds of tropes, because tropes are just, things that happen in your story. You cannot make a story without utilizing tropes. Thereâs a lot of tropes that can be used regardless of genre (found family, villains and heroes working together, redemption or corruption arcs, etc), or tropes that are more genre-specific (enemies to lovers in romance, chosen ones in fantasy, the final girl in horror, etc). Thereâs plenty of lists of tropes in each genre, and finding ones youâre interested in may help spur plot ideas.
The magicianâs story is going to be fantasy for sure, because magic is involved, but could fall into a number of subgenres; urban fantasy, fantasy of manners, dark fantasy, magical realism, etc. The assassinâs story has a lot more wiggle room, it could fall into grimdark, contemporary, thriller, or mystery, as well several others if we were to add fantasy, sci-fi, romance, historical, etc. elements.
âThe Advantages of Being Quietâ- The Policing of Black Emotions
ââŚamongst the minor nuisances of a West India town, are whistling and singing⌠Negroes are very fond of these execrable accomplishment- execrable as practiced by them; for as they have stentorian organs of noise⌠A negro never seems to be happy but when he is yelling and bawling, whistling or singing, and he cannot understand the advantages of quiet.â
-Five Years Residence in the West Indies, Volume II- Charles William Day
Have you heard these things before:
Everyone claims the Black Character is boring... But then suddenly, White Character that is both the fan favorite and canonically nothing like that, suddenly has some extremely familiar qualities...
There will be Black characters- often women- that are close to an MC, but those characters will be ignored for someone irrelevant who receives an entire plot line... Because somehow it wasnât possible for the Black character to fill that role despite doing so...
Black people are in a public place, and they are laughing. People are uncomfortable because theyâre âtoo loudâ⌠but have never once spoken up against loud white people, men in particular, taking up just as much space and sound.
A Black person says their perspective online, speaking from a place of emotion because they are directly affected⌠and no one listens or shares, worried that itâs âtoo aggressiveâ and will cause conflict. But a white person will share that same perspective, in ânice wordsâ or maybe even really obnoxiously, and suddenly that perspective is shareable, understandable⌠safe.
This really ought not to have been a lesson, that somehow our feelings are not⌠understandable or acceptable. In a way, it feels extremely demeaning, to have to explain something that is so innately connected with the human experience. Everything that Iâve talked about before is going to apply here, because the truth is, it doesnât matter how good the writing and characterization is if you arenât willing or capable of comprehending the characters due to your own pre-existing bias for Black people and our emotions. So if you havenât read my prior lessons, particularly the stereotype series⌠roll on back first.
"it's gonna be a long lesson?" Yes. It very much tis.
its all 'be gay do crime' until a black person starts making allusions to drugs or sex or god forbid VIOLENCE and then it turns out nobody can handle anything more hardcore than downloading illegal torrents of hamilton
This post is about racism. This post is about racism and antiblackness. This post is not about how cool YOU are for doing crimes or about how much you hate 'antis' or how bad tesla sucks. This post is about how ostensibly progressive white people will clutch pearls and moralize about not listening to rap or engaging with black art or culture because it seemingly condones drugs, or violence, or is overly sexual, while having no issue with those topics in other, non-black contexts. There are conversations to be had about the topics surrounding this but in the meantime the original post is One Sentence and I'm not convinced most of the commenters in the past few days even read it.
i love the phrase "cruel and unusual." not only is what you're doing mean but it's also quite frankly fucking bizarre

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"Moonlight is a story that, for all intents and purposes, Tumblr should have loved. Angst, gay, bad parenting and seeking forgiveness, found family and mentorship, discovering sexuality while being in love with the straight best friend, compulsory heterosexuality, the homoeroticism of the trials of boyhood, vengeance on the childhood bully, reconciliation, touch starvation and yearning... Tumblr LOVES these concepts. So why is Moonlight not held as a top standard of this sort of storytelling? How many of you- at least if you're in the United States- have even watched it?"
Want to hear more? Click to go to my LATEST LESSON: "The Advantages of Being Quiet": The Policing of Black Emotions!
And if you're new here- because we have a lot of new folk since the last I dropped a lesson- YES my lessons are long. YES they take time to read. NO, you cannot learn about the Entirety of the Black Experience in ten minutes. đ¤ˇđžââď¸ Educating yourself is up to you and on your own time!
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Write it badly or it'll never be written
Please keep interacting with this post because when I come to tumblr to procrastinate, this shows up again in my notifications and guilts me into writing again
at some point in your life you are going to do or say something racist, sexist, or otherwise bigoted. Your goal is not perfection, your goal is to be the kind of person that the people you've hurt feel safe being honest with when that happens.
since people keep adding this kind of stuff in the notes: no, self-flagellating and making a big show of apologizing and "doing better" is extremely not the same thing as making people feel safe about telling you when you've been shitty. in fact, doing so is in many ways anathema to it.
blows my mind that i have little online friends who mildly care about me. itâs really nice
anyway hi little online friends i care about you too đ
you have a disgusting storytelling addiction
Itâs true. It goes back a long way, too. It all started whenâŚ

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You receive letters from your future selfâbut they keep contradicting each other.