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Not today Justin
$LAYYYTER

çĽćĽ / Permanent Vacation

Love Begins
we're not kids anymore.
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yukiko noritake

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mood
Are you also blown away by all these details and the complex line work? If you are about to head over to Calvin Laituriâs feed, you should be prepared: We assure you will be carried away by the artistâs delicate compositions and the fine construction of each element.
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#beautifulbizarre #calvinlaituri #illustration #linework #inkdrawing #dog #illustrator #artist #details #composition #drawing #newcontemporary
Daydream by Lunaotic

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LĂtla DĂmun is a small, uninhabited island in the Faroe Islands, which is often covered by a cloud of its own.
me in five years when i still donât have my life together:
Matt Rockefeller / Georges Beuville / Andrea Serio / Oamul Lu / Kim Hyerim (Rimdraw)
lesbian street art, Sardinia
itâs called ginger & olive oil, by lesbian street artist moju manuli!!!

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Costume and backdrop designs by Alexander Golovin for Strawinskyâs THE FIREBIRD (1910).
Pilar AlbarracĂn, âShe-wolfâ (2006): a vaguely shamanic-looking performance reminiscent of Joseph Beuyâs I Like America and America Likes Me, in which she shares picnic with a wolf in a gallery setting. The Spanish artist has explored various feminist themes that raise questions of domestication and the domestic codification of life. Her most recent works recreate portraits in the manner of Frida Kahlo. This exhibition at the GalerĂa Filomena Soares was shown alongside her installations involving kitchenware. Iâm reminded of the American artist Kiki Smithâs eccentric explorations of womanhood through folklore, and pagan witchcraft, especially her depictions of wolves, wolf/women hybrids and bestiality, archetypal associations of womankind with wild untamed nature. With mankindâs desire to dominate nature, womanâs confinement to the kitchen space appears analogous to the taming of a wild beast, only AlbarracĂn translates the confinement of the kitchen space into the confinement of the gallery space.

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Golden Gate Park, Speedway Meadow - October 1970 Photos by Ted Benhari (for the Underground Press Syndicate)
Destiny Buck, of the Wanapum tribe, rides her mare, Daisy, in the yearly Indian princess competition in Pendleton, Oregon. Embraced first for war, hunting, and transport, horses became partners in pageantry and a way to show tribal pride. âPeople of the Horse,â March 2014Â
Photographer: Erika Larsen