the first ever pride flag (1978) versus the TMP movie poster (1979)
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the first ever pride flag (1978) versus the TMP movie poster (1979)
happy pride month!
star trek heritage post (June 2nd, 2017)

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you wanna see some badass shit from the early 20th century?? The Lumière brothers created the first full color photograph… in fucking 1903! So these dudes dyed potatoes (in red, blue, and green), mashed them down into just pure fuckin’ starch, and used these dyed potato starches as filters to block out/let in certain wavelengths of light. They coated one side of a glass plate with the starches and sensitized the other side with a mixture of gelatin and light sensitive materials (silver nitrate) and loaded these plates in their cameras.. This is a really simple explanation of the process and I may have missed some things A few of my favorite autochrome photos:
that last one is literally a LOOK
yes!
but lets not forget sergei prokudin-gorskiy, who developed a similar process in 1902, published in 1903 and then toured russia to take hundreds of color photographs:
AND the guy developed color slide processing as well. as a person fairly familiar with modern b/w processing at home, but never EVER stepping into color (negatives or slides) territory, i’d say, BAMF to the highest degree.
Here are a few more Prokudin-Gorskiy / Gorskii shots, and a reminder once again that these aren’t recently colourised BW images but original colour photos taken about 120 years ago. Many colourised pics don’t look this good. Some modern colour pics don’t look this good (as I know all too well. “Delete image Y/N? Y!”)
This is Leo Tolstoy, author of “War and Peace” and “Anna Karenina”.
Alim Khan, Emir of Bukhara…
…and his Minister of the Interior.
A Type B-15 steam locomotive…
Another of those peasant girls with guest-gifts of berries…
The Church of St John the Baptist at Staraya Ladoga…
…and a Sergei Prokudin-Gorskiy self-portrait.
Unlike some current selfies ;-> he’s not dominating the image, so here’s a closer shot.
Nice hat…
Their last season before they retire, and shocking everyone (but themselves), the Centaurs go on a spectacular run in the playoffs. They’ve both just turned 42 and this is absolutely the last season if either one of them wants to have hips worth having - but they play like they’re in their late 20s again, the familiar magic supported by a very young, new core to make up what they lack in speed.
And it seems like maybe, maybe, they might get just one more cup. It goes down to game seven, and Shane makes a spectacular no-look pass to Ilya that keeps them in the game, it’s all tied up when the quick, new, young left wing from Seattle tips one in at the buzzer.
And they’ve lost, and Shane will probably drive them both crazy for the rest of their lives occasionally going back to that game tape. And Ilya is knocking into him, disappointed but he knows this team (sans them) will be back there soon) and telling Shane it would have been almost greedy to have that last one, Shane has 6 after all. And telling Shane that he’ll make it up to him when they get to the hotel (they will make out and nip and fall into separate beds so they can stretch out and arrange ice bags as needed)
But as they watch the cup being passed around and the players’ families coming out to the ice, Ilya nudges Shane and they watch as a young D-man, he just finished his first full year in the MLH, wraps another young man in his arms and smacks a playful kiss on his cheek before turning his head and kissing him sweetly.
He’s just an average player - Shane thinks he could have a decent if not spectacular career if he keeps developing - and he kisses his partner right on the ice. The cameras don’t pause over the scene, no one on his team gives it a second look, it’s not even mentioned when Shane watches the game coverage.
And Shane wouldn’t trade the life he has for anything, but he can’t help the tears and the flash of jealousy and finally the deep satisfaction of knowing that the next generation might just get to play hockey.
Tragedy alignment chart. Feel free to use, but please reblog if you do.
And of course the second part of the tragedy, which is: which quadrant did you think you were in vs. which one you were really in

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ilya jokingly complains to yuna and david about shane doing something (“david!!! help!! shane is pinching me!!!”) and they reply with a version of “sorry no returns” “you married him” “he’s yours now” and he loooooves to hear that!!!
ilya jokingly complains to yuna and david about shane doing something (“david!!! help!! shane is pinching me!!!”) and they reply with a version of “sorry no returns” “you married him” “he’s yours now” and he loooooves to hear that!!!
It's not enough to call your knight a "good boy". Sometimes you've got to hit him with a "you're the only one worthy to sit at my feet".

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"Whatever it’s worth, it’s loving you, However it works, it’s agreeing with you… Whatever it is, this is what it is. You get it, you love it, Crying on my shoulder, you’re here with me, my friend." - Fernando Pessoa
they need to stop making hockey romance tv shows theres already a hockey romance tv show its been going for 74 years and its called the national hockey league its really bad dont watch it
The English do, however, get to experience Kansas City barbeque, for what that's worth.
I think the deepest gift that honest history offers practitioners is not the destruction of their religion but its liberation from a kind of false dependency. If your practice only works because you believe it descends unbroken from ancient Mesopotamia or medieval Italy or pre-Christian Britain, then it is, in a certain sense, held hostage by a claim that can be falsified. And that is a fragile foundation. But if you can learn to say, “this practice is powerful and meaningful to me, and it was assembled from various sources in the twentieth century, and those things are not in contradiction,” then you have something far more resilient. You have a practice grounded in honest experience rather than mythologised history.
This is not the same as saying history does not matter. It matters enormously. Understanding where your practices actually come from, who shaped them and why, what was borrowed and what was invented: this knowledge enriches practice rather than diminishing it. But it requires a willingness to tolerate the vertigo, to sit in the gap between what you were told and what the evidence shows, and to discover that the ground is still there even when the map turns out to be wrong.
Your Tradition is Fake. Now What? On cognitive dissonance, practitioner identity, and the strange gift of honest history by Angela Puca
Sometimes I just zone out and think how visually breathtaking a film Crimson Peak is.
Simply stunning. 🦋

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i think after some longer time apart when they finally meet and get to bed, ilya pushes inside shane and. just breaks. starts sobbing right into shane’s shoulder blades from how much he missed him and his body and his presence and his shaney and how much it kills him to be apart and the whole song and dance they’re having to deal with.