Purpleshiny

June 2024 daily drawing 25/30!!!

RIVEN DAY RIVEN DAY RIVEN DAY!!!!

I still don't have a working computer but so help me god when I get one my FIRST order of business is playing the remake 🫡 enjoy this spooky wahrk 🐋🦈

Okay, so here's a massive infodump for Myst, made to introduce my friends a series that I've been obsessed with since I was a child. In light of the upcoming remake of Riven, I decided to share it with y'all. I'm gonna be laying down some spoilers to the Myst book series and the first three games - you've been warned:

Part 1: The fall of D'ni

The D'ni were an ancient civilization from another world that lasted for tens of thousands of years. They advanced technologically and scientifically further than we can possibly imagine, but along a different axis than we would recognize as progress. A good example of this is their apparent obsession with geology - the D'ni were obsessed with stability and longevity, and found metal a poor building material, since they built things for the long haul and steel doesn't last as long as stone. Their capital city also existed within a massive underground cavern, and as a result they made it their business to understand Rock.

In conjunction with Rock, the D'ni civilization was built upon the Art of Writing - they had the ability to create books that, when a certain page is touched, would transport the reader to the world described therein (but leaving the book behind - this becomes important later). A poorly written book would be unstable - the world within falling apart if instabilities weren't corrected in time. Linking books could also be written - smaller books that reference another preexisting book - essential to keep on your person if you ever planned on returning home from whatever world you warped into.

Now, the origin of the D'ni is lost knowledge, but it is known that they aren't native to any of the worlds they inhabited. Long ago there was a schism that resulted in the D'ni fleeing their homeworld into a book Written by their founding figure. Without a linking book back, they essentially cut themselves off completely from the worlds they originally came from. The book they fled into linked to the massive cavern I mentioned earlier. The book itself is described as one of the most detailed ever written, designed to last without instability.

It isn't revealed until the third book why, but the D'ni took with them a taboo that, if broken, would result in the writer being sent into a prison world - essentially an island or wilderness without a linking book back home. The taboo was this: never ever ever write a book with people in it.

So you can imagine their surprise when an archeologist on a dig in New Mexico stumbles into their cavern.

Slightly upset at the revelation that their super special custom-made paradise has natives crawling on the surface, they imprison the archeologist, named Anna, and proceed to have many big boy discussions about whether or not this surface creature is intelligent or just a philosophical zombie. She manages to eventually win her freedom by learning their language and speaking to them in it, but they forbid her from ever returning to the surface, lest more filthy non-Writers dirty up their cavern.

She gets taken in by a respected D'ni called Aitrus, who has a thing for surface girls. He happens to be friends with a Writer's Guild member called Veovis, who decidedly does not. Their friendship becomes strained and eventually breaks after Veovis learns they fuckin', but worse, Aitrus is teaching her the Art.

Meanwhile, we meet an incel called A'gaeris who has a chip on his shoulder about being kicked out of the writer's guild and likes to write reactionary pamphlets in his spare time about the dangers of "interbreeding" with natives, i.e. Anna. In the fashion of youtube skeptics, he calls himself the Philosopher, and fosters a cult following of D'ni fuckboys. He befriends Veovis and secretly frames him for a murder, guaranteeing his exile and radicalization as part of A'gaeris's master plan. He resents the D'ni for not giving him his dream job, and sees the acceptance of Anna as proof of their degeneracy.

Using this as an excuse to break taboo, A'gaeris writes a book in secret with a native population that he enslaves, and uses this base of operations to free Veovis from exile and recruit him into his shitty shitty schemes.

Having been convinced that the D'ni aren't worth saving, Veovis helps A'gaeris spread a deadly plague through the D'ni cavern, killing every member of a ten thousand year old civilization overnight. They load up bodies onto carts and link them into every book they can find, spreading the disease to every world the D'ni ever linked to... All because his best friend married outside his race.

Agaeris then turns to Veovis, and says "haha lets create a world where we can rule over everyone as gods" and Veovis finally gets it through his thick skull that maybe his new friend isn't as rational as he advertises in his debate streams. This revelation doesn't mean much in the face of freshly commited genocide, and doesn't last for very long before he gets shanked by A'gaeris.

Anna, Aitrus, and their shitty kid "internalized Racism" Gehn, manage to escape the plague by sheer accident, having made a pilgrimmage to the surface. Aitrus finally kills Agaeris by luring him into a linking book to a volcanic inferno, sacrificing himself in the process. Anna leaves the cavern with her terrible child and raises him on her own, a task made difficult by the fact that Gehn blames her for the fall of the D'ni and hates that he's part human.

So that's the first part of our story - a civilization isolated from an outside world and cultures that they considered to be less real than themselves, destroyed utterly because they couldn't handle contact with evidence to the contrary. Their refusal to link to worlds with other people, while understandable considering what people like Agaeris would do with the power, led to a brittle, deeply racist society easily toppled by a reactionary demagogue.

In the second part, we'll see what happens when an asshole romanticizes that society and attempts to rebuild it in his own image.

Part 2: Gehn is the Worst

A thing to keep in mind before I continue is that genocidal fuckery skips generations in the myst series, opposed by those unfortunate enough to be in the odd-numbered ones.

Let me compose my thoughts here and tell y'all about Gehn, proof that good parenting does not run in the Atrus family tree. Gehn was a mixed race child to a human and a D'ni, and that came with complications, physically and socially. He suffered a lot of illness and was sickly as a kid, and no one really thought that he'd survive to adulthood - worse, his teachers and peers hoped that he wouldn't. Incredibly bright and taught by brillaint parents, he made it into the Book-Maker's guild, second only in social standing to the Writer's Guild. While there he was harrassed and bullied mercilessly by his racist classmates, and internalized that hatred, resenting his mother and idolizing his father and the D'ni culture even as it collapsed around him. When the D'ni fell, he blamed the events on his mother's arrival to the D'ni caverns, and decided to rebuild the lost civilization entirely by himself. He abandoned her to solitude while he crawled through the D'ni ruins, trying to understand a people that he only really knew in childhood.

He also had a kid with a native tribe on the surface, who he suspected had contact with the D'ni millenia in the past and were therefore worthy of his notice. The mother suffered complications during childbirth, so he brought her to Anna for help, the first time she had seen him in years. The mother died, something which Gehn also blamed Anna for, and without even looking at his child he set out back into the ruins.

Gehn, filled with ideas about D'ni supremacy, finished the work that A'gaeris set out to achieve - he pieced together the Art from books he found, and Wrote (i.e. slapped together) several unstable worlds that he dominated as a God and destroyed.

Now, imagine that you are someone who desperately wants to write a book, but can't read. Imagine you are clever enough to piece together linguistics ex nihilo but too full of yourself to actually learn how to write your own original sentences. Imagine you have a lifetime of anger and access to the complete works of the Library of Congress. You may begin to understand the "incredible chaos that my father's economy of words has yielded", as Atrus puts it at the start of Riven.

Motherfucker literally took sentences out of Shakespeare and stiched them onto Steven King paragraphs because they seemed to "work right" in the original books. This led to horribly unstable links, where contradictions, mismatched vocabulary, pacing, and tone led to worlds on the verge of collapse.

Of course, Gehn wasn't to blame. Gehn was never to blame. "It must be the ink I'm using", mr. Fuckboy thought to himself. "My moleskin notebook just isn't authentic enough to convey my brilliance".

So he did as one does and wrote worlds with the materials he needed, and people in them to exploit as a workforce. He showed up, used D'ni technology and manipulation of the link to freak out the natives, and set himself up as both their boss and a deity, who's divine commandment was "clearcut your forests and hunt your wildlife to make me books".

After four failed attempts, Gehn finally created his first working age, which he called the "Fifth" age because creativity is for soyboy losers and has no place in big boy writing. The natives called it Riven.

This world was probably his most stable work ever, which is a very low bar. It was so fucked and so kludged together that it eventually split into five seperate islands. The contradictions were also enough to eventually creat a tear in spacetime, which we'll get to in a bit.

Gehn eventually realized that he needed an assistant to help keep the world stable while he did his godly duties, so like a the deadbeat that he was, he showed up fourteen years late to take custody of his teenage son. At first enamored by his cool dad with goggles and an ancient city, Atrus's opinion of his father started to sour when he realized just how boneheaded the old man was. Without the mythologization of the Art that made the D'ni super special in the mind of Gehn, Atrus figured out something in a couple months that his father couldn't do in a couple decades: these were just words. Like, what if instead of trying to create Othello by slapping together phrases you found in a dictionary and a farmer's almanac, you just wrote something original?

Gehn was not happy with this idea - how dare this fucking child sully the Art by trying new things?! Everything good has already been written by the master race, dumb dumb, what makes you think a half breed could do better?

Gehn burned Atrus's first book.

It was around then that Atrus decided his father was a dangerous moron. When Gehn finally took him to Riven and Atrus saw what was going on there, he knew he had to do something. Meanwhile, he met a cool girl named Katran, who found his stuttering and mispronunciation of her name cute in a lame puppy kinda way.

Gehn had, in the years before he suddenly remembered he had a son, tried to recruit assistants out of the Rivenese population - Katran was his best student, and so he decided was gonna marry her. Real Frollo shit. When Katran shows Atrus the book she had written by herself in secret, Atrus scoffed. It was full of contradictions, broke every rule of Writing. The grammer didn't work, the words were out of order. It was poetry. The world she had made surpassed anything the D'ni or Gehn had thought possible. She had linked to a torus world, kept together with spin gravity - A pillar of water in the center shot out of the world on the dark side of the rim, spilling out into the stars. This blew Atrus's mind, who had adopted his father's unconscious bias that only the D'ni could Write. And here was some "primitive" native in a dying world, who had managed to create something impossible. She had groked the concept of symbiosis and dialectics in Writing, and demonstrated that contradictions work if done in a way that complement the whole. She then shows Atrus another book - this one leading to a library on a forested island - Myst.

They make plans to imprison Gehn and keep him from destroying more worlds. Atrus links into Riven and destroys all the linking books he can find leading out of it -unfortunately, his father captures him in the act, and imprisons him. Katran is not happy about this. And from their base in Myst she happens to have in her possesion the book that Gehn wrote - his fifth age. She does some editing.

Part 3: Katran is so cool in the books holy shit

Now, y'all might be going, "but Char, if Writers don't create the worlds they link into, how can they make changes and write a world into tearing itself apart?" The answer given from on high, unfortunately for us, is quantum mechanics.

You see, when you write a book, you essentially are referring to a place in the multiverse that matches your description. In the Myst universe, everything that hasn't been observed/described yet is in a combination of all possible states. So you can't really write in a forest fire if the forest's climate is already described and precludes the possibility without risking linking to an entirely different age, but you can describe the unseen/undescribed tectonics to cause a lava flow. This also means that unstable worlds like Riven become even harder to patch the more you try, because you can't really take anything written back or remove observed inconsistencies without linking to an entirely different place filled with strangers.

This does mean though, that the Writers of these books have a horrific amount of power over the future of the worlds they link to, and shitty writers will doom all that live there.

So, with that in mind, Katran, seeing her boyfriend trapped by his abusive dad, decides that, actually, metors in the shape of GIANT KNIVES exist, and have always existed, moving inexorably through the unobserved void of space over countless eons in a direct collision course with her homeworld. There were probably less metal options, but Katran was not interested in those.

The collision and resulting earthquake opens Atrus's prison cell and the patch job that Gehn had done to contain the rip in spacetime his shitty writing had caused, and he soon learns a timeless lesson: never, ever, *ever* piss off your editor. The final showdown has Katran linking in to save her nerdy damsel boyfriend in distress, while his father rants about being God and air gets sucked, howling, into the void between worlds. They put up their finger at him and walk backwards into the void, linking out while he sputters at them and all of Katran's childhood bullies stare at the power couple in religious awe.

I may be editorializing a bit here.

The Myst linking book, the last way out of Riven, tumbles through the vastness of not-space, far away from the pretentious self-hating clutches of the world's worst writer with a god-complex... and ends up almost clocking a random hiker in New Mexico as it tumbles back to the most improbable place imaginable, the place where it all started.

This is where a 90's point and click computer game about pipe management begins.

Once on Myst, Atrus discovers that Anna, 100% done with her son's bullshit, had actually done the responsible thing and followed him into the caverns when he was collected by his deadbeat dad. She had written Myst and given it to her grandson's more competent significant other and helped orchestrate the rescue attempt in secret. Katran and Atrus then lived happily ever after had some more shitty kids.

Part 4: Pipe Management and Terrible Children

Turns out, Atrus was too busy writing journals, trying to figure out a future for what was left of the D'ni after generations of fuckery, and stopping Riven from completely collapsing to really do the whole genocide talk with his sons. And I assume Katran was too busy doing hot girl shit. So they kinda left their sons to run amok with the native populations of peaceful tree dwellers and waterworld survivors.

The sons weren't motivated, as Gehn was, by some imagined past empire, or as A'gaeris was, by some deep seated hatred of the culture that denied him a spot at the top. They just really liked it when people licked their boots, both in and out of the bedroom. Maybe they were a shitty influence on each other, in the way that fuckboys are. Or maybe the Atrus family just has the star wars gene. In any case, the brothers suck each world that their father let them loose on dry to satisfy their endless greed and bloodlust.

Achenar, the violent one, has torture devices in the rooms you stumble on on the game, holograms designed to scare the natives (something he picked up on from gramps, maybe), poisons, and a torture chamber filled with human remains.

Sirius, the greedy one, has chambers filled with jewels, fine wines and silks, hidden daggers, plundered wealth and thrones.

Atrus's solution when he learns about this was "Oh no, we better send them to a nice friendly age with nice innocent people who will show them how to be kind and stuff" and there goes Channelwood.

They were not taught how to Write, ironically because Atrus was worried about their maturity and didn't want another Gehn in the family. He also forbade them use two books. You see, Atrus was feeling guilty about trapping his father on Riven - not because he was torn up about his dear old dad, but because he had basically trapped him in with a bunch of innocent villagers who he was taking his anger out on. So he had been working with Katran on a plan to trap pops in a prison age, similar to how Veovis was trapped.

This plan involved two prototype books called Trap Books - books that *look* like they're gonna link to somewhere fun, but instead trap the linker in the void between worlds. He had realized that having a library of books sitting around for anyone who may stumble on a myst linking book to fuck with was not a a good idea, so he put the trap books on the shelves with the rest for extra security. There they would sit undisturbed until he was ready to face Gehn again. Or so he thought.

Sirius and Achenar, not content with simply fucking up Channelwood, embarked on an omnicidal mission - they exploited, terrorized, exterminated, and burnt every book in Atrus's collection they could get their grubby paws on. When Atrus realized what was going on, he tried to return home, but was tricked into linking to D'ni with his Myst book tampered with. Katran was similarly tricked into linking to Riven. These fuckos, thinking themselves kings of the multiverse, started to wonder about the two forbidden books - was dear ol' dad hiding the best jewels and slaves from them? Was this his secret stash?

...And this is how we find the Atrus family when the MC links to the island.

These idiots plead their case to the Stranger, each blaming the ruination of Atrus's collection on the other, and ask you to free them by collecting all the link pages that Atrus had torn out of the trap books and scattered across his surviving worlds. After some excellent pipe management, you collect enough pages for both for them to let slip that "hey, don't check out that green book in the hidden room, just get me the last page buddy". Of course inside the green book is a very irate Atrus, pissed off that this has happened a second time in his family's history. You free Atrus, he throws his sons into a fire, and they live happily ever afterfuck we forgot about Katran.

Part 5: The part where I spoil all of Riven (please go play this its so good)

So Atrus gives the stranded hiker (you) a deal - help him free his captive wife, get rid of a tyrannical godking, and evacuate the Riven people utilizing your incredible birdwatching skills and pipe management experience. In exchange, you are given a way home to your retail job. You pick him up on the offer, because confrontation makes you socially anxious.

You are captured almost immediately, and the prison book you brought with you confiscated by the cops. Fortunately, you happen to be on the same world that Katran was tricked to, and she has been *busy*. An antifa supersoldier knocks out the guard, takes the book to someone competent, and lets you out of jail.

Turns out Katran did the sensible thing and has been fomenting rebellion against god from the second she realized her sons were the worst. Meanwhile, you bumble around the islands for a bit, fixing their pipes and learning how to count while guerilla forces fight for their freedom.

You eventually learn that Gehn has been successfully (by some definition), writing books. Fuck. Not willing to let the Wheel of Time author loose on an unsuspecting multiverse again, you manage to apply your birdwatching skills and locate the rebel base. All according to plan. After beating you up a bit, they let you know that Katran has been locked up, presumably after trying to take down Gehn with fisticuffs, idk. Turns out that Katran and Atrus's exit was kinda a big deal, and led to a weird offshoot religion where they worship Katran and... Atrus for some reason. They formed a secret society known as the Moeity, who use the space knives as sacred symbols. Katran uses her exile in Riven to build a world with a secret treehouse for them to hang out in.

This treehouse.

You go to Gehn's HQ, trick him into linking into your prison book ("oooh nooo haha don't steal my only way home >_>") and set Katran free. You signal Atrus that the mission is a success by opening the star fissure and starting the collapse of the world while Katran evacuates her people. He shows up, thanks you, and you jump into the star fissure, returning to the 9 to 5 grind. It is lucky that the star fissure ends up opening in Anna's backyard a couple miles away from the D'ni cavern, because Atrus and his family getting into situations that can only be solved with pipe management skills.

Part 6: The final book

The last part of the story I want to talk about is from the Book of D'ni, arguably the weakest of the Myst Reader trilogy, set shortly after the events of Riven, I think. It's about Atrus finding D'ni survivors in linking books, and trying to figure out how they're going to rebuild, but Do It Right This Time(tm).

Eventually they unearth a massive ancient linking book underneath the zero point - the original linking location of Earth's descriptive book, and central location in the D'ni cavern. Turns out one of the original D'ni who fled to Earth decided to bring a linking book back home. This book leads to an age called Tehranee (no, seriously), where they encounter a thriving Ronay (the D'ni race) civilization on a lush paradise world. These people, who all live in massive opulent ziggurat palaces the size of cities, welcome the descendents of their wayward cousins who decided to fuck off ten millenia prior, and offer the D'ni survivors refuge in their utopia. Inside the palaces they live in the lap of luxury, playing games with mechanical contraptions and mazes, eating amazing food, having stimulating intellectual conversations and parties.

The other shoe drops when Atrus n' pals realize that the walls are unusually thick, and discover the slave races imported from a hundred thousand different worlds that toil and perish out of sight of the ronay so they can play their stupid games. There is a part where they realize that an indoor waterfall is literally powered by a crank - some poor person is forced to toil at the pump so they can have a water feature. So! Turns out there was a reason why the D'ni have a taboo about writing worlds with people in them - Because this shit right here is what they wanted to escape.

In a fitting end to the tehranee, the survivors happen to have brought A'gaeris's plague with them, having developed an immunity to it. The slaveowners all perish to smallpox, and the slaves lead a revolution.

The big takeaway Atrus has after his summer vacation is that maaaaaybe rebuilding the ronay civilization is not such a good idea. So he decides to close the sordid chapters of Tehranee, A'gaeris, Gehn, and his sons, and build a new age for all D'ni and the inhabitants of the worlds they touched, to live in harmony together.

Conclusions

Every story after this is kinda added on, I feel that this covers the main storyline. Atrus and Katran eventually have another kid, this one they parent way too well to overcompensate and ends up becoming the D'ni'satz Haderach.

Thanks y'all so much for listening to me ramble about a series really close to my heart - sorry for the tense issues, this was really stream of consciousness.

Oh! One last piece of worldbuilding I find Neat is the D'ni guild of Maintainers - they had the unfortunate job of being OSHA for books. When they found a unusual book or discovered one that had little to no info on the other side, they would link into it to make sure it wasn't leading to the center of a gas giant or covered in poisonous spiders. They did this while wearing something called an EV suit - a big bulky hazmat suit made of special Rock designed to be nigh unbreakable. The gauntlet had a linking book back home built into it, with a temporary membrane acting as a timer in case the inspector gets knocked out. There has only been one recorded instance of the EV suit being damaged by unfavorable conditions - The inspector had the misfortune of linking into a book just as its star went supernova (the helmet got a tiny crack in it).

Book of Ti'anna showed us the consequences of a racist, isolationist culture so fragile that, for all talk about stability and millenia of continued status quo, it collapses after it encounters a single person from the outside world.

Book of Atrus shows us what happens when an egomaniac fetishizes a glorified view of a mythic past and builds a fascist police state. It also shows just how incompetent and hateful such a worldview makes a person.

Myst shows us that even barring contact with some original historical sin, the atrocities from the past will come back to haunt us if we aren't vigilant against the impulses of greed and hatred.

Riven shows us that revolution is the only answer against fascism.

Finally, the Book of D'ni reveals what happens when fascism wins. It shows that the past was Terrible, Actually, and we should focus on building a future, rather than attempting to go back to some imagined golden age.

I think Myst:Exile shows how the past cannot simply be buried, however. Some victim from the past comes back for vengeance against Sirius and Achenar and steals Atrus's book, i.e. the future of the D'ni. Myst:Revelations is about forgiveness and redemption, and book five is about book jesus? idk. Uru is about saving a dying videogame studio before it gets bought out. Not sure if it's about anything else, I've been stuck on a puzzle since 2019.

The Witness comes out tomorrow!

It’s been a while since I scratched that Myst itch.

Look at this person who can’t appreciate a Final Fantasy cure spell GIF in relation to database cleanup and further interprets it’s existence on this site as a proclamation of Metroidvainianess.

Canveus is a Myst-esque, first-person puzzle game in which you solve a series logic puzzles in order to restore color to the drained, lifeless sky.

It’s well worth taking a moment today to explore the secrets of Canveus. Just make sure you bring along the quintessential Myst toolkit - a notepad, a pencil, and an inquisitive mind.

Portrait of the Surveyor as a Young Man.

I should probably point out that that’s not precisely the map from D'ni to the surface. :-P To make it fit in the spaces I had, I just invented a similar-looking map. I figure Aitrus has been on other expeditions too, after all, planning and excavating new caverns and whatnot.

We’re getting to the end of our post-Mysterium blog posts. I have a few things for you today.

First up, we’ve uploaded all of the videos we recorded this weekend. You can find the Youtube playlist here.

Next, we’ve put together a survey to help us get feedback from all of you. You can find it here. All questions on the survey are optional, but please be as detailed as you can. The more you tell us, the more we can tweak Mysterium to be a great experience!

The survey can be taken both by people who attended this year, and by those who couldn’t make it. So, please spread it around to any of your friends that might be interested in attending Mysterium at some point.

Finally, a reminder to please send us links to any photo or video albums you may have from Mysterium 2015, so that we can share them with everyone.

-Taniith

Finally done! I’ve got my book, KI, Eder Kemo fireflies, Moiety dagger, cone, hard hat, bag, and a tool harness to carry it all.

I guess the bag and harness don’t technically appear in the game but there are the practicalities of the con to contend with.

Well folks, here it is. The final proverb in my series. Interestingly, it’s the only one from Gehn, yet it speaks to me on a very deep level. How does a fleeting mortal creature realize immortality? Through creation, the act of bringing something new and unique into the world that remembers your hand when all other trace of you is lost. Sadly he twisted this idea and used it as justification for writing broken Ages and subjugating their people, testified by its presence as decorative trim across his writing desk on Age 233. It deserves its time in the light, though, and perhaps is properly used last.

A 100ft Tall Tree House & Church Built Over a Decade