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what if characters from a cartoon were covered in blood and trying to killed you. what if the my little ponys were evil and scary. has anyone ever had this idea before.
In this world thereās a prophecy that only the sun, earth, and moon know about. Where the earth will become sick. Born from the infection there will be monsters the size of mountains that will rip mother earth apart and take the sun and moon with her. However three individuals will emerge one to gain the blessing of the earth, one to gain the blessing of the moon, and the last to gain the blessing of the sun. Together, they will cure the earth of her ailment and yippee they donāt die.
but Iāve come to a realization that I donāt know why the prophecy chose these three, or what the flame of prophecy even does. So Iām experimenting with the latter bc Iāve got no clue why they were chosen at the moment lol.
May The flame of prophecy breathe warmth into the cold statueās body. To bring her troubled mind comfort.
May the flame of prophecy fill the mages soul, irreparably damaged by a vile curse. To quite the wounds aching.
May the flame of prophecy rise to the surface, harden into armor of scales. So the featureless dragon may gain her wings.
(This is all concept work and is subject to change in the future)
Heyy guysss Iāve been gone for a bit bc I was playing through Amphoreus!! :)) A story that is very short, not very in depth, and it most certainly didnāt rip my soul out of my body!!
Artfight guhhhh!!! This is Arianna!! Sheās one of the main characters in the webcomic Castoff, written by @thestarfishface sheās one Instagram tumblr and YouTube ( and probably other platforms idk tho ) i highly recommend watching her videos or reading her comic if you donāt already :3
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The other day @laneylunen and I were talking about this, but have you ever noticed how Amalia was robbed in season 4?
To be fair, we could be talking about a plethora of things. The fact that they killed her entire family just so she and Yugo could rule being high up on that Dick Move list.
But I am actually talking about how she was robbed of her moment of assertion between episodes 10 and 11. A moment where she could have truly asserted herself as Princess of the Sadida and defended the fact that she's actually one of the highest authorities in their kingdom and, therefore, deserving of respect.
The truth of the matter is that Amalia's character has always been disrespected in some way. In seasons 1 and 2, it was played for laughs. Let's take the sheltered, spoiled princess down a peg or two kinda humour. I'd say sometimes it wasn't all that funny, but I can forgive that.
And from season 3 onwards (this including The Great Wave), the way she is continuously disrespected is played for drama, yet never fully resolved. It just keeps piling up, really.
Season 4's case is pretty egregious because she doesn't actually do anything deserving of mockery and derision. Writing issues and preferences aside, Amalia has a pretty good head on her shoulders throughout.
Despite having mended fences, Armand can still be a condescending jerk to her; she is disrespected by her fellow royals; freaking Qilby goes out of his way to insult her; Toross calls her a salad...
It's not just that Amalia can barely catch a break through it all. What's even worse is that the season actually built up to a perfectly curated moment where she could finally put her foot down and demand her due respect, and the narrative completely brushes her off.
I'm talking, of course, about the throne room scene from episode 10. Right after Armand explains to his father-in-law why his kingdom is always targeted.
I honestly expected that scene to result in a powerful speech or declaration from Amalia, only to be left completely disappointed when it amounted to nothing.
Because that is the perfect moment for Amalia to finally call everyone out and reassert her position as Princess of the Sadida Kingdom. It has all the elements that should lead to that kind of scene!
Even after admitting he should have listened to Yugo when he first tried to warn him, the moment Amalia makes her presence known, Armand's first instinct is to disparagely and snidely ask if she's come to defend Yugo. Which she thankfully shuts down by revealing the severity of the situation: Yugo has been captured by the Necros.
This is then followed by a brief speech with incresing fire and intensity as Amalia demands to be treated with respect because she is trying to fulfill her duties and inform him of something very serious.
The way it's structured, you'd think this speech will segue into a more climatic declaration that will help Amalia establish herself as a prominent political figure whose opinons and expertise must be taken into account.
Only for this to cut to the next scene, far away from Amalia and the Sadida Kingdom. Who we will not see again until halfway past episode 11.
And the worst part is that said episode doesn't even resume this conversation. No, instead, it immediately cuts to everyone on the balcony as they watch the giant portal tear a hole into their reality, allowing the Necro threat to advance.
With Amalia outright confirming that's what she wanted to talk about but was somehow too late to do so?
I mean, how?
Because the scene just cuts to them already on the balcony. They somehow figured out something was wrong even before Amalia had a chance to say anything and made their way outside to check it out.
They didn't even had the decency to end her previous scene from episode 10 by having Canar and Renate interrupt her and tell their king there's something he should see like back in episode 5.
That at least would explain this utter disservice to Amalia.
I mean...
Poor girl didn't even get to do the one thing she set out to do and warn Armand of the upcoming invasion.
So Amalia got her thunder stolen by... poor pacing?
And that's the thing!
The throne room scene should have led to Amalia asserting her position as Sadida Princess and proving her worth to, at the very least, Armand.
She should have been allowed to make a grand declaration explaining she's been to the Necroworld. She knows what the Necros plan to do to their world, and it is not pretty. She should have been allowed to talk some strategy with her brother and display her quick-thinking and crisis-solving abilities she's gained over the years from adventuring and saving the world!
I wholeheartedly believe Armand actually entrusted the kingdom to her and not Aurora. Damn it, add decisive scenes and character moments that make Armand realise his sister's much more capable than he ever gave her credit for and that the kingdom will be safe in her hands!
Add more value to that climatic scene!
For all Armand is the eldest, and the one raised to succeed their father and lead their people, it's clear to see that Amalia far surpasses him in other areas.
Have that play into his decision.
(Thanks @laneylunen for pointing it out back in the day!)
Now that we're on the topic of individual strengths and virtues, these two frames go back to back, and they are such a wonderful visual key as to each sibling's strengths.
Armand may have been raised to rule and be adept at diplomacy (allegedly; we've only ever seen him attend meetings, never mediating them), but even though he was trained from a very young age to be a powerful fighter and protect his kingdom, the truth of the matter is that he hasn't been in an actual battle since Nox's attack.
Almost a full decade prior.
So when faced with his first ever major scale crisis and armed conflict as king, he is petrified. Nearly shellshocked and unresponsive.
Meanwhile, Amalia's unorthodox upbringing adventuring and saving the world means she has plenty of experience facing crises and reacting to them in record time.
What she lacks in traditional princess values she more than makes up for in aptitude for fighting and problem-solving.
While Armand is too stunned to move, Amalia is focused and determined. She immediately turns to the Osamodas King to ask for his help, whereas Armand is too paralysed by anxiety to do anything but support her when his father-in-law tries to deny her request.
This is brilliant storytelling that really showcases where both Amalia and Armand converge and differ as people due to their different paths in life.
And it would be even more brilliant to have clearly and unambiguously incorporated this into Armand's decision to sacrifice himself and let Amalia succeed him because he knows their people are in good hands.
I'm just saying, for a season where these two finally bury the hatchet, they did very little to explore all those elements behind their relationship. Like Armand finally seeing that his little sister is all grown up, and Amalia mourning her brother and king who, despite everything, she loved dearly and loved her dealry in return.
This may be a bit of a tangent brought on by the fact that I'm thinking about this retroactively, but by having Amalia assert her position and her kingdom's importance, you also sort of explain some developments from the webtoon.
Like Aurora's claim in chapter 6 that Amalia is always boasting about Sadida traditions which is... demonstrably false. I genuinely cannot think of a single canon instance where Amalia has boasted about her traditions. Not once.
You could always say it might have happened offscreen, but then there's the fact that Aurora said in chapter 21 that she barely saw Amalia during her one year stay in the kingdom, which, judging by Amalia's words in chapter 22, we're supposed to believe is true? Which begs the question, if you two barely interacted, then when did she even have the time to boast about her people's traditions to you in the first place???
See? The timeline is too confusing and contradictory and convoluted.
At least if Amalia had managed to defend her kingdom, you could think that's what Aurora is referring to. Sure, that still doesn't count as "boasting", but the Osamodas are so self-important and condescending to the Sadida, it honestly wouldn't be far-fetched to believe they would simply misinterpret Amalia's words.
I mean, they didn't bat an eyelash even as Armand explained his kingdom's importance to them.
I just think that Amalia deserved a win beyond (briefly) reconciling with Armand and marrying Yugo after a full season of being insulted and condescended to by a good chunk of the cast.
TL;DR Amalia deserved to call everyone out on their bullshit between episodes 10 and 11 and was so unfairly robbed. And with her, us.
Oh dude this topic gets me fired up because Amalia has always been so robbed. I totally remember talking to you about Amalia's "confrontation" with Armand a while back, and the whole thing still makes me laugh because the show's writing for that episode is just so bad. Anyways I'm going off on a rant, and a lot of my points will have close to zero relevancy to the above post, but I just have so many thoughts about Amalia (and Armand as well) that i have to go on Mark Zuckerbergs internet so i can dunk on a french children's tv show.
Iāll swoop in immediately with a hot take, but if we were to strip Amalia from her face card, Iām pretty sure sheād lose 90% of her fanbase simply because her whole canon character is trope trash and later, a convenient braindead excuse of an āindependentā woman. Do I love her? Yes, but part of me also cannot tolerate her.
I get frustrated when people compare both Amalia and Armand on the terms of whoās the better leader, because nine times out of ten, people will say Amalia, and I have to thoroughly disagree. Iām not saying Armand is better, in fact to me, they are equal in how good they are as political leaders. BUT! They are political leaders with strengths that apply to different worlds: Amalia was made to rule in a world of war, while Armand was made to rule in a world of peace.Ā
Mind you, Amalia is definitely more prone to adopting a militaristic mindset in times of hardship and is quick in her decisions, no matter if they be good or bad ones. The fact that she even can make a decision and can carry it out is her true merit, at least, thatās what I think it is. But the series merely hints at such an idea, hardly taking advantage of such a characteristic, so like most of the fandom, I have to pull at strings to explain what kind of a person Amalia even is at this point. Maybe sheāll narrow her eyes in the face of hardship, or enter a throne room with her head held high, but at the end of the day she. just sits there. and not much else. And then the series moves on with the attitude pretending like she did something of worth as a leader, which I simply cannot wrap my head around.
Another point of irritation is the common consensus that Armand was largely a failure of a royal in comparison to Amalia when I find him to be one of the most down-to-earth characters in the entire show (Iām mainly referring to S3/S4 Armand here.) People love to bring up the fact that the Sadidan public largely prefer Amalia over Armand as proof enough that Amalia is the better leader, but I think this is largely due to her living a very romantic life up until the Necrome War; sheās a young, beautiful girl traveling with her friends to supposedly help others and save the world. But a bystanding royal child vs an actively reigning queen can be received very differently by the same audience (as proven by what little Iāve seen of the Great Wave manga, featuring Sadidans getting pissy with Amalia about various affairs coughEliatropescough. But also correct me if I'm wrong, manga readers. I still have yet to actually read a full chapter of TGW cuz I can't be bothered.) On a different note, Armandās greatest weakness is his lack of self-confidence; it leaves his decision-making ability in shambles and makes him vulnerable to political influence. But to make up for that, heās is very conscientious, as well as a realist. He perfectly understands his role as king, but because of this, he knows heās coming up short to meet his peopleās expectations, and therefore leans on others as to make up for it (he did so with his father until the latterās passing, and with no Amalia around, adopted the Osamodas as his back-up.) Itās a shame that he chose the Osamodas as his confidants, because ideally, having intelligent, well-meaning people close by to lend a differing perspective is something I think all offices of power need, and the Osamodas are just not that. In S4, he and Amalia were starting to slowly evolve their political relationship into such, of course, until he passed away.
To me, a better ending would have been to leave Armand alive and instead put narrative focus on Armand and Amaliaās reliance on each other as means of cultivating a cohesive and balanced political atmosphere (as well as provide healing from the intense sibling rivalry they shared as teens.) Where Armand is unsure, Amalia is confident, and where Amalia is naive, Armand is grounded. But instead, I guess the series wanted Yugo to fill Armand's role instead, so they conveniently killed the latter off. BRO TOT STOP PMO!!!!!!!!!!!
I would honestly love to pull more examples from the series regarding how Amalia was robbed from development, but Iāve only fully seen S4 once (once being enough) and really nothing about Amalia ever stood out to me (which maybe proves the point of her being robbed as a character lololol) The only scene of her that caught my attention was when she did the motivational speech to the Sadidas while on the battlefield, but I canāt remember a thing she said and also, considering such a moment through a realistic lens, who is actually listening to her??? The Necromes havenāt stopped moving!! Iād be fighting or running for my life or both, not listening to that!! Idk, also that scene just felt so dramatic to me that I cringed so hard and that's literally why I remember it
but anyways thanks for coming to my ted talk i hate wakfu more than anyone on the internet
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Story I made on Insta that I enjoy/ want to post here
This funny little notes app has turned into one of the best ways to peer into whatās wrong with my brain to have it be infested with sooo many brain worms.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What if ur ocās trauma didnāt happen to them? Who would they be??
The three OCās Iāll be yapping about here are ( from left to right) Willow, Hazel Bell and Alda! Theyāre all protagonists in the same world, but at different times ( Alda is first, Willow is second, and Hazel is last )
Hazelās biological parents didnāt die ( and still live in this scenario ) so she hasnāt gone through the grief of losing her parental figure. In fact sheās pretty sheltered and doesnāt really know how the world works cause adopted dad wasnāt there to teach her. And she doesnāt work the forge bc she never had too. Being part dragon she has an item she hoards but, she assumes the thing she hoards will just appear through mysterious means someday. Because of that she doesnāt have a way to get her creative passion out, and the joy and comfort it brings to do so. Cannon hazel uses the forge to help cope with all manner of stress, from everyday inconveniences, to her struggle to understand her own emotions. Au Hazel doesnāt have that or any equivalent so sheās very lost and volatile as a result.
Willow wasnāt locked in the tower because her village didnāt get raided, so Willow became a bard who wants to get better at magic cuz sheās not all that great at it. sheās very insecure about how cowardly she is and does a whole lot of to hide that insecurity to the point that it feels like sheās ādoing too muchā but people laugh it off cause Willow is a performer. Willow WANTS to be strong so she can protect the people she loves and cares for but she always freezes up or runs away to protect herself and it eats her up inside. Which is why she wants to learn magic and she doesnāt realize how much goes into being not only being good with magic but proficient with magic. It takes about as much as learning to write music and, Willow doesnāt like magic enough to commit to that. ( The person Willowās smoochen is her male wife Clive btw )
Alda wasnāt made wrong and does exactly what she was originally intended to do⦠to be a supervillain. She is devoid of what makes her unique and human and exists solely to understand humans and the human condition. Which is ironically something she never will understand. Because she lacks a single drop of empathy, doesnāt experience human emotions, and does not have the capacity to do either of those things. Because thatās not what she was made to do. Alda would also be bald.