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hey my friend and I respect rockygrace but don't interact w/ it as members of the community. and we were wondering if fanon consensus rocky is the top?
I've been trying to figure out how to approach this ask for like a full day uuuUUHHHHm
I think we're way out in the ocean here. I mean... it's a genderless rock alien. If I could even speak of fanon consensus, it'd be: they're freaking it crazy-style and we can only hope Grace sent a paper on it in the beetles.
you take off book rocky’s mask of even rationality and underneath it is so much anger and reactivity, like a flinch when poking an open wound. hmmm closer but not quite right. you peel that mask off and underneath it is an immeasurable well of grief and fear and you’re like ohhhh I get it he is the open wound!
If I had any understanding of music and sound, id be out here composing eridian foreplay songs. Id be posting bits of Rocky rizzing Grace up with something akin to a deep contrabass and the power of a subwoofer.
Ahah sure I can mash something up but I do believe they care for nice harmonies as much as we do. They might have different scales than us or prefer different meters tho?
I can only think of two realistic setbacks: eridians might hear outside of our range so either you have tones so low you feel them rather than hear them or the lack of upper range makes eridian compositions sound "flat" to us bc we hear them incomplete? Like bad speakers.
But I'm sure Rocky can engineer himself a solution around that 🤌
If I had any understanding of music and sound, id be out here composing eridian foreplay songs. Id be posting bits of Rocky rizzing Grace up with something akin to a deep contrabass and the power of a subwoofer.
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sometimes a theme recurs in your work without your permission. and sometimes it reaches a threshold where you're like. well now i think this is saying something about me against my will. don't know what though
""Why you ask?" he says, and the translation computer is across the room by now, so I primarily hear it in his own voice, an octave below where it would usually be. He taps the question-particle with one claw, bop bop, into the flesh of my arm. "Want big strong sexy Eridian to hold you down?" Tap tap, again, and I can almost feel the point of that claw through the xenonite. I think it feels sharp."
Look I did say I'll take a break but then @twwings wrote T’hy’la and it's literally the scenario I've been thinking about since phm came out, down to Rocky pinning Grace's thigh to the side. What am I supposed to do, not draw something for this fantastically written, funny and really really hot fic?? Please.
Also yes whatever I forgot the xenonite suit but hey look at all those nice pencil lines and crazy perspective
A few of my thoughts on the drawing choices I made under the cut:
I do a lot of the composition/style choices subconsciously but after I sleep on it I typically can tease them out ahah, for those interested...
My goal was to make you feel how sturdy Rocky is. I played a lot with the texture and shape of his limbs to make them look almost like coiled muscle. I hope I nailed this tension between him having Grace very securely down and balancing his significant weight oh-so-carefully so he doesn't hurt him.
I wanted to capture that breathless moment for Grace, right before he lets go, by creating some drama with perspective and contrast:
Light/Shadow: Grace's body is in focus, on full display, cast in light. His body already knows what it wants, it is open and pliant (tender underbelly slightly exposed). But! Grace himself hasn't fully caught up yet. His face and Rocky's top-of-body are tucked away from us, in a world of their own in the intimate shadows. Rocky probably already "hears" that Grace is hot under the collar, but he is waiting on him to come to terms with it. They're conferring, in the tender safety of shadows, away from our prying eyes.
Perspective: I used it to define areas of "closeness" and "distance". The perspective actually makes their "faces" in the back appear close together. Their bodies, on the other hand, maintain a respectful distance, further distorted by the perspective. I wanted to make that space bracketed by their lower limbs so empty but so erotically charged.
I spent so long on Grace's face, I aimed for relaxed and trusting, a bit starstruck, like he is about to finally breathe out and let himself be into this.
I chose this scene to illustrate because it hangs in a delicate balance of plausible deniability and I find that so so unbelievably hot. I think it even decided the black and white style for me: almost like a slow-mo of a flash going off. For a moment, everything is illuminated and laid bare. Whatever happens next will be decided in the darkness that follows.
Honourable mention: I included a hint of Grace being semi-hard. It deviates from the fic but a) I'm a sucker for a dick print in sweatpants and b) it's so subtle that you can generously think it's just fabric bunched up. Just adds more to this "we could still backtrack. We can still pretend it's just play." energy.
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""Why you ask?" he says, and the translation computer is across the room by now, so I primarily hear it in his own voice, an octave below where it would usually be. He taps the question-particle with one claw, bop bop, into the flesh of my arm. "Want big strong sexy Eridian to hold you down?" Tap tap, again, and I can almost feel the point of that claw through the xenonite. I think it feels sharp."
Look I did say I'll take a break but then @twwings wrote T’hy’la and it's literally the scenario I've been thinking about since phm came out, down to Rocky pinning Grace's thigh to the side. What am I supposed to do, not draw something for this fantastically written, funny and really really hot fic?? Please.
Also yes whatever I forgot the xenonite suit but hey look at all those nice pencil lines and crazy perspective
Even if Grace and Rocky both have human bodies, I need them to have weird-ass sex.
I need Grace to queue up music with heavy bass and the filthiest electric guitar he can find in the database. I need Mary's speakers fried so Rocky can again feel the full-body sound-vibration he associates with sex.
I also need him to end up with a huge oral fixation bc of how he understands this new body. Touching his lips is petting atp. French kissing is 100% having sex in his mind. The brain is the biggest sexual organ and such and such....
(I listened to a lot of Muse while drawing this ahaha)
I've never paid particular attention to movie soundtracks, beyond "oh this sounds cool", but I re-listened to parts of the phm soundtrack just now on my commute and I was this close to crying at 7:42 in the morning in a train full of sleepy people ಥ‿ಥ
Started with "A Moment" and let me tell you I Had A Moment. It's one of my favourite scenes in the movie, I cried in the movie theater both times. The reverent swell of the music, the awe, the emotion. You can pinpoint to a millisecond when the Petrovascope turns on and Grace is bathed in glittering red light.
The choir devastates me, I've always been very moved by choirs and this line from the composer kept running on loop in my mind: "the choir is humankind. The whole of humanity is with Grace, cheering him on". Oh my Godddddd
I'm putting the other few pieces under a cut bc I have a lot to say, you're welcome ✨
Then I kinda skipped through to "Time Go Fishing" and it lures you in with a cheeky lil fast-paced intro, yay, adventure! And then it cranks it up and never lets go. I felt like I was hunted for sport the entire time. 7 minutes of relentless tension with barely two seconds to take a desperate gulp of air and it plunges you right back in. My heartbeat was probably up in the 90s. Even towards the end, where it gets those hopeful swells of the orchestra, yes, they're breaking orbit, they'll make it out: you can hear the grating sound of sirens underneath it all. They're not in the clear they just don't know it yet.
"Excessive Centrifugal Force" continues the beloved tradition of constructing around you like a boa and now id adds the crunchiest most discordant strings that go wwwwEEEeieiwww so your bones, too, can feel them spinning out of control. It's a jackhammer of desperation and wrongness. Unlike its cousin, it's only 1:32 min long, but it manages to sound like if hyperventilating was a movie score.
After this deluge of sound, you'd think "Rocky Sacrifice" and its slow and tender vocals will bring you relief ...SIKE. It's utterly devastating. It sounds like an eulogy, like a dirge. Rocky's choice almost certainly will doom one species to death, if not both, but he has to try. The sound reminds me of this contradictory feeling you get when you are running on pure adrenaline: you're both in a haze and everything is a bit subdued yet you have crystal clarity on what needs to be done.
The visuals that go with it of course are pure pain. Grace looks so peaceful, passed out and crushed against the panel. Almost like he's sleeping, face lax, and oh boy if Rocky doesn't have massive trauma around colleagues looking like they're asleep but actively dying *chewing on drywall*
Also, im not 100% sure, but I think?? Time Go Fishing uses a "Shepherd tone"(link to a yt example) which is basically an auditory illusion of an endlessly ascending (or descending) pitch. In the case of Time Go Fishing, it's tension that builds and builds and builds and doesn't loosen its grip on you until you think you can't take any more, it needs to release but it's relentless. Kind of makes me short on breath listening to it ahah but it's one of my favourite sound "tools".
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