local seaglass man

You WILL be racist. You WILL do racist things. You have ALREADY done both. Learn and move on. There's no ideological purity you can hold on to, i promise. Proving you can take the criticism without making it a big deal and practice what you preach is better than any clean slate.

As the go-to "person who knows about AO3" for quite a few people who read fanfic but aren't really linked-in to wider fandom culture, I've fielded a lot of questions about how to do certain things on AO3 to which my best answer is "you should really start your own archive!" I think, in general, more fans starting their own small archives would be a net good for fandom. AO3 was never meant to be the only archive for all fandom, or even the main archive, and the more spread out and backed up we are the more resilient we are.

But of course I have to be reminded that a lot of fans these days don't really have any idea how little "you should start your own archive!" really involves. (Also, that I should practice what I preach.) So I am now making my own fanfiction archive, and writing up this post as I do it to tell people how to make theirs!

Go to https://neocities.org/ and sign up for an account. It only needs a username (which will also be your website address), password, and email. Pick a username that will be related to your archive's title!

Choose the free account option (if you ever need more than what the free account offers for a text-only archive, you should probably look into graduating from neocities.) This should take you to a menu of "how to make a website" tutorials. You should do them! They're useful skills. But let's get your archive running first.

Hit the big red Edit Site button, or open the menu under your username and select "Edit Site".

Select the "Index.html" file to edit. You're now in an HTML Editor. Congrats, you're a web developer c. 1999!

Find where it has text between the < title> tags. Delete the filler text, and put in the title of your new archive. This text will be what shows on the tab when people go to your archive.

Find where it has text between the < h1 > tags. This will be big header text at the top of your page. Put the title of your archive here again. If you have no experience with HTML, you should read over the other sample text. It covers the basic basics very well! Once you've done that, you can delete everything else between the < /h1> tag and the < /body> tag. Save your index.html file.

Get an HTML file for a fanfic you would like to add to your archive. If it's on AO3, you can use the html download option built into AO3. If you have it as a word processor/google docs file, you should have the option to save as an html file. Save that html file to your computer.

Go back to Edit Site on Neocities and go to "upload". Find the html file you saved and upload it. (You can also drag and drop files to upload.)

The file you uploaded should now be showing with your other neocities files. Right-click on the title and select "copy link".

Go in to edit index.html again. Under where you put your header text, type < br> < a href=" . Then paste in the link you copied. Then type "> Then put in the title of the fic. Then type < /a> . Then save the index page again when you're done. You can do this for every fanfic you have.

Congratulations! You now have your very own personal private fanfiction archive that you are 100% in charge of and make all the rules for. It's at least as good as half the ones I was reading on when I started reading fanfiction and will serve its function well as a way to let people read your fic. You can link to it from anywhere you want! (Including your AO3 profile.)

Blogpost version, with FAQs and discussion

Anyway, here's my beautiful new fanfiction archive made using this tutorial:

Melannen's Fanfiction Archive

(I am honestly way more disproportionately proud of finally making that than I expected to be. It's nice to have your own archive.)

People following this blog probably know I use the free/base Neocities plan for my fansite. I host a more than just plaintext there (some .pdfs, graphics, all sorts), and I have not come close to running up against the 1GB limit yet; if you're plaintext posting fic, it is more than enough to host anything you could possibly want. You don't have to pay a penny, as I've seen some people wonder. Trust me. You will never get close to that 1GB.

If you have any fic that is illustrated, it's also gonna cover those still images, unless you have truly enormous amounts of fanart in like, .raw format or something, LMAO. You're good.

Anyway, I want to add a few tips:

If you have new fic you want to post and which you therefore can't immediately download as HTML from AO3, or for any reason you want to post a fic to your site and not AO3, you can run it through this Google Docs script. It formats it for you; I often use it, in fact, if I have a bunch of text I need to quickly add basic HTML to for the site. It's also obviously useful for formatting to post to AO3 as originally intended, haha. This naturally won't give you the tags, rating info, etc that AO3 lets you download and include, but the fic itself will now post with all your line breaks etc included!

To upload and embed images, first you upload the image file to Neocities. This will automatically assign it a URL for where it is hosted. Then, wherever you want it in your fic, you embed it using: "< img src="[URL HERE]" >. (Remove the spaces!) Yep, that simple. Here's an example of what uploading a picture as its own file looks like in Neocities:

So that bottom image has a URL- "https://autothots.neocities.org/images/G2AutobotInsigniaAlternate.png". I would copy that URL into the tags as above and presto! It would show up on my page. I host all my images on Neocities itself, and it works great. So no need to worry about finding a host.

And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period."

Hamlet. There’s a scene where Hamlet sees Claudius praying and debates whether to kill him now or wait (because if Claudius dies praying he will automatically go to heaven). The actor playing Hamlet was genuinely asking the audience the questions in the speech, and when he got to “and should I kill him now?” someone in the audience shouted “YES KILL HIM HE NEEDS TO DIE!” Hamlet took the entire rest of the monologue to that person, enumerating his reservations so persuasively that they started to nod in agreement.

Romeo and Juliet. In this production, the fight between Mercutio and Tybalt happens in several rounds, of which Mercutio won the first. Mercutio’s actor made the choice, upon his victory, to run down the audience with his hand out for high-fives. He decided this in rehearsal, so he had time to plan for the three responses people would probably give him: a) a high-five back; b) being stunned and not reacting; and c) the old “oops too slow.” What this Mercutio did not prepare for was the audience member who panicked and deposited their handful of M&Ms into his open palm. The way I heard it, Mercutio was still processing this when Benvolio came up beside him and stole the M&Ms out of his hand to eat them.

I forget what year it was, but the play took place in the historic James J Hill House here in St Paul. Hill was a railway tycoon during the gilded age, with all the disparity of wealth and privilege that implies. He was so successful and obscenely wealthy he became known as The Empire Builder and the grandness of his home reflected that. The walls in the dining room are literally gold. It’s breathtaking. It’s obscene. It’s perfect for the kind of corruption and rot that takes place in Hamlet under a gilded veneer.

The play started in the viewing gallery, with actors walking through the literal gilded halls of the mansion, the leather wallpaper stamped with gold filigree glittering in the gaslamp—the perfect setting for the wedding scene. As the opening progressed the lights were dimmed until only Hamlet was visible illuminated from the upper gallery by harsh modern lights above, just this chillingly beautiful cold light after all the warmth of the gaslamp and gold.

As the play progressed we were led further through the house, witnessing Hamlet talk to the ghost of his father on the grand staircase—the stairs further used to show hierarchy among the characters with Hamlet spiraling ever lower until we were invited to descend into the bowels of the house through the servants quarters, an area just as vast as the rest of the house but infinitely colder and utterly devoid of the opulent grandeur above.

The space is also nearly entirely marble, which leeches the warmth from the air, so even huddled together the audience grew colder and colder the longer we were down there.

It also meant the echo was amazing, and listening to Ophelia sing forlornly as she descends into madness was absolutely bone chilling. Watching her climb into a claw foot tub that had been placed in the center of the long hallway was also hair raising. She just kept singing, strewing flowers around the empty floor as we stood around her in a circle, helpless to stop her as she purposefully slipped under the water, holding her hands above the lip of the tub even as her head slipped under the water and the last echoes of her singing faded.

It made the Queen’s account of how Ophelia died just so… the lie of it. Like we were still standing there, she was still in the tub (head now above the water) and we’d witnessed the truth of it, and there was Gertrude telling any one of us in the circle who would listen how the poor maid “fell.” Anything to absolve themselves of the sin of her suicide.

We were turned around for a bit after that, led to the end of the hallway near the boiler room where the gravediggers leaned on gilded age coal shovels, and Hamlet got to do his bit with Yorick, the echo of the marble hallway dampened by having brought us back toward the stairwell, his voice soft and intimate. Showing his quiet resolve and return to sanity.

Only to pull us back moments later to center as he ran to where Ophelia’s funeral was taking place, and when I tell you, Hamlet’s howl of grief echoed. It reverberated. It was terrifying. It was amazing. People took instinctive steps away from him. It was just raw emotion bouncing off the walls of this cold, dark basement, entire worlds away from where we’d started.

The play ended back in the ballroom, the dead lying strewn amongst the wealth that couldn’t save them with only Horatio illuminated in gold by the lights. When Fortinbrass arrived he looked around the space like it was nothing, like the way we’d looked around the empty void of the basement. The wealth meant nothing to him. It was just another graveyard.

Veil status: normal

Tomorrow's veil: normal to thick