Rope N Nailss

you see it on here a lot especially in (i won’t link anything but i’m sure you know what i mean) those album track ‘aesthetics’ posts, au ‘aesthetic’ posts (you see these less in kpop, but where people use non-royalty free images to kinda craft a visual au), and even just rather typical graphics that have a lot of ‘texture’ elements. and texture packs too!! that’s often where the problem starts; people just collect images (often literal art), compile them in a folder w/o sources, then insist no one can repost those images w/o crediting the person who compiled them. what???

SO may i suggest some of my fave places you can get FREE, ROYALTY-FREE elements that are totally legal to use

creativemarket has 6 free high-quality resources (textures, brushes, fonts, etc), different every week! wow awesome i check it every week

search ‘freebie’ on behance. awesome stuff!!! lots of v nice templates textures and fonts

mockup zone freebies

unsplash: tons of very nice free photographs, not shitty stock photos

pexels: same idea. + they have an adobe plugin so you can get photos without closing your editor damn nice

pixelsquid is a super cool free program (again w a ps plugin that i love) with lottts of super cool hq 3d elements!

Morguefile is my favorite free stock photo site

Texturemate is full of excellent free textures, brushes, and patterns. 

Freepik has anything from textures to layered psds, icons and so much more that is actually free to use.

Unsplash is a community of photographers which provides daily content that you can use! You don’t have to credit them but you should. They’re amazing.

Icons8 is basically a library of icons and icon sets, they have a little over 60,000 icons for you to choose from.

setup crack

download these two then setup paint studio right click one of the icons after its done and click “file location” copy the crack files into the main paint studio file then click on the crack.exe till it says ok open paint studio

Hello!  And thank you very much!

There may be easier ways of building braids than what I do, but this is just my process for drawing them, so take it with a grain of salt.

I’ll start with a line for whatever direction I want the braid to go in, if I don’t do a line and I have any kind of motion to the hair, boy do I mess it up lol

Next I’ll do wide half triangles, the line being my center, the right side or the left side always dropped lower than the other. If both sides meet in the center at the same level it’s not going to look very braid-like or have the illusion of being tangled with itself.

Afterwards you can remove the middle line if you want to take it further and connect each one with an alternating pattern like this one, giving it more of a braided look in the center.

Once the center is solid, you can add all the details you want in any style you like, curving inwards towards the center. I tend to like the more stained glass-ish appearance for hair so I’ll do very choppy, squared off lines to detail.

This works for whatever position you want to put the braid into using the wide triangles to build it up. It works for tightly woven or loose and messy braids depending on how wide/long you make the original half triangles.

Thank you so much !!! 🥹🙏💕

I usually start with a tiny and rough sketch to get an overview of what I plan to draw next. Then, I define the (split) complementary, analogous and triadic colors of my main hue. That’s what is called color harmony and basically, these combinations are said to be pleasant to the eyes.

Anyway, with these 2 elements, I can decide what colors I’m going to use and if I change my mind during the process, I still have these color schemes to rely on.

Also, I haven’t been a big user of this technique until now but for this Huevember, I tend to add a layer filled with the main color and set it to « overlay » with a low opacity. It helps to unify the colors.

(idk how you draw or what ur skill level is or anything so if you know any of these already uhh sorry

in my experience using 3d shapes instead of flat construction shapes helps a lot if you want ur character art to have more depth and this is where i realize i have a picture for this actually

^^ on top of this if you draw digitally coloring in the sketch can make any imperfections with the shape n mass of what ur drawing more obvious and this can save you a lot of grief later if you go sketch->lineart->color and realize too late while coloring your foundation wasn't very good . also if you draw digitally try getting into the habit of flipping the canvas regularly that makes wonky shapes and skewed perspective more obvious too . ive seen the joke a lot of people being frustrated or embarrassed when they wait until the sketch is finished then flip the canvas and realize it looks really skewed which is very dumb to me because the sketch can just be a rough draft its fine . which on that note sketches are a thing you're probably going to have to iterate on over and over and over like it's not embarrassing if you don't get it right on the first try, best case scenario if its something i care about looking good at all it'll take me at least like 3-5 sketches. something something, sketches aren't the final so don't get caught up in the details right out the gate as a first step i see a lot of beginners get caught up in getting the head and face right first, THEN sketching the body after and maybe that works for some people just fine but in my experience personally if you loose sketch/figure sketch the whole body first no face no extreme detail at least you can work the pose out first before you waste your time getting caught up in details only to realize you don't have a great pose to go with it

also to you have a moment to talk about our lord and savior, the line of action?

websites:

Animation World Network

Animation Backgrounds

Animation Magazine

Animation & CGI

Animator Island

Anime News Network

Cartoon Brew

Character Design References

On Animation

Reference! Reference! (free database for animation)

11 Second Club (monthly character animation competition)

tumblr blogs:

animationart

animationforce

animationtidbits

aspiretoanimate

calartscharacteranimation

disney-moments-sketches (Allen Ostergar’s blog, animator at Walt Disney)

drawingforsuckas

fuckyeahconceptart

storyboardresources

theanimationarchive

theartofanimation

wannabeanimator

resources/tips:

Animation schools: 1 / 2 (Top 50 USA) / 3 (Top 100 international)

Which animation school is right for you? (Ringling vs. CalArts)

Don’t want to/ can’t afford art school? you’ve got other options.

Animation Mentor: The online animation school

Art school exercises!!

51 Great Animation exercises

20 things you can expect as a traditional (2D) animation student that they never tell you

A Survivor’s Guide to Life Inside an Animation Studio

Animation basics: The art of timing and spacing

Animation Notes From Ollie Johnston

Animated chart of the basic principles of animation

10 Second tip: Always Anticipate

book: Animation: Learn How to Draw Animated Cartoons by Preston Blair

book: A System for Planning and Timing Animation by Glen Keane

book: Timing for animation by Harold Whitaker and John Halas

book: Gesture Drawing for animation by Walt Stanchfield

Basic 3D Animation Terminology

Digital pencil test!!

Keys to Emotion in Animation

Lessons from Disney’s Zootopia

Model Sheets central

The importance of Acting in Animation by Segio Pablos

Printable exposure/dope sheet

Phoneme Chart

Recommended reading for animation students and enthusiasts

The 5 Types of Animation

The Know-How of Cartooning 

The Unofficial Truth about The Animation Industry

Why Disney Sends Its Animators To Life Drawing Classes

Walk/Run Cycles reference

What is Pixar looking for in Animators? (scroll down)

Portfolio Advice for The Disney Animation Internship

What is Rigging?

3D Rigging Terminology

3D Modeling Terminology

tutorials:

Animation for Beginners: Where do I start

Animation Physics (Video tutorials on physics for animation artists)

Animation tutorial part. 1 AKA “the secret of animation”

Appealing Poses in Animation

Background & Movement in TV

Blinking tips

Breakdown tutorial (middle frame between to keys)

Drawing & Composition for visual storytelling

Drawing for Animation

Drawing a Likeness

Animation fundamentals + tutorials

Filmmaking: Composition and Framing

Getting Shape Change

How to animate using photoshop

How to animate Characters in Perspective

How to Animate Head Turns

How to Draw Gesture

OpeenToonz tutorials masterpost

Overlapping Action and Drag

Portfolio tips / Making A Successful Portfolio

Lyp Sync tutorial

Line of action

Basics of good cartooning 1-12 by Sherm Cohen

Squash & Stretch tutorial

Squash and Stretch 2

Storyboarding tutorials by Sherm Cohen

The Illusion of Life: 12 Principles of Animation

Tilt, Flow & Rhythm

Underlying Structure When Animating Expressions

TVPaint tutorial: Uploading and Coloring Scanned Animation

supplies (traditional animation):

10 Essential Art Supplies for the Traditional Animator

How to Use a Light Table for Animation

Making a Simple Animation Lightbox

Peg bars, Animation Disk & Desk

softwares:

free

Blender (3D creation suite. It supports the entirety of the 3D pipeline: modeling, rigging, animation,etc)

Emofuri (animate using .psd files)

Google Sketchup (

Live2D ( animation/drawing software

OpenToonz (Studio Ghibli’s open source animation software)

Pencil2D (create traditional hand-drawn animation (cartoon) using both bitmap and vector graphics)

Renderman (Pixar’s free 3D rendering software)

Sculptris (Free digital sculpting tool by the makers of Zbrush

SculptGL (Online modelling program)

Synfig (2d animation using a vector and bitmap artwork)

paid

Zbrush (digital sculpting sw by Pixologic)

Mudbox (digital sculpting sw by Autodesk)

Cinema 4D (digital sculpting sw by Maxon)

TVPaint  (2d animation)

animation studios:

Aardman (Bristol, UK)

Blue Sky Studios (Greenwich, USA)

Dreamworks (Glendale, USA)

Fox Animation (USA)

Imagination Studios/CN (Burbank, USA)

Industrial Light & Magic (San Francisco, USA)

Laika (Hillsboro, USA)

Luma Pictures (USA / Melbourne, Australia)

Nickelodeon Animation (Burbank, USA)

Pixar (Emeryville, CA)

Rise FX (Berlin, Germany)

Studio Ghibli (Tokyo, Japan)

Sony Picture Imageworks (Vancouver, Canada)

Sony Pictures Animation (Culver City, CA)

Walt Disney Animation (Burbank, CA)

Weta Digital (Wellington, New Zealand)

inspiration: worth watching short films

Coda by and maps and plans

Contre Temps by the Contre Temps Team

Duet by Glen Keane

DOG ENVY by Olivia Huynh

Fallin Floyd by  il Luster

French Roast

Gravity by Ailin Liu

In Between by Gobelins

Jinxy Jenkins and Lucky Lou by Michael Bidinger and Michelle Kwon

My Big Brother by Jason Rayner

Night Light by Qing Han

Nephtali by Glen Keane

Nocturne by Kari Casady

Historia de un Oso by Gabriel Osorio

Home Sweet Home  by home sweet home the film

One Bright Dot by  Clément Morin

Stickboy by Giant Ant

SOAR by Alyce Tzue

Tsunami by The Animation Workshop

Thought of You by Ryan Woodward

Vagabond by  The Animation Workshop

Click to enlarge)

Breakdown / Accent / Arc

To thank for the support for our film so far, we are posting some notes on animating originally made for our animation assistants. Breakdown is a very crucial technique of animating. It is a guideline of how every action should be acted out. It involves a thinking process of “hmm, I want my character to move in this way particularly, because of the context/situation/emotion/thought… etc” 

From the Duluth Herald, 1910.

Les’ get organic, cuz bones should be insects.

Thank you so much and oooo this is going to be a fun one to answer!

Let's cover the basics first!

What I keep in mind when I go to draw smiles especially is that they are in motion along with the characters. The right smile adds story to the gesture!

(sorry for the shit quality and watermarks on that last page, the drawings are for a project I’m doing with a friend)

When you’re doing your own studies, I recommend using candid photography as reference! It'll yield much more lively results than the stiff posed-out stuff.

Hope this helps!