guy who says eep
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we're not kids anymore.
let's talk about Bridgerton tea, my ask is open
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@pawschamp
guy who says eep

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âŚ.âŚ. yeah ok i just wanted to draw him without the jacket
a collection of all the ensemble drawings i've done so far! âď¸
Aerial Waltz â.Ëâď¸â
i made this as a tie-in piece to the cover of @vweddingzine! Look at them twirl around to their heart's content ŮŠ(ËáË*)Ů âĄ
The death of me was so quiet No friends and family allowed Only my murderer, you, and the priest who told you to go to Hell And the funny thing is I would've married you If you'd have stuck around I feel more free than I have in years Six feet in the ground
my piece for @vweddingzine đ

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Evening coffee âđ
Begging for Oru and Qifrey to catch a break PLEASEEE the last chapters made me go insane. insane !!! It's been so long since I last drew WHA fanart but I'm participating in a fan event so I've been cooking up stuff for months hehehe..
Olruggio | Episode 6
one line in trimax that's always stuck with me is from chapter 65, right after wolfwood's death. when vash is sticking the punisher by his grave and he says "it was part of his life". that phrasing is so interesting to me. the neutrality of it is one thing that gets me, i think. it was part of his life. for better or worse, whatever it was, the punisher was wolfwood's.
It's pretty easy to think that the punisher might represent violence, the eye of michael, the role of assassin that was forced onto wolfwood, the loss of childhood. but it's not really presented that way, not overtly anyways. we never see wolfwood shun the punisher, he's not conflicted by his use of it. he never considers abandoning it for some other weapon. it's his weapon. he doesn't discard it when he eventually decides to take a more vash-like approach and actually let people live. he pretty easily accepts it as his own, a tool he can use. (to be fair, at least part of that is probably because the punisher is a very good gun.)
the punisher can still represent the harsher aspects of wolfwood's character, the violence he's committed, that he's capable of. that's an important part of his life! and the idea of it as representative of his violent adolescence, childhood that was stripped away, goes along with this - it's literally a cross to bear. but besides showing his past as a burden, i think of the punisher as being a cross of responsibility. when you have a gun you have power, agency - you have a responsibility to make a choice. that's what wolfwood tells vash in chapter 4.
the ability to take a life, the burden of it, is literally his cross to bear. that ability - and that responsibility - was given to him by the eom, literally in terms of the gun, and in terms of his skills. but the eye doesn't think twice about killing people. for them it's not really a choice, a responsibility, it's just a given. but wolfwood can't accept that. he's constantly considering the choices he makes.
so the punisher isn't only a symbol of the eye of michael, of the path that he was forced onto. it's also a way of expressing autonomy. the eye gave wolfwood the gun, but he decides how to use it and what it means. for much of the story wolfwood struggles to decide what to do, he's a very conflicted character. but eventually he resolves to use it against chapel, against knives, to help vash, and protect the orphanage. the gun gives him agency.
so the punisher was part of his life. it was the tool that he used to commit acts of violence, acts that he was forced into, but also the tool he used to break free.
it's heavy for vash, too. he's not exempt from that idea, the idea of responsibility. as wolfwood said much earlier in the story, vash has always been able to sidestep the question of "what do i choose?", because he's only ever given himself one option - everybody lives. and he's always succeeded. but as wolfwood says, "the day will come when you'll have to choose". one day, it's not going to work.
and of course the story progresses, the stakes ramp up, and vash learns more, goes through more, and is pushed to his limits. i think by this point, by wolfwood's death, and maybe because of it, vash has realized that he might have to make that difficult choice in the near future. that's one reason why he wants to "do him proud". he has a lot of reasons to say this of course - to not let wolfwood's sacrifice go to waste, for example. but if we're thinking of the cross as responsibility, then vash is saying he doesn't want to forget the lessons he learned because of wolfwood. wolfwood has always grappled with responsibility, with what the right thing to do is. and the right thing is often not easy. vash hopes that when the times comes for him to make a choice, he'll make a good one, one that does right by wolfwood's memory.
rainy day
i made this ages ago and never posted it because i thought its cringe and poorly written lol. its also technically not finished. since im ripping off the bandaid and moving on from trigun. it deserves to see the light, but take it with a grain of salt. until i manage to get over this rancid feeling, i think this makes for a fitting final post and my farewell 2 the series
thank u for enjoying this, it made me view it differently

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Back with my bullshit.
posting my old trigun art here :3
Weef woof scrbblin holding desert eagles and vibing with birbs (also tried the pulled pork sammy at the RoadRunner, would recommend was p good)
nicholas d. wolfwood
[id: It's a drawing of Wolfwood from Trigun, done from the bust up. He is drawn as he is depicted in the manga with brown skin, shaggy black hair, and patchy stubble. He's holding a wrapped punisher over his right shoulder and smiling slightly at the viewer with a cigarette hanging from his lips. One eye is closed while the other is just barely open. /end id]
made a playlist
wolfwood being put on the same page with rem during vashâs flashback sequence is actually insane, like it really is that serious
it actually makes perfect sense because these are two integral deceased characters who vash is shaped by the most, outside of his juxtaposition to knives: his pacifism springs from his interpretation of remâs wish to live in harmony with the twins and humans and her final act of saving humanity on the SEED ships, whereas the breaking of that pacifism comes from safeguarding wolfwoodâs sacrifice.
both vashâs pacifism and his act of splitting from it have to do with a desire to preserve the memoryâand willâof someone he cared about deeply. additionally, both of these people gave their lives for what vash now aims to protect (humanity, livio). itâs simultaneously a dismantling of vashâs ideology and a reinforcement of it, because itâs the first time heâs had to restructure his way of thinking around a person who isnât Rem, but there is still the application of âmaintainingâ their will/keeping them alive through his own deliberate actions.
this way of thinking from vash also serves as a direct parallel to wolfwoodâs claim that a personâs ideas die with them.
in pursuit of the tantalizing allure of having a priest find a creed to believe in, I think people forget that vash adored wolfwood, to the point of altering the framework he had built his life upon, which he had not yet done in the 150 years he'd been interacting with humanity since the crash. vash was the one begging to spend his tomorrows with wolfwood, not the other way around.

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mlem
ANDY LOVELL Swirls & Eddies, North Devon / North Cornish Coast / Swans, Incoming Tide silkscreen prints