Adulting is bullshit, let's all be mermaids.

I know I’m the one who cast the curse but it can still only be broken with true love. I’m begging you, somebody, please come and fall in love with these girls and make them leave, I can’t take it anymore, it sucks so bad. I can’t keep getting viciously bullied by one of the largest living species of waterfowl anymore. I’ve tried running away but they can fly so they just find me. I’m getting nothing done.

You want it to be perfect. Worthy. You're scared it won't be good enough. But the thing is, everything you write is worthy if you write it with heart.

That fear doesn't make you a fraud, or lazy. It makes you a perfectionist who doesn't write as much as they should because their fear is choking them. Your writing will never be perfect—nothing ever is.

So stop waiting for the perfect moment and go pour your heart out. Unleash your wild—and slightly disturbing—imagination onto those pages. Go create magic that only you can make.

I had a big fanfic in a previous fandom where one of the big reveals was the involvement of a kind of infamous villain, whose presence was built up to and foreshadowed through the whole fic until his reveal without ever mentioning his name, so that the name drop would be a gut punch. It worked especially well because of who the villain was and his presence in that fandom space specifically (it's very complicated) and if it was an original story this reveal wouldn't work at all the way it was written in the fic. Because if you don't have a predisposition to think about that character and his relationship to the hero in a very specific way, then just seeing their name won't do much to you; the reveal and the recontextualisation it pushes upon you hinges on your previous knowledge of the source material.

I think it's an interesting tool fanfic authors are given. One of my favorite fanfic of all time is partially a re-imagining of its source material's canon, and something it does is introduce antagonists much earlier in the story or deepen npcs' stories. It then works to evoke a tragic irony that again wouldn't work if you didn't know the source material, and it's something the author obviously has a lot of fun with.

"The Source"

by Luo Li Rong