Brain: we must WRITE, we must DRAW, we must SEW, we must DO
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i don't do bad sauce passes
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@owldork1998
Brain: we must WRITE, we must DRAW, we must SEW, we must DO
Thumb: *scroll scroll scroll*

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Nicknames: when you shorten someone’s name affectionately
Nicholasnames: when you elongate someone’s name affectionately
Nichard names: when you incorrectly elongate someone's name for humorous effect.
no revenge because I forgot what you did #memoryloss
the reason ilya and shane's codependency works is bc they're both genuinely insane in the exact same way and no one else on earth can match that. the only ppl who come close are fujoshi rose and hot mess sveta
everyone get more non-sexually intimate with your close friends right now !!!! or sexually if thats your jam im not the horny police

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What makes Leverage a great show is that Nate has your standard Catholic guilt, Sophie is a chronic liar who struggles with genuine vulnerability, Parker and Eliot invent eighteen new types of repression with every episode, and Hardison is just trying to make a group hug happen.
Doing some deep reading into Cherokee history for the project that I'm working on and I am continually amazed how fucking funny old Cherokee leaders were
little miss auditory processing disorder would like you to repeat what you just said then immediately respond to you before you finish
Ilya having a bad day, rotting in bed and kinda hating himself for doing this to Shane and not being good enough and having a broken brain and being no better than his m- oh? What? Is this?? And it’s Shane climbing into bed and curling into Ilya’s chest and tucking himself so close and tight and grasping his shirt instead of wrapping his arms around Ilya’s waist and Ilya would be worried except Shane is rubbing his nose along his sternum and humming like a purring kitten but still Ilya feels kinda guilty that Shane is crawling into bed with him in the middle of the day and so asks what he’s doing, he doesn’t need to be here, he doesn’t need to stay and all he gets in response is his shirt pulled harder and Shane’s face pressed further against his chest and in such a soft, almost broken voice, Ilya can hear Shane whispering, not so much to him but directly over his heart “please don’t make me leave my home.”
Ilya pulls Shane tight, holding and grasping and needing to eliminate the space between the two of them, but even though it never feels close enough, they still have this. Warmth and security and so much love. Ilya feels a little stupid that he ever thought he could live without Shane right here in his arms, his heart walking around in another body but not connected to his own. It’s his home too after all
IT'S HIS HOME TOO 😭😭 oh this is so sweet thank youuu <3 where else would they be except right beside each other and yet it's still not close enough. One heart, two bodies. Kisses pressed to warm soft skin, touches everywhere, holding tight. Breath whispered across skin, warm with love. This is all they need. And yet it's never enough.
it would be so nice if you were allowed to start working on projects before you hit the 12 hour until deadline mark but sadly it’s not possible with our current technology. scientists are hard at work but for now this is one of the limitations we must face as a people

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(inspired by this post, and my answer)
So I just saw the most incredible production of Macbeth that wove parental grief into the whole regicide plot in such a fascinating way.
So at the very beginning of the play there was a scene where Macbeth and Lady Macbeth are at a funeral as the primary mourners. A stretcher is carried on with a covered body. The body was notably very small. They laid flowers on it and Macbeth immediately left for battle.
Now *I* studied Shakespeare in college so I immediately knew there is one single line that implies that the Macbeths lost a child at some point. Most of the time this isn't utilized in productions; it's just a throwaway line, intended to paint just how determined Lady M is for this regicide thing to work and how furious she is that her husband has cold feet. In this production she delivers "I have given suck, and know how tender tis to love the babe that milks me" nearly in tears. She takes a moment to steel herself before saying, "I would while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains pit, had I so sworn" and she very nearly SCREAMED this in Macbeth's face.
Also noted was how the Macbeths looked at Macduff's children. Lady M was clutching her heart, nearly breaking watching them embrace their parents. Macbeth could not even look at them.
At the end of Lady Macbeth's plot, when she is sleepwalking and sleeptalking, she is typically portrayed as speaking to no one or to her husband. However, at a certain point of her monologue she got on her knees, raised her voice to a comforting octave, and began miming tear wiping, hand holding, hair and face stroking, around a child-sized figure. "Wash your hands, put on your nightgown, look not so pale. I tell you yet again, Banquo’s buried; he cannot come out on’s grave." Then she stands and appears to take the child's hand. "Go to bed, go to bed. I can hear knocking at the gate-" then she looks down and realizes that no one is there, followed be the most heartbreaking shriek I've ever heard followed by a full minute of her just weeping while curled up on the floor before she stood up, finished her monologue and left the stage.
Most of the time when the loss of a child is utilized in a performance or adaptation, it is assumed that the child was an infant and lost some time ago. To imply that the child died IMMEDIATELY prior to the events of the play and had been cared for and loved by their parents for a few years adds such a fascinating layer to the desperation to ascend to the throne, Lady M's madness, and Macbeth's initial hesitation into "in for a penny, in for a pound" attitude, Macbeth's fury that Banquo's, not his, children will take the throne, and even Macbeth's eventual demise following a frenzied final battle.
How far will grief push you to fill a hole? How far will grief push you to desperation? And what happens when none of your new pursuits are filling the void left by the one you lost? And what happens when you realize you have nothing left to lose?
It was a PHENOMENAL production.
I need fat female characters in tv whose weight is inconsequential. It means nothing to the story.
She's fat and gets the guy and no one bats an eye.
She's fat and the hottest chick in the sorority and that's normal.
She's fat and an actress and she gets good roles.
She's fat and she's funny and she has character depth and growth.
She's fat and the main character and no one mentions her weight once.
I'm fat and my weight doesn't play a part in my day to day conversations, or plans, or friendships. Why can't I have that on tv?
Hanging out with people will make you remember you're the crazy woke friend for like. not wanting to shop at shien

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When I was a teen in the 2010s boys would call each other Gay to say they were too effeminate but now it’s 2026 and we’re “Better Than That” so I just overheard a kid on the bus tell his buddy “you gotta get on T man cause you are NOT passing” 😭😭😭😭😭
If I was paid I’d do a study on this
oh my god i submit a new bit to the shallergies council: ilya ends up doing a lot of footwork in asking about allergens as an act of service because shane has literally had to do this his whole life. so like. take a break. let me grab this one.
to the end result that it's not uncommon for shane to be like, "wait, can i eat this?" about things during team bbqs or something because he was over having fun with a ginger ale and ilya got the rundown because he wanted to know anyway.
but this also then evolves to a game of shane pointing to things that are OBVIOUSLY not safe and asking "can i eat this?" and ilya going "no. bad." purely as a bit. (like bowls of peanuts/cake with slivered almonds on it). and it's just a way of making an important part of their life also feel less heavy. like when it comes time to actually eat, the question is genuine and important, but if they're mingling and just passing by, it's just a funny inside joke.
and it's one ilya reciprocates, too. he has no allergies, but he still points at things and is like, "can i have this?" and shane just "nope. not allowed. forbidden.". and it's a joke.
to THEM.
for everyone on the outside of this dynamic who just overhears them, they're??? what the FUCK is y'all's dynamic?? how are you both equally wildly controlling of each other?? how does that even WORK??
oh MAN ilya does it with a receipt one day and shane is VERY OBVIOUSLY JOKING when he goes, "hell yeah. good for you. fiber, probably." and ilya locks eyes and opens his mouth, and now shane is in this parking lot trying to wrestle this receipt away from him the same way he does shoelaces from anya because he canNOT be sure that ilya won't fully commit to the bit and eat this receipt right here right now.