Sanctuary for All

"okay," shane says, after their plan has taken crude shape. the details will come later, after they put their phones down. "okay," he repeats, firmer. then soft again, "I'll see you soon."

ilya feels his strings get cut. he leans against a wall. "see you soon, shane."

svetlana is back in the living room when ilya returns. she whips around on the couch, phone in hand, says, "what the fuck did scott hunter do when I left the room? for five minutes?"

it's a rhetorical question. the tv broadcast has—for now—moved onto highlights of the actual game, but she has her social media open on her phone. ilya makes a vague, loose gesture with his shoulder. "kissed his pretty boyfriend on the ice."

she swears quietly, engrossed again in her feed. "unbelievable. it's your fault I missed it, ilya. your niece's gift is in your suitcase," she adds distractedly. it is. the whale plushie sitting atop the stack of kids' novels sitting atop his serviceably folded clothes. not as neat as hollander's always are. ilya runs his thumb over the edge of his phone case.

"svetlana."

"mm."

"I will not be going to russia."

she breaks from her phone. frowns at him. "what do you mean?"

"I have to be somewhere else."

"where?"

"ottawa."

blinking green eyes. svetlana knows him better than anyone on this planet. he sees her gears turning. there is nothing on the surface of his life that would take him to a place like ottawa, nothing even on the deeper layers svetlana has almost exclusive access to. but there are few things about him that she is completely unaware of. what he has refused to lay bare for her she's deduced the shape of anyway, purely from the nature of his refusals. he sees her eyes flick to the tv. an ad for beer is playing. that's not what she's thinking of.

"is it for a person."

she says more than asks it. either way ilya responds, "yes."

"jane."

"yes."

she lifts her chin, slowly. "montreal jane who is from ottawa." they look at each other, ilya doesn't speak. eventually she shakes her head. "shane hollander, ilya? really?"

Nolan is very good at Big Cool Expensive Cinema, but emotion and meaning and cohesion aren't his forte, and that's fine, and so the odyssey was the better choice of the two.

But man I wish he had stuck to superheroes and space.

Considering his insane budget, what could've been the most beautiful and grand film we ever did see turned out to be a dull, poorly paced, poorly characterized and understood depiction of an old text

He could've so easily swayed and set it in modern times or idk, an alien planet, and leaned into it being a new version of it, but no, he's set it in an ancient Greece that never existed, butchered so many characters, cut so many pivotal scenes, but it was in IMAX and it has Hollywood actors so actually we should love it.

All this and I haven't even gotten to the fucked up decision to get Moroccos permission to film next to Dakhla.

Just another 1% white man feeling entitled to the entire planet, so much so that he disregards history and current harm his film would be causing.

And obviously it's doing well, and everyone loves it, and everyone disliking it is too woke and oh my god I don't care.

This has made me hate Nolan, you guys should listen to epic the musical, it's not perfect, and it makes a lot of the same shortcuts, but it's true emotionally, it seems to understand the original text, and no one was harmed in the making of.

Like

One of the CENTRAL PIECES, WHERE ODYSSEUS' CLEVERNESS SAVES HIM AND HIS ARROGANCE AND HUBRIS DAMN HIM HOW DO YOU ADAPT THE ODYSSEY WITHOUT THE NOBODY SCENE IT'S LITERALLY ONE OF THE MOST IMPORTANT MOMENTS IT'S NOT JUST A FUCKING PUN OMG

Hate hate hate what they did with Odysseus's characterization like you cannot be serious. Who is Odysseus if not a sly clever liar (affectionate).

Now he's just some modern goody two shoes inner dilemma hero in a sea of them. They stripped him of his whimsy and cruelty both.

#NotmyOdysseus

There's not one moment in the film where I could go, ahh there he is Odysseus being Odysseus. Not one instance of him being clever, he's just lucky...

Didn't add the 'Nobody' scene but still made him shoot at Polyphemus which starts it all which doesn't even make sense with his characterization in the movie. The Polyphemus scene is supposed to highlight Odysseus's cleverness and hubris but the movie version of him has no pride!

Don't even get me started on Athena & Odysseus! Odysseus famously Athena's star pupil is not.... Instead she's haunting his guilt? Athena who famously interfered in the book to aid Odysseus like a lot... directly and behind the scenes.

In the book Mentor was actually Athena in disguise so I was so hoping for it to be her since Telemachus remarks multiple times about 'wise eyes' but no... it was about how you shouldn't see gods in people blah blah BORING!!!!

'Defy the Gods' Ah yes Odysseus famously devout follower of Athena...

I couldn't help but notice how dirty the female characters were done compared to their Epic counterparts and the erasure of Anticlea during the Underworld scene.

And I'd like to talk more about it, starting with Athena! She is one of the active players who guides both Odysseus's and Telemachus's journey. When Odysseus reaches Ithaca it was Athena who makes him look like an old beggar. Even in the final battle against suitors she deflects their spears to protect Odysseus and afterwards when nobles are angry Odysseus essentially killed their sons Athena steps in herself to establish the peace.

She is integral to the story, there is no Odyssey without her!! Odysseus only survived and made it back home due to her guidance and interference, removing her entirely is a disservice to the actual Epic being adapted.

And second character is Penelope, my Queen!!! I want to get this out of the way Anne Hathaway is in my personal opinion the standout of this film, she did amazing with what she was given. However that is to say, they didn't give her much. They cut off many Penelope moments that give us a taste of her own cleverness (making her a true partner for Odysseus) in favor of some simple status pin which isn't a good trade off imo.

The Olive Tree Bed moment was also not in the movie to my disappointment. A scene that clearly demonstrates how she tricks her own extremely clever trickster husband rather than some pin symbolism.

Circe and Calypso.... the less said about them the better though I hated their costuming.... Where were Circe's nymphs? or not nymphs since Nolan is allergic to whimsy even handmaidens? Circe is a powerful GODDESS 😭(Why was a raven/crow her sister? Was it supposed to be Pasiphae? If yes then I have so many more questions.)

I hate Calypso so i won't waste any words on her but its so funny that they made Odysseus eat Lotus Flower like lmaoooo you can't make this shit up..

I didn't like the costuming, the hair, the armor, the lightening either. I hated the look of Ithaca's palace and the ending like Odysseus... leaves Ithaca and his son after just arriving????

I also think it's so peculiar how Nolan didn't want an orchestra in sound design when the Homeric era didn't have that and then have everything else inaccurate from the armor design to the choice of modernised dialogue (surprisingly I didn't mind the modernised dialogue, not when the movie had larger issues).

Though props to them for making the pig transformation disturbing & sickening and not props for making Scylla lame ass design when her description is genuinely so horrifying, I believe the Odyssey could have been Nolan's first venture into VFX- nothing wrong with a little of it especially while adapting mythological creatures though disappointingly Nolan still clings to his practical only approach.

Also props for a good Eurylochus, making me side eye him and still making me feel sorry for him at the same time.

Side minor note: icky that they cast a black woman for Helen only for her to be abused and miserable when the source material makes no note of it, not a good look imo.

Also since they did deviate from the Poem of the Odyssey and included references to other Epic cycles, I wish they could have added Palamedes and Odysseus acting insane since I felt like the setup for it was there in the film with the scene of Odysseus and Penelope before war and it could be a scene to show again, his prominent cleverness that's direly missing from the film.

When the Trojans put a spear in the horse to verify, I had thought in that moment it was a reference to the omen of Laocoon and sea serpents would appear next but then it happened again and again and was just a tool to create tension.

(Again before anyone says Laoccon is not canon to Homer but neither is anything about the Trojan Horse except a few mentions in the Odyssey. If the sack of Troy has been expanded it would have been nice to see other epics being referenced.)

Why was Apollo the Sun God? What is this Percy Jackson?

All in all, if it was just any other standalone it would be strong 3.5 to 3.75 but as something that has source material an underwhelming 2.5 to 3.

The rating 3 is the average and generous because the film does look good so there's that.

Taking creative liberties in adapting an already existing source material is a thing but it's forgivable and completely understandable only as long as it serves its purpose to enchance the original material for a new medium but I feel like this movie changed the core of who Odysseus is as a character/person completely, erased his mentorship bond with Athena, erased his cleverness and trickster nature, whitewashed him and in the end the character isn't even identifiable as Odysseus anymore.

From Time Magazine interview that Nolan did it was noted that,

For Nolan, one of the hardest things about adapting The Odyssey is that in The Iliad, Odysseus has a relatively minor role. “A lot of the characteristics of Odysseus that can be really admirable in a supporting character, like being a bit clever, being a bit slick, when your hero is like that, it doesn’t always work,” he says. “There’s a reason that in Star Wars, you’ve got Han Solo, but you’ve also got Luke Skywalker, a heroic figure that’s a little more pure and transparent. So the challenge was to be true to the complexity of Odysseus but make him relatable for the audience.”

Yuri Gagarin was the first human to Orbit the Earth in 1961. In 1967, the Soyuz 1 crashed on reentry, killing cosmonaut Vladamir Komarov, when the parachute lines tangled. Gagarin had been the back up pilot, and was banned from future space flight after since the USSR didn't want their national hero to also die in a fiery crash.

Less than a year later, he died in a plane crash. (A test flight for a new fighter jet.)

A year after that, the Apollo 11 astronauts set foot on the moon.

They brought with them a little satchel to leave as a memorial. In it were medals to honor Gagarin and Koramov, along with patches for Apollo 1 and the three astronauts who died on that mission.

And something about that just...