by Edna St. Vincent Millay

And what are you that, wanting you, I should be kept awake As many nights as there are days With weeping for your sake?

And what are you that, missing you, As many days as crawl I should be listening to the wind And looking at the wall?

I know a man that's a braver man And twenty men as kind, And what are you, that you should be The one man on my mind?

alice is dragged from place to place without warning, forced to play stupid games with no good prizes, grilled over her schooling and manners and recitation and dress, scolded, judged, insulted to her face, sent away, given gifts she didn’t ask for and doesn’t like, corrected incorrectly, been subject to shifting and arbitrary rules, and then when she gets snappish with all this bullshit everyone acts like a little girl’s temper is the end of the fucking world.

Filippo Palizzi (Italian painter 1818–1899)

Excavations in Pompeii, 1870

Oil on Canvas

119.5 × 86 cm.

But it was buried by generations! Yes, it was buried in a volcanic eruption, but it was also figuratively buried. Over the centuries the location of Pompeii was lost, and it was found again by accident during construction projects. The ruins were not conclusively identified as the city of Pompeii until the 18th century (more than a millennia and a half after the eruption!) and it has been excavated ever since. People have been digging there since before the formation of the United States.

So, back when Dracula first released in 1931, it came with an epilogue where Edward Van Sloan (who played Van Helsing) basically reassured the audience that vampires exist. They apparently removed it out of fear it’d anger religious groups. After almost a century, it’s now available

my mother, completely deadpan: well are they reviewing the theatrical release or director's cut.

me:

Some of the more argued points were clearer in the directors cut, particularly with the exposition in the scene around the 30 minute mark.

It takes the very short, single sentence story "I went to the store to get milk" and expands on basically every aspect of that story.

the biological mechanisms that allow you to walk

the history of urban designs and sidewalks

the history of commerce and capitalism

the history of milk consumption

the production of milk from the biological processes inside the cow to the milking, processing, and distributing

the history of credit and the complicated bureaucracy that keeps the financial system operating smoothly

and on and on