Matisse Circle by Leonard Nimoy, The Full Body Project

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Matisse Circle by Leonard Nimoy, The Full Body Project

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Viktor Lyapkalo Artwork: 'Blowing bubbles' & 'Evening' Painted 9 years apart.
Same woman
self-compassion: an antidote to shame mb
[ID 1: A tweet by RuPaul that says, "Hard to remain patient with friends who focus solely on their own crucifixion. Get off The Cross, girl... we could use the wood!"
ID 2: Two identical images of the sun in the sky labeled as Today and Tomorrow.
ID 3: A Reddit post by u/BigMeaning in r/rs_x titled, You need to do whatever the fuck you want. Tagged Girl Posting. It says, "Once I was 23 and in the throes of a very painful lesbian situationship wherein I was being brutally betrayed. My friends and family despised my evil girlfriend. I knew I had to stop seeing her. During this saga I went out for corporate drinks with my very glamorous manager. She was in her 50's, beautiful, rich, athletic, and lived an incredibly adventurous life. I told her my pathetic fiasco and waited to hear the same therapy style drivel I'd heard from literally everyone in my life: leave her! respect yourself! yadda yadda. Instead, she sipped her martini, leaned in very close to me, and said: you need to do whatever the fuck you want. We sat in silence for a few moments - each paralyzed by the sincerity and intensity of what she'd said. It meant the world to me. I went on to do what I wanted - see my evil girlfriend for a few more weeks until I tasted the sweet asphalt of rock bottom for my damn self - and then I was free.
I share this story because a lot of young women come to this forum and ask about who and what they should be. They seem truly fearful of the consequences of their actions on the entirety of their lives. The best thing you can do when you're young is whatever the fuck you feel like doing. Things will even out. Learn something, love yourself."
ID 4: A drawing of a yellow bird with a big eye. It's captioned, "How scary it is to admit to yourself I want to live a different life."
ID 5: A poly art image of a burger with eyeballs. It's captioned, "you deserve better than to have a gut wrenching feeling like you've done something horribly wrong all the time."
ID 6: Text titled, The Different Ways You Abandon Yourself. The text reads, "Saying "yes" when you're aching to say "no." Apologizing to someone who owes you the apology. Digging your heels in deeper when you know you're the one in the wrong. Over- explaining your truth to someone who stopped listening a long time ago. Romanticizing the bare minimum. Begging for basic decency. Chasing people who do not want to be caught. Building a life based on what you think looks "good" but not on what actually feels good. Ignoring your intuition. Ignoring your body. Ignoring your needs. Contorting and bending and breaking to fit in places you know you've outgrown. Staying in a relationship that has run its course. Not allowing time for deep rest. Running on fumes. Staying quiet when someone disrespects you. Refusing to allow what already is. Lying to yourself. Never asking for help. Never taking a chance on yourself. Never living up to your own word. Celebrating those who only tolerate you. Wishing you were someone else." Written by Molly Buford.
ID 7: A two-part illustration. The first part shows three dogs playing together while a fourth watches them through a missing panel of a fence. It's captioned, "Here's the life I've always longed for." The second part shows all four dogs playing together in front of the fence. It's captioned, "I will make it mine." End Image Descriptions.]
Sometimes i think
Viktor Alexandrovich Lyapkalo ŠŠøŠŗŃŠ¾Ń ŠŃпкало
"Lady with Balalaika" 2012
Oil on Canvas 100 x 75 cm

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Dust by Dorianne Laux
This is by a patient of mine with early late stage dementia, who was a poet for most of her life. Her new poems are dictated to me during writing workshops I run at my hospice job. She hadn't written since her diagnosis. This is one of seventeen poems I've written with her so far.
posted with permission from herself and her family.
[ Text ID:
My little rocker, my new place I was in mourning for what I have left behind, I've lost everything: my husband, my house, my home, my whole life I seem to have lost, but it's really sitting here in my little rocker in my new place with the sun, the sky a soft blue white. A golden interposition with the grass and with everything else growing together and becoming one color, one look. I can watch from my chair and move a tiny bit to see how things merge, becoming golden, the foliage, all of it golden. This is absolute beauty, and I realize there is beauty everywhere, and though I lost the beauty of one place, there's beauty all over the place. I look around. ]
No tech CEO or NYT bestselling novelist will ever match the creativity of a humble French postman who decided on a whim to spend thirty-three years building a surreal, majestic palace with the bricks and mortar of his dreams.
First Steps (1890) by Vincent van Gogh
YOU DO NOT GET TO LEAVE THIS IN THE TAGS.
HERE IT IS!!!
The reason it is not as well known as other paintings by Van Gogh is probably because itās actually a « copyĀ Ā» of a drawing by Jean-FranƧois Millet, an artist he admired greatly.
I put copy in quotation marks because the two artworks are very different. Van Gogh made 21 copies after Milletās works from the asylum in Saint-Remy, and he called them « translationsĀ Ā».
The original title of the painting posted by op is actually First steps, after Millet.
Hereās the drawing that inspired him :
First steps, c. 1859-66, Jean-FranƧois Millet

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HAMMOND B3 ORGAN CISTERN by GABRIELLE CALVOCORESSI
also a poem from the new, unreleased collection. very possibly my own all-time favourite.
text: a poem titled "we have enough dead friends" by Lena Oleanderson.
come over. the doors are open,
my flat's a mess and
so is my heart
but the doors are always open.
come over. i will make soup,
probably from frozen but
the important thing is
we will both eat.
you don't have to be dying,
but if you are,
or you feel like you are,
or if living's been hard,
call me, and i will show up.
it doesn't have to be that bad,
it doesn't have to be bad at all,
but if it is, please call.
do you want me to do the groceries?
do you want me to mop the floors?
do you need to be held;
you don't have to be dying to be held.
if you want me to be there, i want to.
i'm on the bathroom floor again,
and breathing is hard,
and eating's been hard, and sleeping,
the world is a laden thing
rolling around on my chest lately.
just being alive is heavy tonight,
but we have enough dead friends.
come over.
end text
Erin Milez (American, 1994) - Conveyer Belt (2023)
Joy Sullivan, āTomatoesā,Ā Instructions for Traveling West
The unsettling art of illustrator Walter Molino for āLa Domenica del Corriereā Italian weekly magazine.
Molino (1915-1997) was an illustrator of the worst possible circumstances. In precise frozen detail, he pictured mayhem and madness, desperation and destruction.

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rothko in the turner gallery???
I can't get it right in the photo but going absolutely bonkers over the way the colors just like. blur across from the rothko (1950) to the turner (1845). this whole room is full of these abstract colors it's like they're bleeding between the picture frames with no regard for time
wait wait hold on a second.
āThe Road to Nikkoā by Hasui Kawase, c. 1930.