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Guess who cried all evening and sacrificed their whole night to paint this.

His wife, Yukiko, was also a part of this; she is often credited with suggesting the plan. The Sugihara family was held in a Soviet POW camp for 18 months until the end of the war; within a year of returning home, Sugihara was asked to resign - officially due to downsizing, but most likely because the government disagreed with his actions.

He didn’t simply grant visas - he granted visas against direct orders, after attempting three times to receive permission from the Japanese Foreign Ministry and being turned down each time. He did not “misread” orders; he was in direct violation of them, with the encouragement and support of his wife.

He was honoured as Righteous Among the Nations in 1985, a year before he died in Kamakura; he and his descendants have also been granted permanent Israeli citizenship. He was also posthumously awarded the Life Saving Cross of Lithuania (1993); Commander’s Cross Order of Merit of the Republic of Poland (1996); and the Commander’s Cross with Star of the Order of Polonia Restituta (2007). Though not canonized, some Eastern Orthodox Christians recognize him as a saint.

Sugihara was born in Gifu on the first day of 1900, January 1. He achieved top marks in his schooling; his father wanted him to become a physician, but Sugihara wished to pursue learning English. He deliberately failed the exam by writing only his name and then entered Waseda, where he majored in English. He joined the Foreign Ministry after graduation and worked in the Manchurian Foreign Office in Harbin (where he learned Russian and German; he also converted to the Eastern Orthodox Church during this time). He resigned his post in protest over how the Japanese government treated the local Chinese citizens. He eventually married Yukiko Kikuchi, who would suggest and encourage his acts in Lithuania; they had four sons together. Chiune Sugihara passed away July 31, 1986, at the age of 86. Until her own passing in 2008, Yukiko continued as an ambassador of his legacy.

You want to know about my motivation, don’t you? Well. It is the kind of sentiments anyone would have when he actually sees refugees face to face, begging with tears in their eyes. He just cannot help but sympathize with them. Among the refugees were the elderly and women. They were so desperate that they went so far as to kiss my shoes, Yes, I actually witnessed such scenes with my own eyes. Also, I felt at that time, that the Japanese government did not have any uniform opinion in Tokyo. Some Japanese military leaders were just scared because of the pressure from the Nazis; while other officials in the Home Ministry were simply ambivalent.

People in Tokyo were not united. I felt it silly to deal with them. So, I made up my mind not to wait for their reply. I knew that somebody would surely complain about me in the future. But, I myself thought this would be the right thing to do. There is nothing wrong in saving many people’s lives….The spirit of humanity, philanthropy…neighborly friendship…with this spirit, I ventured to do what I did, confronting this most difficult situation—and because of this reason, I went ahead with redoubled courage.

The stone next to him bears a quote from the Talmud; “He who saves one life, saves the entire world.”  

brain: if you want it you have to draw it

me:

Financially

They can get sued. If they work for a company or studio, their artwork is usually copyrighted. Japan has strict laws about that. If their employer or the company finds one of their works floating around, they can get in trouble, and face lawsuits.

Many artists participate in doujinshi groups, or cons. To ‘advertise’ their future prints, they sometimes show samples, sometimes even full ones, that can be stolen. And when they try to sell their artwork prints, they get very little revenue, because it’s ALREADY FLOATING AROUND THE INTERNET, so why spend money for it?

Again, Artists also rely on commissions to support themselves and their loved ones. For those who are seeking jobs in the industry, having one of their drawings floating around can be very detrimental to their chances of landing a job. If their employer has already seen it on the internet, it looses it’s ‘effect’ once they see it from the artist themselves. 

Basically, a LOT MORE.

Emotionally & Psychologically

It can make them LOSE THEIR CONFIDENCE to draw more artwork, because people keep claiming them as ‘theirs’

It can make them DEPRESSED AS HELL, and their family and friends will notice.

It can make them feel PARANOID about putting ANY of their works ONLINE.

It can make them lose SLEEP, APPETITE, MOTIVATION and INTEREST in doing what they USED TO LOVE TO DO.

Socially 

Makes them lose their TRUST in letting foreigners see their art

Makes them UNCOMFORTABLE sharing their artwork AT ALL

Makes them feel so INSECURE that they make their accounts PRIVATE

Makes them feel that the best thing to do to stop the problem is to DELETE THEIR ARTWORKS or LEAVE ART SITES like Pixiv

You didn’t think it would have this much of an effect, did you? Of course, many people do not even think about these things. Posting an artwork is as easy as right-click save and paste. But the people who suffer for it are the artists. 

This is why it is SO IMPORTANT to ASK PERMISSION. They NEED TO KNOW where their art is going, WHO is allowed to reprint from them, so they can keep track, and WHICH ARTWORK it is. Because some are OK, while others are not. Communication is the KEY to bridging gaps, and fostering TRUST, and building a positive relationship with ANYONE.

Btw, if anyone wants to add a point on there, feel free to message me, and let me know. I’m just putting this here, because many times, we do not even think about how our actions effect other people. 

Rick Rack Scarf via Purl Soho