christy 💌

on loving your siblings

She looked like a religious icon, like somebody you’d sacrifice yourself for

(she’s not on tumblr + she never watched gilmore girls but it’s alright ig😞🙏🏽)

Amelie (2001)

Director: Jean-Pierre Jeunet

Sometimes I can't tell if she's being serious or not.

Maybe i’m literally just fucking crazy but also it feels like a callback to idiot wind

“i woke up on the roadside” “i’ve been sleeping on the road” and then talks about what’s in his head . now obviously the going going gone line is more specific to the fact he’s been on tour for a year during the rolling thunder revue, but still.

and holy fucking shit the line about diamonds and rust. BEFORE it’s all diamonds and rust . he’s saying that he feels he can salvage their relationship and not leave it in this “diamonds and rust” memory, that they can still be friends and have some sort of nuance - but first, for joan’s own good, and bobs, joan has to let go. joan has to stop loving him. and he knows it too, and he’s saying the same to himself too.

the first time he sings this verse he’s more gentle. he also admits that he’s still in love with joan. literally just right then and there. he says i’m in love with you, but you have to understand that freeing yourself means letting go of me. the next time he just says “i’ve been telling you baby”, being a bit more mean and direct. he still calls her baby but it’s still way more like “come on just get over it”.

i think it can also connect to this line from winds of the old days about being set free -

because idols are best when they're made of stone a savior's a nuisance to live with at home stars often fall heroes go unsung and martyrs most certainly die too young, so thank you for writing the best songs thank you for righting a few wrongs you're a savage gift on a wayward bus but you stepped down and you sang to us and get you down to the harbor now most of the sour grapes are gone from the bough ghosts of Johanna will visit you there and the winds of the old days will blow through your hair

Protesters outside of the PMRC senate hearings.

Are you a victim of rock? Well maybe you aren't, but all the way back in 1985 a group of prominent D.C wives felt that they were.

These women, with the help of Beach Boys member Mike Love and Joseph Coors, the owner of Coors Beers, formed the PMRC (Parents Music Resource Center).

Their reasoning for forming as co-founder Susan Baker put it:

"It started because one day my 7-year-old came in and started quoting some of Madonna's lyrics to me, wanting to know what they meant. And I was shocked. I knew that you had to be concerned about movies and TV, but I didn't have a clue that my 7-year-old would be exposed to inappropriate songs."

The goal of the PMRC was to give parents more control over what their children could listen to. As well as implementing a rating system for music with bad language, sexual themes, and anti-Christian messages just to name a few. Eventually the group made a list of the fifteen worst songs, in their opinion and labeled them "The Filthy Fifteen".

(And it also happens to make a killer playlist)

Besides a rating system and lyrics printed on album covers the PMRC had several other goals including:

"...records with explicit covers be wrapped or kept under the counter; that record companies reassess contracts with performers who engage in sexual or violent acts on stage; that broadcasters be pressured to exhibit "voluntary restraint" by not airing offending music videos, which would also be rated."

All that noise coming from the PMRC culminated on September 19th, 1985. When a hearing in the senate occurred. Two musicians were called in on behalf of the music industry, Frank Zappa and Dee Snider of Twisted Sister. Two of musics most studious and serious creatives.

Zappa and Snider both gave eloquent defenses of what they deemed to be free speech.

But the PMRC had a trick up their sleeves... or so they thought.

They'd also invited John Denver to speak that day, assuming that he would stand with the side of "family values" but they were mistaken.

John Denver's testimony was the most scathing that day. He cited his own experience with having some of his music banned from radio. Even going as far as comparing the PMRC and groups like it to Nazi book burnings.

So what did the PMRC end up accomplishing? You know those tiny explicit labels in the corner of some albums? You can thank the PMRC for those. When they were originally introduced they were called "Tipper Stickers" after one of more outspoken PMRC members Tipper Gore (wife of Al Gore).

So while we didn't exactly take it, for a time we almost did. And thanks to testimony from Frank Zappa, John Denver, and Dee Snider, we can regularly enjoy any kind of music we want to- even the songs that promote the occult.

Joan Baez covering Bob Dylan’s, “Daddy, You’ve Been On My Mind,” 1974.