Joni Mitchell & James Taylor âMr. Tambourine Manâ Pacific Coliseum, Vancouver, BC, Canada, October 16, 1970.
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@bobdylan-n-jonimitchell
Joni Mitchell & James Taylor âMr. Tambourine Manâ Pacific Coliseum, Vancouver, BC, Canada, October 16, 1970.

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Joni Mitchell âThe Circle Gameâ featuring James TaylorâArchives - Volume 2: The Reprise Years (1968-1971).
Joni Mitchell & James Taylor, Pacific Coliseum, Vancouver, BC, Canada, October 16, 1970 Š George Diack.
Joni Mitchell âA Case of Youâ Pacific ColiseumâVancouver, BC, Canada, October 16, 1970.
joni mitchell at the pacific coliseum, oct 1970 (pacific press fonds)

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âWhen youâre up, youâre up. And when youâre down you really got no choice.â
Joan Baez, 1977.
Joni Mitchell "Don Juan's Reckless Daughter" (Early Rough Mix) Summer 1976.
Joni Mitchell âDon Juanâs Reckless Daughterâ Don Juanâs Reckless Daughter, December 13, 1977.
Joni Mitchell "Carey" Wembley Arena, London, EN, April 24, 1983.

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Joni Mitchell âTurbulent Indigoâ Turbulent Indigo, October 25, 1994.
Joni Mitchellâs "Self-Portrait with Bandaged Ear,â 1993
âI painted it around, I guess, 1993 when I met Don FreedâAnd he said, âHow are you?â And I said, 'Undervalued.â [Laughs.] And I was. I was very frustrated at that time because the normal outlets for getting your product marketed in my business, those doors had been closed to me, and no one could give me a reason whyâŚ
"So my work was being rejected whereas mediocre work was being accepted and elevated on the basis of newness and youth and, you know, obvious mercantile speculation ran in that direction. So, rather than physically cut my ear off, I did it in effigy. [laughs] Iâm not that stupid.ââJoni Mitchell
Joni Mitchell "Turbulent Indigo" Troubadours of Folk, Drake Stadium, Westwood, CA, June 6, 1993.
Joni Mitchell, âThis Flight Tonight,â Blue, June 22, 1971.
Joni Mitchell âAll I Wantâ BBC In Concert, September 3, 1970.

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âWhen the album was released in 1971, I was blown away by Joniâs open guitar tunings, unpredictable chord changes, and amazing vocal chops that allowed her to move effortlessly from warm, rich low notes to bell-like high notes and back again. I loved the simplicity of her rhythmic accompaniment on piano, guitar, or dulcimer. Then I got into the lyrics. It was hard to hear her painfully honest emotions. As a young mother, I found Blue and Little Green especially moving, but then sheâd break into something wickedly funny, as in California. The album is such a perfectly sequenced collection of inspired and well-crafted songs that itâs difficult to choose one as a favourite. Iâll just say to my sister in songwriting: âCongratulations, Joni, and thank you.â
â Carole King on Joni Mitchellâs, âBlue.â
Jess Rotterâs series of Joni Mitchell Illustrations, âOde to Blue.â