Joni Mitchell, “The Dawntreader,” Song to a Seagull, March 29, 1968.
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Joni Mitchell, “The Dawntreader,” Song to a Seagull, March 29, 1968.

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“Like a promise to be free Dolphins playing in the sea All his sea dreams come to me”
Joni Mitchell “The Dawntreader” late 1967 / early 1968—Archives: Volume 2, November 12, 2021.
“This is my Fort Lauderdale standard tuning because I accidentally found it in Florida when my guitar went out of tune down there, and it went out of tune into that. This is a Fort Lauderdale kind of song, actually it’s an anywhere kind of song, and it’s called, “all his sea dreams come to me…’”—Joni Mitchell introducing the song at Le Hibou, March 1968.
Joni Mitchell “You Turn Me On, I’m A Radio” accompanied by Neil Young & The Stray Gators—For the Roses early sessions, April 16–21, 1972.
Neil Young “Sweet Joni” Bakersfield Civic Auditorium, Bakersfield, CA, March 11, 1973—Neil Young Archives: Vol. II, March 5, 2021.

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The enigmatic artist finally talks about his reunion with Crazy Horse and starting a new chapter in life
“I’ve known Joni since I was 18. I met her in one of the coffeehouses. She was beautiful. That was my first impression. She was real frail and wispy looking. And her cheekbones were so beautifully shaped. She’d always wear light satins and silks. I remember thinking that if you blew hard enough, you could probably knock her over. She could hold up a Martin D-18 pretty well though. What an incredible talent she is. She writes about her relationships so much more vividly than I do. I guess I put more of a veil over what I’m talking about. I’ve written a few songs that were as stark as hers. Songs like “Pardon My Heart,” “Homefires,” “Love Art Blues,”…almost all of Homegrown. I’ve never released any of those. And I probably never will. I think i’d be too embarrassed to put them out. They’re a little too real.”
—Neil Young “The Rolling Stone Interview” August 14, 1975.
Neil Young on his friendship with Joni Mitchell and their first encounter—Zach Sang Show, November 19, 2022.
“I love Joni. She’s wonderful. She’s one of the greatest artists of our generation—she may be the greatest artist of our generation.”—Neil Young
Joni Mitchell "You Turn Me On, I'm A Radio" accompanied by Neil Young & The Stray Gators—Archives, Vol. 3: The Asylum Years (1972-1975).
– Neil Young, excerpt from Waging Heavy Peace [2012] 📷 Rich Zimmermann, 1973

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Bob Dylan, “Tryin’ To Get To Heaven,” Time Out of Mind, September 30, 1997.
Joni Mitchell, 1982 © Norman Seeff.
“The three great stimulants of a morally decaying culture, as Nietzsche observed in Germany prior to World War II, are artifice, brutality, and innocence, or should I say, the exploitation and corruption of innocence. Artifice increases as a culture declines. Real emotions become rare. Insights are nowhere. The voyeuristic appetite for brutality dominates entertainments - blood sports, sick fascination with criminal violence, “shock and awe” and all that…”
“Last night I dreamed I saw the planet flicker Great forests fell like buffalo Everything got sicker And to the bitter end Big business bickered And they call for the three great stimulants Of the exhausted ones Artifice brutality and innocence Artifice and innocence Oh these times, these times Oh these changing times Change in the heart of all mankind Oh these troubled times…”
Joni Mitchell & James Taylor, Pacific Coliseum, Vancouver, BC, Canada, October 16, 1970 © George Diack.
Joni Mitchell “A Case of You” Pacific Coliseum—Vancouver, BC, Canada, October 16, 1970.

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joni mitchell at the pacific coliseum, oct 1970 (pacific press fonds)
“When you’re up, you’re up. And when you’re down you really got no choice.”