Cheerful Oblivion

Here goes nothing. The series had a great potential that was not fully used, in my humble opinion. The idea is very good, but execution could've been much better. Many scenes are painfully long, and many are fillers bearing little to no message/significance. The characters regress, and to me, season 2 was somewhat weaker than season 1. I'll admit I can't say I liked season 1 more, however. It suffered from the very same issues that only grew in season 2.

Some character development was abandoned in season 2, Daemon being the brightest example. His visions in Harrenhal are too redundant and feel practically useless. All that to show that he eventually fully pledges fealty to his wife and gives up on the crown. Like, not because he decided to, but because he was seeing visions? Huh?? That's lazy writing if you ask me.

And let's take a moment to talk about his visions: I think when he picked up the crown and returned it to Viserys after the latter dropped it in season 1 was a beautiful moment meant to show his evolution as a person. Season 2 showed me that it didn't matter as if it never happened. Look at him. He feels soooo guilty now for... for what? He did make amends with his brother, did he not? He supported Rhaenyra. And don't tell me he pretended to. That's a season 2 thing that appeared out of blue. Those visions never advanced the plot. In all honesty, I see them as a waste of time and budget. Like yeah, cool seeing those same actors, yeah, cool, Daemon feels something.

But then, why go through the same character arc he went through in season 1?? I also hated the vision where he slept with his mother. Like, why??? It'd make more sense if it meant something like he doesn't really love Rhaenyra, he loves himself, and he marries her because he sees himself in her because they're literally flesh and blood. Perhaps he views her as a part or an extension of himself, an appendage. That'd be interesting, but it would've been shown differently. And, besides, it's not the intention of the scene where everything is ridiculously simple. But why include his mother? To show he's dumb? Or horny? Both? It served no purpose.

Aemond was dumbed down as well. I liked it when he was looking for Aegon to crown him in season 1, telling him how important it is and how he'd love to be king himself, but reminded it was Aegon's duty as heir. It was somewhat... nice? Though in his own rough manner. Yeah, he has quite a temper, but he also was said to be educated and cunning. Smart. Where did that go in season 2?

In season 2, he's a man-child. Wasn't he supposed to like feel guilty for having killed Luke? Wasn't he actually aware of the consequences of his actions? No, he pretends he doesn't care. Or maybe he's so dumb he actually doesn't. It pains me. He had a great potential.

The same goes for Aegon himself and Helaena. Especially Helaena, who basically became the background character. A queen who... who's just there? Yeah, she was shocked at how peasants hated her, but did she at least try to change anything? To learn more? No, she was just sitting around, sad and powerless. We never see her interact with Aegon, too. And that's terrible. Doesn't she at least try to speak to him? Advise him?

Unlike Aemond, Aegon was more like Viserys, though this wasn't well shown I find. There was but like one moment where he said something about not being willing to cause more violence or something like that in the beginning of season 2. And that's it. I know, he's supposed to be a rebel, a wayward son, young and all that. But still, he took his role as a king quite seriously. Well, that's what they attempted to show, at least. After his injuries, we see what remains of him, which is not too different really. He's literally mourning his cock. Excuse me?? And where's Helaena? Their daughter? It's as if they no longer exist.

Oh, and let's not forget the ending where everyone is just staring into the horizon during the last 20-30 minutes of the episode. Anticlimactic, even considering the budget cuts. Perhaps, especially considering the budget cuts, because the story felt painfully stretched this season. Many scenes are unnecessarily too long. About most of them, I had a craving to cut them out (if I were editing the show). The pacing is odd, as if they needed fillers to meet the required running time for each episode.

Rhaenyra is frustrated, and that's frustrating to watch. She's a queen, but she listens too much to her sexist advisors who are supposed to be loyal regardless of her gender. They've sworn themselves to a woman but have no compassion for her. I know they probably seek to control her. But she's strong. She freaking has a dragon. I'm not saying she should threaten them, but what would they do if she did? Basically, she complains the whole season about being a woman.

Her kiss with Mysaria was really unnecessary. What did that even mean? I hoped it'd be a platonic hug of understanding. But nope. It was... awkward. And didn't seem to do anything as later they looked like it never happened. Then her meetings with Alicent, especially the last one... so flat. Why? Alicent has no choice, certainly, but why would she be so stubborn? Only to return and go "actually you know what, I've changed my mind" to Rhaenyra, who's like "great timing, you're a tad late." That made her look not desperate but kinda... stupid.

Oh, and another one of the issues from season 1 that festers in season 2 is the unstable tone. They're trying to be funny sometimes without being too funny, but it looks so off. One moment, you're trying to set a dark and dramatic tone. The next, it's a joke. Naturally, as a viewer, you'd be confused at how you're supposed to feel. Humour is usually used in drama to enhance immersion, make characters more human, build a connection and empathy between them and the viewers, and most importantly to give more emotional weight to dramatic scenes. Unfortunately, that's not the effect they're getting in House of the Dragon, which is a great shame.

I have too many questions, as you can see. Anyway, thank you for taking the time to read me, and feel free to comment or even DM me. I'd like to hear what you think and whether you share my opinion or not.

How? Well, it appears that he views Anne as more than a sibling — as his twin to him she's an extension of himself. A part of him. He feels incomplete without her by his side hence why he wants her so bad back in Hogwarts. Remember how she said she was okay with staying in Feldcroft (save for goblin raids and Sebastian's feud with their uncle)? She might not miss Hogwarts as strongly as Sebastian claims to the player, trying to get their help and appeal to their feelings through pity.

But does Sebastian take into account what she wants? It doesn't seem so. She said so herself, she feels there's no cure to her condition nor does she want for the Dark Arts to be involved. Yet, he gives her no choice, because he's certain he knows what's best for her. After all, she's his twin. The way he had pointed out this fact on more than one occasion demonstrates how important it is to him. Plus, he seems to be of a quite high opinion of himself, he could as well love Anne mostly because she's his female self. Mayhaps he doesn't really want her cured purely out of love for her — first of all, he wants her with him.

Sounds quite possessive and unhealthy. Wait until I remind you it's 1890s and (even if the developers apparently did not aim for historical accuracy) if this world is anything as it was in the actual Britain at the time, then it makes sense why Anne doesn't speak up for herself and is rather passive. You may have noticed how both Solomon and Sebastian seem to take decisions concerning her without even asking her opinion. Well, back in Victorian England it was normal, because a woman's fate was decided by her eldest male relative (father, brother, or, in this case, uncle) or a husband. It also may mean that Solomon did not take his nephew and niece in out of goodness of his heart but because he had to by law.

Now, yes, the story seems to try and show Sebastian killing Solomon as something he did not think through, but if their society functions like irl Victorian England's did, then... Sebastian basically eliminated a rival and now gets to decide Anne's fate however he pleases. Yikes! Intentionally or not, that'd be a chilling detail. I don't imply it's canon, but it does make some sense in its own way.

Sebastian shows deep remorse about killing his uncle, but does he really feel it? If the player chooses to learn the Unforgivable curses, Sebastian states that "your intention must be clear" and "you must mean it". Then he literally says about the murder of his uncle that he didn't "mean it". An interesting word choice. Does not look like an accident to me.

As a manipulator, he flatters, he lies. He lies a lot. Not necessarily maliciously, because he might just also be lying to himself to twist the truth and feel better about it. During my second playthrough I've found myself no longer believing what he says. He's a cunning and ambitious individual who's ready to do anything in order to get what he wants. And that's exactly what he does. Even with his best friend Ominis Gaunt whom he occasionally uses. He said he always has his way with disciplinary matters. Might as well be his charm and/or Ominis, whose father happens to be friends with the headmaster.

Now, about Sebastian's charming exterior. He can charm his way into anyone's heart but his uncle's. He can convince them to do whatever he wishes. He has a calculating strategic mind, choosing his words carefully and making sacrifices to meet his ends, like when he doesn't reveal to the librarian he wasn't alone in the restricted section and when he shows the Undercroft to the player. He likes friends who are in his debt. Of course he does, because he can use their trust later. Perhaps to him people surrounding him are but chess figures on a board.

But oh, how his façade crumbles in those rare moments when he struggles to achieve his goal! Pretty much like Lord Voldemort. Just think about it, he kills on instinct because his uncle destroys his last hope to get back his sister beside him. And he objects against him "taking away" Anne, saying that he "can't" separate him from his twin. The word choice makes it clear how possessive and determined he is about it. When speaking of Anne he stated "she's unwell", but "she's going back to Hogwarts soon". As if Anne's fate really depends entirely on him.

Those were but my own speculations, do feel free to share what you think, whether you agree or not and why. Once again, I'm not saying it's canon and I'm probably digging too deep, but I had to get it out haha. So here we go.

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