đlyric above from "black ice" by maya hawke ^^
robin and jonathan my faves in stranger thingsđ
âĄď¸I post/reblog CG theories and sometimes art !!
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Did someone else notice that we can see the supernatural creatures more in the VHS version? Like holy fk, the scene of Will in season 1 episode 1 when he is in the little cabin, we can barely see the Demogorgon in the original version, but in the VHS version it almost clear as day. I don't if you guys understand how big that is, THE VHS VERSIONS ALLOWS US TO SEE MORE THAN WE DID BEFORE
So, I had no idea how to show this properly through just screenshots, so I made a quick edit.
They completely altered the scene where Dr. Brenner gets attacked toođ
I made an edit where I play each version separate and then play them in sync with one another, and then again in slow-mo. The VHS Edition actually prolonged the scene and I had to cut part of it in the beginning to make it sync up properlyâź Just FYI.
Please note The 1st/top clip is always the standard/original version and the 2nd/bottom clip is always the VHS Edition version. I had to put the video in 2:3 Portrait mode to fit the clips properly.
(I tried to lower the volume on the clips since Tumblr loves to jump scare you with loud audio)
but please watch this and tell me what you see. Because I see a difference in both versions. In the original release, the demo moves in to the frame slanted and it's back is completely curved & it also moves more quickly.
In the VHS Edition, it moves in straight-forward with a straightened back and just lunges forward, and also more slowly, which actually made the clip a tad longer than the other so I had to shorten the beginning of it so that they sync up properly sound-wise.
I know everyone is talking about the white lines, but LOOK HOW MUCH OF THE DEMOGORGON you can see in the background in this shot! Thatâs CRAZY! Iâm going to reblog with the original clip just for comparison!
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JK it wonât let me repost with it!
Electromagneticgate we are so here! I donât know what it means at all yet, but itâs so interesting because I wonder how this will work when we get to the actual clip of the Shadow Monster on the VHS-C but weâre watching it on VHS or on VHS-C (because VHS-C was out in 1984). Will it disappearâŚ? Are the true monsters, more visible on VHS?
I mean, they are shown to interact with tapes, and now we are getting the VHS tapes. VHS tapes work by having analog signals (different from like radio signals but still signals) encoded onto them, and then the VCR basically decodes them into a format that is visible on your screen.
Even the damn NOISE from a VHS tape looks like the starry sky backgrounds in the showâŚ
Remind you of anything�
Lastly, putting the date on a VHS is a manual recording option⌠Will, you smart boy!
Worth noting, this DATED tape is also the one the lab confiscated⌠đ¤¨đ§
Some of the ones Brenner has are dated, some are not.
Removing height would also likely, get rid of these dates! *we need more height!*
This is making me wonder about these end shots again, the black and white.
Lastly, the consumer ⌠VHS (video home system) is a consumer-level analog tape recording đ
WHAT does that mean hehehehe in this context ANYWAYS why is Brenner using consumer level taping for the lab what a weirdo, like ur with the government you have access to higher technology id assume
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As Iâve previously outlined in the following post:
đŹ 8  đ 9  â¤ď¸ 34 ¡ Oh okay so this is from the Season 3 ARG đŤŞđ§ (I think itâs part of a phone message when you called a phone number, so I don
I think that the Upside Down is basically working a conduit to access future technology/scientific advancements (from OUR timeline).
The lab is opening gates to access future technology that it can experiment on for mind-control experiments, military operations, and general control of media / culture. The lab is doing this for control, and spinning a narrative based on how the kids/town already understands the world. Therefore, Vecna and the Mind Flayer are a representation of this knowledge being used for control, conformity, and manipulation. Also, how people in the past would make sense of current technology.
But the characters also go into the Upside Down, and Will has interactions with the Shadow Monster. Henry also has interactions with the Shadow Monster⌠I think the Shadow Monster is the representation of what this future technology could be used for, if it was in the hands of the people.
So, the Shadow Monster act through people in the town, but also primarily targets people with control and power THROUGH these people. A lot of these people⌠are also queer-coded as fuck.
Queer Technologies is an organization that produces critical applications, tools, and situations for queer technological agency, interventio
Again, the characters going into the Upside Down would also give them access to some of the concepts outlined above. But this might be a cool explanation for all of the queer-coding, and how it has an even deeper meaning than we think. As in the queer-coding is even a function of the plot, and required to understand the plot itself. Really putting the coding in queer-coding, and really bringing queer stories from the subtext to the text of the story.
Just a sneak-peak of the website⌠itâs artistic, political, etc., advocating for incorporating a more human focused view of technology.
Dr Owens, Barb/Nancy, two tapes-memories in one: Jonathan and Nancy were not together in the Lab
(the Shutter Island, The Truman Show and Fight Club)
Do you remember a theory that Hawkins got flayed in the end of season 2? I believe we have corrupted memories earlier (most likely from the very beginning of the show, but thatâs story for another time). Letâs check this one out.
The first thing that stood out to me was this shot:
Dr Owens opens the door, and the scientist starts âworkingâ immediately. He was not working, when the door opened, he started at the same moment. This jumped out at me as if it was staged, and no one was indeed working there until Nancy and Jonathan entered the room. It gave The Truman Show immediately, and I rewatched the whole sequence⌠a dozen times.
The sequence starts with this shot:
Here we see just Jonathan, and it would be fine, if only I didnât feel weird by the way the next shot separates Jonathan from Nancy: we see just him in the mirror, which is okay for thing angle, but something still feels off⌠For example, the fact that Jonathan in the mirror is not Jonathan in the room. The mirror is fake!
You can see this clearly if you compare the way the chair is seen and Jonathanâs posture.
Then, this shot is followed by (what would you think) the surveillance camera shot đââď¸ where everything goes even wilder right away:
as much as I could dismiss Jonathanâs hands (the right one is on the left one, while in the shot before the left one was above) or Nancyâs bag (and its shoulder strap) changing position, we still have Jonathanâs posture on the left where he sits with his back against his backrest, while in the mirror itâs different again, but also!!!!
NANCY IS TRANSPARENT!
It looks like her image was put above Jonathanâs. Thereâs literally no explanation for this table to be seen at the same time we see Nancy. And besides, her image clearly differs from the whole shot. Meanwhile, the shot with Jonathan looks like he is alone there silently looking right into the camera.
My first theory was that Nancy is non-existent in this sequence whatsoever and this is only Jonâs memory, but some dialogues after made me reconsider this.
Anyways, then Owens suggest a walk, and Jonathan again doesnât match his reflection: staying right in front of the chair on this side, he stands very far in the mirror, and also close to the end of the table (although he moves synchronically).
They start walking, and here I caught The Truman Show vibes, when several people were turning around (as if they were curious actors), and The Shutter Island vibes bc, even though Owens addresses them both a couple of times, it still can be seen as if he was talking to only one of them for whom this spectacle is played. (+ Fight Club)
(fyi, George Sargon died on March 22nd, 1956)
Here I had a theory that Jonathan lost his mind after Willâs death, and Owens plays along to his fantasy that he investigates something with Nancy Wheeler, and everyone knows whatâs happening and thatâs why they turn around.
But is the corridor walk Jonathanâs memory?
The wording âyour brother and Ms. Hollandâ⌠Whose brother? Did anything happened to Mike? Why does it sound like he speaks to just one person? And this person is Nancy⌠Imagine, that sheâs alone: he speaks of Mike, or Barbara, then:
âYou guys been together long?â âWe (we)re not together.â âWanna see what really killed your friend?â
It could be about Jonathan and Will, but then Barb stands out and I barely see Jonathan and Barb as a possibility⌠but who knows atp. My bet is Bancy though, with the hunch that here we witness two separate tapes and memories combined. Firstly, Jonathanâs, then Nancyâs. Corrupted memories by Brennerâs tapes?
Enjoy!
Iâll finish the post with this:
Consider the possibility that Jonathan in the mirror is Jonathan on the tape, the hands actually match⌠the fact that tape!Jonâs and real!Johnâs hands do not match can be just a production error (moreover, on the tape we can see a mirror too in the âcorrectâ place, not mirrored, so I might be wrong), but the idea of the mirrored reality seems curious.
___________________________________________ tagging honey buns who were waiting for the post: @warmglowhc @wrathfulstarlightcavern @sorafyr3 @gritstartar @worldofsouthernwind @itswhatyougive ; @bbghostbones I meant the very last panel, but also I recommend you to check out George Sargon, I didnât find anything for my theories, briefly reading his biography, but it might be useful for you!
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Im crying bruh, Nancy insulted Jonathanâs music taste and he said she doesnât know ball immediately. Canât believe he was supposed to sassy, even near death. Why would they take this away from me?
This dialogue (from S3E6) would've maybe been cute in a "meta," double-meaning-kind-of-way if there'd been a some type of CG-like reveal for ST months ago.
I'm just tired now.
(...And I kind of suspect they thought the response would've been more robust.)