I can't sleep wtf.

My worst horror house experience was when I couldn’t find the (rather obvious) exit and the guy chasing me with a chainsaw stopped, sighed and pointed me to the exit, saying “please scream as loud as you can when you run out there” and just left. I disappointed the horror house chainsaw dude and I will never get over that

Guy: They are all my friends.. (motioning to hanging corpses; then grabs a noose) Will you be my friend?  Me: Sure totally, you made me a friendship necklace? Oh my god your so sweet?  Guy: … Yes.. Please, let me.. I cant I cant just go (laughing).  – Got to walk a second time through–  Same guy: My friends -wailing-  Me: I came back I just really wanted to be friends so bad Guy: (laughing more) Please, Im not allowed to laugh. 

I went to a haunted corn maze once. Someone ran at me with a chainsaw. I just stared at him. He hung his head and walked away. I left.

The Real Horror Is The People We Dissapointed Along The Way

IM CRYING

if i had seen the transition from sepia to color in wizard of oz in 1939 i would have lost my shit i would've started screaming in the theater

The technique of switching between double and main actor without an edit is called a Texas Switch and it's still used today, it's very neat to have something so simple yet tricky persist pretty much just because it genuinely looks better to do it with timing than with editing.

I was talking to a bunch of people and when I asked one girl for her name, everyone went really silent, then she whipped out her phone and explained how she’d sold it online for bitcoins, like an NFT.

Faeries are keeping up with the times I see

@probablybadrpgideas

i have been waiting for this to show up in my dash forever

ITS BACK

THIS IS MY FAVORITE

IT’S BACK

This has to be up there with the funniest shit ever.

gonna reblog it everytime

IT HAS RETURNED TO US

Wow I have not seen this in years, tumblr classic

have I reblogged this yet

what-

I REMEMBER IT’S BIRTH

3 million note post

All these kids are in their 30s by now.

@hellsite-hall-of-fame just in case you didn’t have this one yet

For no logical reason whatsoever today I am mentally on fire about the camerawork in Midnight Mass. In the artbook they talk about how scenes are mostly filmed handheld initially and then gradually shift to stationary shots as the story gets more supernatural and just…my god is it effective. When Crockett is filmed handheld like a docudrama in the beginning it feels so freakin’ human. You sense that person standing behind the camera, showing you what they see, at person-level height, moving in a person-like way. The Soolaimon sequence also feels filmed with so much love, like a local islander showing off what makes up this little community they call home. Then in contrast, even in the first episode, there are stationary shots, drained of all signs of life behind the camera, and positioned in places no human could feasibly go. Father Paul drags the trunk into the rectory and we move up onto the freakin’ ceiling to watch him tap on it and get a response from inside. What I find interesting about this too is how the instinct of a horror filmmaker typically is to do the opposite of this. Keep the camera steady at first, make the world feel safe and stable, then switch to shaky handheld when the scares happen to induce anxiety and panic. But handheld-to-stationary makes so much more sense here. Highlighting the imperfect, intimate feel of Crockett Island life vs. the surreal way the mind heightens an experience of fear and trauma. The freeze response of fight/flight/freeze. It isn’t a horror story, it’s a love story hijacked by a horror story, and even the camera is a victim to the horror’s influence.