The Scarecrow by Madame Alexander
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@ninety6tears
The Scarecrow by Madame Alexander

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Just found out that in the book Shane says "sometimes I do, kinda" in response to Yuna saying he hates Ilya and I have never been so thankful for a dialogue tweak in my LIFE like are u kidding me #myshane would never say he hates Ilya even as a joke while introducing him to his parents are u fucking insane
I've recently been doing a lot of reading about what makes the Romance Genreβ’ the Romance Genreβ’ and as it turns out the most important thing a story needs to be a romance is that the couple have to be unambiguously happily together in the end. That's it. Apparently, if this isn't true of your couple in the end then your story cannot be of the Romance Genreβ’, then it's just literary fiction. And this is actually such an insane revelation to me like I can't stop thinking about it because it explains why so often when I've attempted to read Romanceβ’ and 9 times outta 10 I'm annoyed because I feel like these characters get together and it costs them being interesting. I cannae get over that the reason so much romance sucks ass is because the only hard rule is basically "these people MUST be together even if it would be better if they weren't because god forbid the reader is confronted with the notion of impermanence" like....I can't really explain the depths of how silly I find this rule and how much it goes against what I find compelling to read/write about wrt to romance. It's akin to finding out that the Hayes Code is fully enforced in 2026 and everyone agreeing the Hayes Code is how movies should be made because otherwise it doesn't count as a movie. That's how this revelation of "you haven't written a romance storyβ’ unless your characters unambiguously live happily ever after" makes me feel. I personally prefer to think of romance as a method, as means, as a set of knives to cut characters open and go rummaging around for hidden treasure that can't be found any other way, if you will. Who cares if the characters will live "happily ever after"? Here's a better question, are they even yet living?
I understand your frustration, and I think what you are really annoyed at is books being written poorly, but I also understand why this genre requirement exists and I sympathize with it. When I reach for Romance, it's because I want to know that it will be okay in the end. There is something comforting in knowing that no matter what happens, what trials and tribulations come along on the way, these two people will come out okay, alive, and in love.
Sometimes you just need that? To relax. To have security in a world that feels like it's on fire. To believe in the possibility of true love against all odds, even if you don't believe it in real life. I think there is a beauty in that.
It's a bit like how the genre convention of a detective story is that the crime will be solved. It would be much more realistic if that wasn't the case (at least some of the time), but that's not what people are looking for when they reach for an Agatha Christie book!
Thereβs a lot of things about romance genre conventions that make me typically prefer good romance sub-plots in other genres to actual romance novels. Just about every time I pick up a romance something about it makes me think Imagine a version of this thatβs actually really smart, not so predictable, more character-driven than plot-driven, like actually GOOD good but I know thatβs not really what typical romance readers want.
Some exceptional romance novels actually do some more nuanced things with the premise and have slightly deeper characterization than youβd typically find in the genre, but I get thatβs not what the genre is really about. People expect comfortable predictability from them and they like the typical character archetypes and thatβs fine.
Here
No one show this photo to Shane Hollander

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how it feels to enjoy multiple contradictory headcanons for a character
itβs actually not misogynistic to say astrology is bogus, and it is indeed way way more misogynistic to believe that things that canβt be proven rationally through science are More Female.
Kid: This is cringe, I donβt want to do this.
Me: well thatβs crazy because I am the coolest person here and Iβm doing it right now.
man yβall remember when the avengers movie came out and everyone headcanoned that all the avengers would live together in the tower and had all these cute posts about various fun ways they could interact and then the movies literally never had any of them even be friends
I want to state, for the record, that βall the avengers would live together in the towerβ wasnβt collective headcanon, it was canon. The very last scene of Avengers (2012), the one they left us on, is Tony redesigning the tower, designing a living area for each Avenger. That was, canonically, what was supposed to happen, in canon, and they just changed their minds and decided toβ¦ not. For whatever goldarn reason.
GHHFDGJHFDS THATS EVEN FUNNIER WHY IS MARVEL LIKE THIS
Also it was canon for literal decades in the comics. First it was Avengers Mansion which was Tonyβs Manhattan family home and then Avengers Tower when Tony built it. At one point Avengers Mansion couldnβt get their trash carried away because in order to operate in the US they had to be an embassy and NYC trash carriers donβt service embassies.
βnever had any of them even be friendsβ
Literally what the fuck are you talking about?
those people are wearing button-downs and suit jackets at their place of employment, after a work party. (Dr. Cho and Maria Hill are both still there.) theyβre not depicted as enemies, sure, but this is still pretty firmly in the realm of βcoworkers.β
Tony and Bruce canonically hang out. Natasha and Clint are best friends. Steve and Sam are close enough friends that it leads to a comically awkward dynamic that Sam and Bucky donβt get along easily. Steve and Natasha literally have a whole arc of building trust between them and becoming close friends in Winter Soldier and itβs a relationship the movies continue to treat as important to them. If She-Hulk can be considered canon, Steve once told Bruce about the time he lost his virginity over drinks. A lot of the Avengers canonically do live together at the compound for a while and Tony has a moment in CW griping about whoβs been pouring coffee grounds down the garbage disposal.
Like yeah, I think some relationships were under-served in the movies, Tony and Steve particularly, but you donβt have to literally live with your co-workers for them to also be friends. If anything what ppl seem to think is missing in these relationships just indicates theyβre workaholics who have little in the way of personal lives, not that they arenβt friends.
whoβs been here since 2011-2014?

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"Not having a carrd is a red flag!" No a red flag is you thinking you're entitled to a little pamphlet full of someone else's information.
Everyone saying something like "Yeah you just need to put [x] in your bio!" is missing the point.
number one rule! never believe ur thoughts after 10 pm . unless its about The Character then believe all of your thoughts wholeheartedly
can i stare at u like this
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Oops! 22 for me tee hee
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One of the John/Stephan prompts I put as a suggestion in my Yuletide letter last year was a canon-divergent AU about Stephan having recovered from losing his arm a lot sooner and therefore being on campaign with John and Percy. I donβt know if itβs the kind of thing Iβd personally want to write, and it could easily devolve into the kind of character bashing I donβt like in fic, but I still think about this premise a lot because the possibilities are so juicy.
Stephan having to gracefully deal with seeing that John might be having an affair with Percy and very devoted to him when he still has strong feelings of attraction to him. Stephan maybe unknowingly exposing that Percy is lying to John because he denies having ever met Michael Weber before but Stephan remembers seeing them together in the past. It being then Stephanβs word against Percyβs, which would probably make Percy extremely jealous and insecure to see is even a question for John to wrestle with, given how close he and Stephan clearly are. When Stephan is trying to be a good Catholic boy and faithful to his wife anyway, but heβs got to be thinking all this time If what I think might be going on between John and his step-brother and Michael is going on, he deserves so much better itβs disgusting and I wish I could punch Wainwrightβs face in. It would be so dramatic, so juicy. π
Heated Rivalry, p. 75