Characters will make a very nuanced choice that makes sense for their story arc and internal conflict, and audience members will be like "is anyone else going to misconstrue this in the most black and white, bad faith manner possible?"

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Characters will make a very nuanced choice that makes sense for their story arc and internal conflict, and audience members will be like "is anyone else going to misconstrue this in the most black and white, bad faith manner possible?"

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extremely good trope: injured character sees their own blood on someone else who's otherwise unscathed and gives a concerned "are you hurt?" double points if they're so injured they're barely lucid
on the topic of disabled characters, though, i think a LOT of artists give characters mobility aids that their character wouldn't actually benefit from using.
i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability
i also think that aids like walkers and rollators are sort of viewed as "cringe" on some level, and many people view them to be "just for old people," so many artists will opt for giving a character who has full-body pain and fatigue a cane (which, in many cases, can potentially WORSEN full-body pain) instead. and a lot of people don't realize that most wheelchair users are able to walk, so they don't consider it an option for characters with chronic pain
idk it's kind of frustrating. i've genuinely never, ever seen a character that uses a rollator before. not once. i cannot name a single one. i know of multiple ocs who are described to have full-body pain, dizziness, and fatigue that are drawn as cane users and are never shown with wheelchairs or walkers, though
it's also sort of sad? i've been diagnosed since i was twelve years old, and i only heard of rollators LAST YEAR. and that was only because i saw one irl and immediately asked what it was. i wonder how many disabled people out there don't even know it's an option solely because they're completely underrepresented online and in media
if you're a creative with a disabled oc, PLEASEEE check out this link. it's a very nice and detailed guide for telling which mobility aids suit someone's needs best. it's incredibly important to make the right choice for your character! mobility aids tell you a LOT about someone's lived experience. picking the right one will communicate to your audience #1 what your character goes through #2 that you UNDERSTAND what your character goes through!
Look I don't think Supergirl (2026) is secretly a perfect masterpiece or anything (I personally thought it was like. a 6/10 fun time) but I do think it's wild that Tumblr isn't going crazy for it because this Kara is one coattailed suit away from being a Tumblr sexyman. she is the flawed messy female character people have supposedly been clamouring for. she's the popular archetype of a gruff self-destructive alcoholic middle-aged man begrudgingly having to look after a kid and growing fond of them but genderswapped and also 23. she's allowed to be visibly messy and kind of gross and her hair is constantly all over the place and she literally cries, screams, throws up, and pisses onscreen. she's caustic and mean and puts up an act of carelessness but has a heart of gold. she's heavily traumatised and coping with it terribly. if anything happens to her dog she will kill everyone in this room and then herself. she spends most of the movie in a trench coat and baggy band T-shirt. she gets into bar brawls and breaks a guy's hand. she is Going Through It 24/7 and looks the part. she stabs a guy in the throat. how is everyone else not obsessed with her.
Height gap romance except the shorter one is frequently depicted in situations where they are contextually taller. The taller one sitting while the shorter one looms over them. Both of them lying in bed with the taller one’s head pressed to the shorter one’s chest. The shorter one straddling the taller one’s lap and leaning down for a kiss. The taller one on their knees as the shorter one tilts their head up. Please, it makes me go feral

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Completely personal preference but gonna be real with you, vampires and werewolves and stuff like that just don't hit the same for me without the angst, the guilt, the terror, like what's the point, "oh but what if he was just a puppy," yeah yeah, that's nice, I don't care, what if their very being was tearing them apart from the inside, what if the hunger never stops clawing and clawing and clawing even if you have it under control for the moment, not to say there's not exceptions or variations, those who've come to terms with or revel in their nature or etc., different opportunities for silliness or softness for sure, but to strip *all* manner of horror or discomfort from the lore, it's like wow, where is the appeal, the flavour, I hope you're hungry FOR NOTHING, just like your "vampire" apparently
hey guysss so unfortunately the rumors are true and im leaving the narrative. Buttt the good news is my absence will create such a gaping hole in your lives that it will become a sort of presence itself, and so in a way it will kind of be like i never left! But i am. Leaving just to be clear.
having a girl blorbo is like. i need to cocoon her in blankets and let her sleep until noon. i need to cook her three square meals a day so she’s not just living off coffee and the will of god. i need to see her wrestle a pig in the mud. i need to turn her into a keychain and swing her wildly around on my backpack. i need to give her a sword and set her loose. i need to steam her like a vegetable in my rice cooker. i need to grind her into dust with a mortar and pestle and turn her into sand art and display her on my shelf. i need to give her smoochies and kisses. i need to wear her in a locket that’s discovered with my corpse thousands of years later. i need to create a new constellation in her image. i need to cover her in blood.
there really is nothing better than getting asked an innocuous question and being like
really specific trope i like that i feel like can only be explained in a diagram

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if i dont respond to a message from you i can basically guarantee its not because i dislike you. im just getting attacked by imps and shit all the time genuinely.
What they don't tell you about writing is that as you write, you discover scenes and entire plots that you hadn't accounted for that need to be written. So you can spend two hours writing and editing only to realise you're further away from the finish line than you thought you were when you started
of course, the best part of any character's corruption arc is their cool new outfit
Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
As someone who spent over a decade catering luxury events, let me add some back of house info:
These events are almost always open bar. They're not trying to make their money back on alcohol. They want you to drink and eat and donate generously.
If there are cocktails, there will be at most two on offer, pre-made in large tubs. You cannot order a different version, it is what it is.
There are two types of events: cocktail style or seated. The first includes roaming hors d'oeuvres or a fancy buffet with tiny plates called a grazing station. For a long night, the roaming food will get a little bigger throughout the evening and have a 'main' at some point based around a protein.
A seated event will usually be more structured and may include multiple courses. Silver service is not in vogue anymore. You are likely to get either alternating meals brought to you like at a wedding, or served banquet style. A good caterer can get a plate to everyone in a 300 person event in about three minutes.
Drunk people are the same no matter how expensive their suits. They still laugh too loud, spill their drinks and slip on the dance floor. They are usually less embarrassed about doing coke in the bathrooms.
A full scale event that starts at 6pm will have staff arriving at noon to begin setup. Earlier if there's a light show or pyrotechnics. Typically venues don't just have 30 tables and three hundred chairs lying around, let alone table cloths, chair covers, etc. It's all rented and brought in on the day. Bands and DJs will be running audio tests in the background throughout.
Most heritage buildings that host these things, like museums and manor houses, aren't really designed for them. They might put down mats so you're not walking in stilettos over two hundred year old wooden floors, the kitchens are weirdly far away, and there are not enough taps. There is never anywhere for staff to sit, so if you open the wrong door you might find half a dozen waiters sitting on upturned milk crates in a room full of million dollar paintings, eating the left over bread.
Really old buildings don't have enough bathrooms, which means the staff will be sharing with the guests.
Clean up starts the second the event ends, if not sooner. Unattended glasses will start to disappear first, then table decorations. When the timer ticks over, the lights come back on and exhausted staff strip the tables, pack up dirty glasses and unopened wine bottles and have to Tetris it all into the back of a van. The venue is booked for that day only, so everything has to be gone before anyone can go home. A large event that finishes at midnight might take until 3am to be cleared away.
These are very long and physically demanding nights for anyone working them. The staff all get to know each other, and will absolutely notice someone trying to sneak in wearing a borrowed uniform. They are not being paid enough to care.

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sorry my hands are so cold all the time it's cuz i died a few years back
one of my worst writing sins is abusing my power to create compound words. i cannot write the sentence "The sun shone as bright as honey that afternoon." no. that's boring. "The sun was honey-bright that afternoon" however? yes. that sentence is dope as fuck. i do not care if "honey-bright" is a word in the english dictionary. i do not care if the sentence is grammatically correct. i will not change. i will not correct my erred ways. the laws of the english language are mine.
Not a sin at all!
This is what's called a poetic epithet, and it happens all the time in writing. Consider, for example, Homer and his wine-dark sea, or Shakespeare and his death-mark'd love.
If you were then to start using them instead of the word they're describing, you'd be making a kenning. For example, if instead of describing the sun as honey-bright, you said "the honey-drop in the sky". Kennings are best known from Norse writings, like "the path of serpents" for gold, or "GrÃmnir's lip-streams" for poetry itself.
So you're not sinning, you're participating in an ancient literary tradition!