downton abbey + haunted houses (part 3)
Is the House Haunted?

★

#extradirty
KIROKAZE

pixel skylines
Lint Roller? I Barely Know Her

Origami Around
Stranger Things

titsay
Game of Thrones Daily


Discoholic 🪩
PUT YOUR BEARD IN MY MOUTH
🪼
NASA
Three Goblin Art
noise dept.
seen from Germany
seen from United States
seen from Brazil
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seen from United States

seen from United States
seen from Canada

seen from United States

seen from United States

seen from Italy

seen from United States
seen from Argentina
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seen from Malaysia
seen from Malaysia

seen from Malaysia
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@myrnadalgleish
downton abbey + haunted houses (part 3)
Is the House Haunted?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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SuperWhoLock for horny freaks that like synth music
The Watermelon Woman (1996) dir. Cheryl Dunye
Väinö Linna: Täällä Pohjantähden alla 3 (1962) // Tuntematon sotilas (1954)
love my hockey mutuals. occasionally poetry snippets or kafka quotes will cross my dash tagged "san jose sharks" and i have to think well i didn't watch it so who am i to judge. maybe franz kafka did write that about the san jose sharks

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NATASHA LYONNE ph. by Andrew Arthur for Who What Wear (May 2026)
ocean man
they could never make me hate you Sarah O’Brien
yasharper // ribs
you're the only friend i need

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(Manet’s Bar at the Folies-Bergere (Getty Center Exhibitions)から)
[…] the conversation that many have assumed was transpiring between the barmaid and gentleman is revealed to be an optical trick—the man stands outside the painter’s field of vision, to the left, and looks away from the barmaid, rather than standing right in front of her. The barmaid’s frontality is also deceptive. Rather than standing parallel to the bar and looking straight ahead, she stands slightly askance, facing the offset viewpoint.
Most ironically, the reflected edge of the bar, which in an offset view would tilt more acutely to the right, is revealed to be a visual decoy, leading us to believe that the vanishing point lies directly behind the barmaid. Thus, the paintings most obvious perspectival clue turns out to be its most subversive perspectival violation.
Dr Malcom Park
thinking about how songs about a city both create and participate in the myth of that city - how when viennese operetta sings about vienna as a city of the Waltz in 3/4 time, or when parisian street songs praise the romance of paris, or when new york big band songs say that if you can make it here you can make it anywhere, they're both saying true things about the world and making them truer
"🥪" is shorthand for "🍞🧀🍅🥬🍞"
for pride month #beetles

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Interview With The Vampire (2022 - ) I 1.01
It's always gonna be about them