and grace who is so alien, but reflects eridian mannerisms that they've never considered strange before but coming from a creature so soft and strange, it just doesn't feel right. grace who stomps his foot twice when he asks a question, and it rings out flat and dull instead of the strong, sharp sound of an eridian hand on the ground. grace whose voice is so alien, so one-note, so full of articulations that are sharp and round and everywhere in between, but who echoes the melodies of eridian poetry and music, sometimes on accident but sometimes perfectly in time with what rocky translates him as saying, and later, perfectly in time with his keyboard.

You can't die from hunger or thirst or lack of medication etc.

It doesn't matter which books you've already read. You have to read them all, starting from now.

I feel like the Black British experience is constantly one of work and struggle. Our parents and grandparents lived through colonial and post colonial (using the term lightly) rule just to end up working and serving the imperial core, targeted by the same government that invited them here. A lot of the time its phrased as a choice but in reality what else could they have done? Ts and Cs apply bc for some West African Brits their parents were middle class back home but for me and others our families grew up in poverty in places still recovering from slavery and colonialism.

Britain whitewashes the history of Black immigrants, literally in the sense we're not taught our own history of Black people in Britain and metaphorically by applying British individualist myths; that as long as you work hard, don't complain about it and love Britain you can be British too. But it erases, ignores and distorts the truth that the British state used our community as nothing more than a labour force to rebuild after WWII and actively targeted Black British communities with police surveillance, brutality and systemic racism. All whilst denying it of course and turning their nose up at the very accusation. Very British.

Black British contributions, West African and West Indian to be more specific don't just apply in terms of work but in terms of shaping culture. 'Roadman' has become a meme and a caricature (including by some Americans on here ik u lot love 'chav') with barely any connection to its Black British roots, even when the term gets used as an insult to mainly Black working class men or used as a British version of 'thug'. The grime scene is undeniably a staple of Black Britain yet it is pathologised and judged, moral panics about Black people's violence and yet capitalised and profitted off of by non Black Brits as an aesthetic. Everybody wants the tracksuits, the tunes and the terminology innit. To be 'road' means to be Black British yet when its time to talk culture, nobody wants to credit it us. All of a sudden its 'London culture'.

one’s character has no impact on whether they were/are a victim or not, victim status is not something that is only afforded to the palatable.

Cave dance