wait i just found out you can be nice to people and be their friend i thought we had to kill them all cause i was raised in a lab to be a living weapon

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@much-ado-about-exy
wait i just found out you can be nice to people and be their friend i thought we had to kill them all cause i was raised in a lab to be a living weapon

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Everybody and their mothers understood why removing Sokka's misogyny in the ATLA live action was a bad idea and made the story worse but suddenly when they remove Sanji and Zoro's misogyny in OPLA it's a good thing?? Make it make sense
Sure, I'll make it make sense. Because comparing the two starts from a place of false parallelism.
In ATLA, Sokka's misogyny was present for 3 episodes in the very beginning of the show, and then used to deliver narrative carthasis in episode 4, in the form of Sokka's 180 turn into feminism. The tension of flexing the rubber band of Sokka's misogyny was brief, and the release of that tension then felt appropriatly sized, because it came so soon in the series. The the rest of the show continued slapping instant karmic punishments to characters who expressed misogynistic beliefs. (Anyone who underestimated Toph, Yue's bethored, the guys who catcalled Katara, etc, etc). The world of ATLA is such, that it bends itself to always prove the misogynist wrong. (of course atla also has it's weak points where it falters with this aim, but the express aim is clearly there) The audience is primed, so that they can ignore the flinch of hearing a misogynist micro (or macro) agression, because they can expect the cathrasis of a karmic punishment to follow.
This works very well in the genre of escapist fantasy adventure. Shows like Succession, or Breaking Bad, or IWTV can present misogynist characters, who never learn or face any consequences, because the cathrasis of those shows comes from watching unpleasant people wallow in their self-inflicted miseries. They are shows about characters you love to hate.
Escapist fantasy adventure as a genre doesn't want to create characters you love to hate. It wants to create characters you love to love.
One Piece is an escapist fantasy adventure. It wants to create characters we love to love. So, it also has to ask the question of: How much can we pull on the rubber-band of discomfort before delivering any kind of cathrasis to the audience. The complaints that animanga One Piece faces, comes from the fact that for a lot of people, the answer is not this much.
Complaints about ATLA liveaction removing Sokka's *Suki teaches him about feminism* moment, and complaints about animanga One Piece having characters dropping misogynistic microagressions casually all over the place, come from the exact same emotion. 'I wanted to see a moment of fantasy-wish-fulfillment where a man changes how he behaves, and I was not delivered that emotional cathrasis.'
This has nothing to do with whether any of the misogyny of the characters makes sense in universe.
Different people will find different character flaws more or less bearable, and it's always a tight-rope you have to walk on. But creators do have a choice in what flaws they expect the audience to find interesting and where the line of so-insufferable-I'm-picking-a-different-show lies. I think for OPLA crew, the choices would have been
Leave it as it is, rubbing that *discomfort without any comfort* button way too roughly for a HUGE chunks of the new audience.
Create an entirely new storyline about Sanji and Zoro facing consequences and *changing their ways*. And I would be willing to bet actual money that the fans of the animanga would have been even more pissed if OPLA had started soloing with the storyline like that.
Just sand down the sexist corners, as the show did. And from these three options, I fully belive they picked the right one by pikcing this.
This turned into a pretty long rant, but it does bother me that it is often the case that misogyny is seen as *bigotry light* and the onus of accepting that media has misogyny in it, is put on the female audiences. I have a feeling that we as as society are much more accepting that making a character a racist is going to need helluva strong narrative justification, because the discomfort that choie like that causes in an audience is expected to be very high. But often it seems that the discomfort misogyny is expected to cause in an audience is.... much less. I don't like that assumption.
With Zoro especially, his backstory sets him up to have rejection of sexism as part of his underlying motive as a character, which his writer then failed to follow through on.
In ways that might be partly to make the character more complex, because rejecting it and not perpetuating it are in fact different actions, with a social trend that ingrained, but I think were mostly just the writer kind of losing interest in that narrative thread.
This guy is set up to be actively angered by the idea that women have any kind of inherent weakness, because his rival he couldn't beat was convinced that she was doomed to fall behind him because of the male puberty buff to muscle development, and he was like ABSOLUTELY NOT HOW DARE YOU CHEAPEN MY INEVITABLE TRIUMPH LIKE THAT and then she died in an accident, so the question was doomed to remain unresolved forever.
Zoro by rights has a more intense relationship with sexism-qua-sexism than any of the girls on the crew. And Oda simply did not write that, because he is not up to it. His reach exceeds his grasp, which I don't resent as much as I might because I can't help giving him credit for reaching at all; it puts him well above industry standard.
Removing some of the unexamined sexism Oda put in is honestly one of those places where an adaptation has an opportunity to avoid a failure point of the original material. Not just on ideological grounds, but in that the way Oda wound up writing Zoro on gender was a failure of execution compared to the initially presented concept.
when neil said goodbye to neil josten and accepted his death as nathaniel he thought about andrew pushing him to the bedroom floor as one of his best memories oh im sick
me? redrawing my old shit?? its more likely than u think
peter and wade are fighting side by side and when peter runs out of web fluid, he grabs a gun off wade’s belt and wade has this transcendent moment of i’m going to watch spiderman shoot my gun at a real live bad guy
but peter just fucking throws it at a bad guy’s face and knocks him out cold
The impact causes the gun to go off and shoot wade in the dick. Spider man spends the next several minutes frantically apologizing while cable laughs his ass off for the first time in years.
Pretty sure I’ve read this comic
@wishem please omg just a quick doodle or something even
I am sorry Cable looks like that

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I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.
I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.
Then she had a “miserable” 3 more miles to walk to the inn.
Babes she would not MAKE it to that inn.
Are there any other particularly egregious examples?
This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:
It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).
This book can be downloaded for free on Researchgate, posted there by the author himself:
The Biology of Human Survival: Life and Death in Extreme Environments
neil’s favorite game is “i’m going to say something unhinged as fuck with no context and watch people try to figure out if i’m telling the truth or not”
andrew’s favorite game is “im going to watch neil say something unhinged as fuck and offer zero input on if it’s true or not (i know the answer) and watch everyone cycle through the stages of grief as they realize that there is literally no way of knowing without asking and they’re scared ask if neil really jumped out of a plane without a parachute once or if he’s fucking with them”
ur so fucking right i fucked up hold on let me fix it
neil’s SECOND favorite game is “i’m going to say something unhinged as fuck with no context and watch people try to figure out if i’m telling the truth or not.”
neil’s FIRST favorite game is exy.
andrew’s SECOND favorite game is “im going to watch neil say something unhinged as fuck and offer zero input on if it’s true or not (i know the answer) and watch everyone cycle through the stages of grief as they realize that there is literally no way of knowing without asking and they’re scared ask if neil really jumped out of a plane without a parachute once or if he’s fucking with them.”
andrew’s FIRST favorite game is throwing shit at kevin and acting like he didn’t until kevin storms out in anger.
Okay, I might be pulling this out of my ass but since that finals match was in Evermore that means the foxes should have been wearing their white away jerseys. Which means: the final match was a game of chess.
Not only are they wearing white, but they have first serve (Dan won the coin toss), and near the end the Foxes' king (Neil, because this is a battle between Riko and Neil) changes positions with the tower (Matt, a defenseman that towers over most people) creating the illusion of a castling.
And right there at the end, Riko attempts to kill Neil because they're in front of each other, but that's not how kings work. In the time it takes him to take that step, Andrew closes the gap and strikes. Check mate.
cinderella: redo
so i was watching cinderella while doing my nails and waiting for them to dry which was clearly a Mistake because now i can’t help but think -
the evil stepmother was always evil, okay. say her abuse of her own daughters was different than that of cinderella’s - but it was still abuse. giving them impossible expectations, telling them they were never good enough, never pretty enough, never smart enough. and then she gets married, and anastasia and drizella are ecstatic because this man seems kind and warm and maybe just maybe he can temper their mother, maybe with him around she won’t be so cruel. so they’re on their very best behavior in the beginning, they do just as their mother taught - they trot out their best upper court manners in an attempt to get their new stepfather to like them. but it just comes off as cold and snooty and they’re trying, they are, they’re just bad at it. and they see how he is with cinderella, the smiling girl their own age, and they are jealous. they don’t mean to be, they try not to be, they know it isn’t becoming of young ladies. but she gets hugs and kisses and affection and they get rulers slapped on their hands when they reach for desert and sharp jabs to their sides when they slouch and - soon they hate cinderella, not for anything she’s done, but for what she has and they dont
but then her father dies. and it’s all a tumble of things and cinderella is crying and they’ve lost their only chance at escaping their mother’s clutches and it’s terrible. and everything settles and there’s no reason to be jealous anymore but resentment is hard to let go of and they don’t know what to do. they’re only kids too after all. and they’re so terribly bad at comforting people, they can do flowery words and know all the right bows but cinderella is so sad and they just don’t know what to do with that, because they’re supposed to be sisters but they’re not even friends
and slowly but surely their mother starts abusing cinderella, starts making her a maid in her own home, and she’s their mother, what are anastasia and drizella supposed to do? she rules them with an iron fist, and cinderella doesn’t even like them anyway, it’s none of their business.
except one night anastasia crawls into her sister’s bed in the middle of the night and wakes her up. “i was thirsty,” she explains, eyes wide and shiny, and they’re bad at this with other people but drizella has no problems with pulling anastasia into her arms. the younger girl clutches her sister and continues, “i was thirsty and i went down to the kitchen to get some water and - and cinderella is still up! she’s doing the dishes, and she should be asleep, mom is going to make her make breakfast in the morning and -” she cuts herself off with a hiccup and whispers, “it’s not fair.”
“life isn’t fair,” drizella says, echoing one of their mother’s favorite phrases. but her sister is staring at her with wet eyes, and it’s not like their mother is likely to get up before sunrise anyway, she hates waking up, so she pulls herself and anastasia out of bed and off they go.
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[Batfam member finds out Tim Drake figured out Bruce Wayne was Batman because Dick Grayson Robin did a quadruple somersault]
Batfam: lol Dick only did that because he is so extra
Me [vibrating]: trapeze artists tried unsuccessfully to nail the quadruple for 70 years because the flyer picks up enough velocity on the spins that they reach 80 miles an hour and hit with so much force it can dislocate the shoulders of the person trying to catch him and rip the skin off their hands in big flaps
the flyer would hit so hard the people attempting it would box and slap their hands against wooden blocks to toughen their skin and hitting a quadruple in the air magnified the power behind tiny nine-year-old Dick’s strikes to the point where it could have probably stunned a metahuman and this was probably a large reason behind his ability to be a crimefighter at an earlier age than any other person in the DC universe and in this essay I will
How dare you leave the emoji somersaults of doom in the tags

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Camilla Hect. Loudly.
Random but 10,000 years is crazy. Like actually bonkers. And that's 10,000 years SINCE the end of the world as Jod knew it. 10,000 years is his reign. 10,000 years is the Mesolithic period, before recorded history.(up to the point of this posts creation in the non myriadic year of no lord, 2025 anyways).
And so it's crazy that in the same time period that humans went from using small stone and sticks as tools, to having commercially available VR headsets, that a world fuelled by necromancy has not by themselves recreated Lyctorhood. Especially when their entire society is a reflection of the original lyctors. A necromancer and their cavalier.
And because of this, i think that was on purpose, that Jod hasn't had such a loose and casual hold over the nine houses as he might suggest. Or that his loose and casual personality might convey. That perhaps that issue of the accidental recreation of Lyctorhood has shaped a lot of decisions he has made about how to run the nine houses. I mean think about it, he thinks of the internet as one of the good things he withheld from the nine houses, but again, it's been 10,000 years and not a single person has ever conceptualized an electronic network that could allow the nine houses to communicate freely and share ideas and and work on projects together and learn from the other?
And i think someone probably has, but jod nipped that in the bud, because it wasn't in his vision for the nine houses. And the same for any promising necromancer. It's why the houses specialize in specific forms of necromancy rather than specializing in it as a whole. Because if everyone was learning all forms of necromancy then it really would just take one strong necromancer with an idea. And If the nine houses were able to readily recreate lyctors then Jod and his lyctors wouldn't be needed. Like sure Jod needs to be kept alive to keep dominicus running, it doesn't mean he gets to keep playing god.
The nine houses obtaining the knowledge of lyctorship, would be the downfall of Jod and he knows it. And so he keeps Lyctorhood away from the nine houses, and lies about (his version of) perfect Lyctorhood away from his lyctors. To keep the threat of him losing his power nonexistent.
jeremy knox i see the rage you refuse to let yourself feel or show. please pretty please with cherries on top tell me what made you feel so unsafe expressing it. was it one big thing? was it a lifetime of small things? show me to me rachel send it to me please
drift sequence terminated. would you like to try again?
ao3
Everybody knows the story, of course. Kaz and Jordie Brekker, underdog up-and-comers, two skinny Cat II kaiju orphans who’d scrapped on street corners until they looked old enough to walk into a recruiting station and then kept scrapping until they’d graduated the ranger program with honors. Of course it couldn’t last.
—-
a soc pac rim au in honor of it being pac rim year!!
pt.27!! <pt.26
catjean besties you will always be famous to me
tags for the homies @andrewsleftarmband @blurryhour @you-know-i-get-itt @notexactlythatgirl @longspacerat @tessasilverswan @minyard-05 @carbon-dated-gal @bisexualchaosdemon @stormiiflies @watercoloureyes01 @vampire-overlord @iron-sides @azure-wing @buffalo-fox @ohgodnotagainplease @pink-hydrangea @jaywalkerss @ohmynoggin-blog @cosmic-marauder @min-getoutofmy-yard @plazybones @disastersappho @leestars13 @the-witch-forever-lives @minyardsss <333

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pt.27!! <pt.26
catjean besties you will always be famous to me
tags for the homies @andrewsleftarmband @blurryhour @you-know-i-get-itt @notexactlythatgirl @longspacerat @tessasilverswan @minyard-05 @carbon-dated-gal @bisexualchaosdemon @stormiiflies @watercoloureyes01 @vampire-overlord @iron-sides @azure-wing @buffalo-fox @ohgodnotagainplease @pink-hydrangea @jaywalkerss @ohmynoggin-blog @cosmic-marauder @min-getoutofmy-yard @plazybones @disastersappho @leestars13 @the-witch-forever-lives @minyardsss <333
you stupid fucking idiot i can’t believe you died and got resurrected and are now safely in my arms again. I’ll kill you