real punk is about superficially aligning your politics or aesthetics with a counter-culture while ultimately holding mainstream and/or conservative political views
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@myrskytuuli
real punk is about superficially aligning your politics or aesthetics with a counter-culture while ultimately holding mainstream and/or conservative political views

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the way usamericans talk about their military fucks me up. thank you for what service like which service are they providing you with. they're protecting your country from what. they're fighting for the freedom of whomst. why do they need to do that for and why are they doing in it in the middle east
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
it's healthy for academics to have professional feuds. enrichment activity
Holy shit. "The demese ef the Ne'enderthels: Wes lengege a fecter?" published in the Science magazine
short but sweet
Pottery sounds terrifying to me. Every post I see is like "Here's this awesome art I made!! Pray for me that it survives The Kiln⢠:')" I don't think I could cope with making art that could quite easily blow up and I have no way of controlling that. You guys are true heroes.
@bazanite you are so correct

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god it would be awesome if the human brain could just ignore an upsetting thing instead of constantly wandering back to it for no fucking reason
this video has been the last hinge holding me together for weeks now. I need to watch it once a day or I'll start disintegrating
heres the translation I found online for fellow enjoyers
new cryptid everyone!
archive link so you don't have to give wapo clicks
really love keeping up with my mutuals through their little tags and vent posts. getting updates on how theyâre doing is something like: glad to know your job at the library is going well. iâm sorry you havenât gotten that raise. glad your finals went well. iâm sorry your teacher is so unhelpful. glad your tv show got renewed. iâm sorry they killed your favorite character. glad that you scored tickets to see your favorite artist. iâm sorry they arenât touring near you at all. glad your cat is doing well. iâm sorry your mom is sick again. glad youâre feeling better now that itâs your favorite season. iâm sorry your meds arenât working. glad youâre married now. iâm sorry you have to step back for your mental health. glad youâre still here. iâm sorry life is so hard. glad youâre alive, i hope things get easier for you soon
The whole "but what about making sure artists receive credit for their work?" objection to copyright reform is especially irritating because treating moral rights (i.e., the right to attribution, etc.) as descending from or strictly subordinate to commercial exploitation rights is a uniquely American perspective. Not only are these two things separable, they are in fact separated in the vast majority of intellectual property regimes â it's basically just the United States that treats attribution rights as a strict subset of commercial rights. Hell, the US schema is arguably worse in terms of ensuring that artists are properly credited than nearly any conceivable alternative, as treating the right to attribution as a subset of commercial rights means that the right to attribution can be signed away. There are lots of places where it's simply inalienable!
(Of course, this also goes for US copyright abolitionists banging on about how giving up the right to attribution is a necessary sacrifice â like, no, it isn't. These things are separable. Treating them like the one inherently descends from the other is literally just you guys.)

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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creatureâit is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
Did you ever just feel so lucky for knowing someone you met online? Like.. I was one click away from not following you. I was one second away from never even knowing of your existence.I would never have been this happy!!!...
âour age of bronze is collapsingâ is this beautiful random burst of monty python dialogue amidst the drudgery of nolanâs vision and i think it should win the first-ever oscar for best solitary line
[wringing my hands as i look out my window directly overlooking wall street, watching the sun rise on october 29, 1929] aw fuck itâs the great depression
This is a fucking new one
You see this sort of post a lot in left circles, and it's a very cute idea, but conservatives aren't actually that dumb. You might be able to make them nod along to what you're saying (assuming you don't hit on the big ticket culture war issues, this absolutely would not work for immigration and probably won't work for climate change), but you're not actually going to change anyone's mind like this.
Consider the opposite. A conservative wants to convince her left-wing friends to back her ideas. "Immigration is a labor issue. By reducing the number of immigrants we can increase average wages for workers." This does not work on many left-wingers.
Basically everyone who disagrees with me is a sort of dog who can be appeased by speaking in the right tone of voice

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I do think the Hank Green AI thing makes it abundantly clear that if you have ADHD or any other mental illness and/or you are prone to addiction you need to avoid AI at all costs. This shit will rope you in, and if you have a mental illness that say, starves your brain of dopamine, you're gonna be extra susceptible to that. I won't use AI for a lot of reasons but one of the big ones is knowing how it would fuck with my ADHD and bipolar. Like yes, it's bad for the environment and giving money to rich scumbags and runs on plagarism, but even more than all that, it's straight up not safe at all and you really shouldn't use it if for no other reason than to protect yourself from whatever the fuck it might do to you.
Guys AI is bad but it doesn't give you irreversible brain damage, jesus fucking christ?? Be against AI but don't tell people if they use it they'll never be able to feel joy again??? Convincing people to be against the lie machine by lying to them isn't really what we wanna be doing????
Human brains can recover from horrific and profound trauma, people can be shot in the head and live, my brother cracked his skull open and survived and is fine!! The only way AI can permanently harm you is if it convinces you to kill yourself, and it does that often enough I'd argue that alone is the only reason anyone needs to stay the fuck away from it forever. You don't need to make shit up, we have plenty of real, concrete proof that this tech is evil. Yeesh.
For anyone who doesn't know what happened with Hank Green is that people started noticing that not only was he putting out videos and other content a LOT faster he started to have speech patterns in his videos that felt very AI-ish, and people started asking questions and he admitted that he's been using AI not to write scripts but to handle research and brainstorming. He admitted that it was something of an addiction, he was really fixated due to the dopamine hits it gave himâwhich makes sense, people with ADHD are really prone to this kind of addiction as our brains are constantly starved of dopamine and it's entirely possible that the cancer thing put him in a position to be more vulnerable to quick dopamine hitsâand that is spiraled out of his control very quickly. He said he's going to go on hiatus for a bit and focus on getting away from AI, and did say his brother and wife gave him one hell of a dressing down about it so I do believe him that he's gonna work on it, and I try not to judge people who form addictions because it's not really in as in a person's control as we all like to pretend it is.
But yeah that's the jist of it, he wasn't using it to write entire scripts but he was using it to research and brainstorm and talked to it a lot, which started to bleed into the way he talked because that's what humans do, mimic the people we talk to. I hope he's able to get out of it, I don't think this makes him an irredeemable monster or anything, but it's def a disappointment and I wish he'd been transparent about his AI use from the beginning, especially given that he's a science educator and his sources being accurate is really important. He can use it if he wants, but he owes it to his audience to be honest about where he's getting his information and his audience is then well within their rights to stop watching.
Hey! I'm indigenous (cherokee) and I just read your post about the blood bending being a metaphor for generational trauma, and I wanted to ask you if it was a topic you felt comfortable talking about, what were your thoughts on the puppet master episode, when Katara was taught bloodbending? This isn't a leading question, I just genuinely would be interested to hear another indigenous person's perspective on it. đĽş
Ofc it's a heavy topic too, so if you don't have the emotional capacity or even a want to dive into it, I totally get it, and ya can feel free to delete this ask all together.
Don't worry, I'm actually pretty open to talking about this sort of thing!
The Puppetmaster is one of my favorite episodes. I think it's very well-paced and it definitely does a good job reinforcing the themes present throughout the series. It puts a very tragic spin on the first time we see Sokka and Katara's village and seeing the Fire Nation ship in the first episode hits different after watching it. I think the scene where it shows the waterbenders fading away until Hama is the only one left in her flashback is very effective in its use of imagery.
I'm less thrilled about how the fandom insists that Hama did nothing wrong.
Yes, Hama is a Native elder woman with a lot of trauma. That doesn't mean she can't be toxic and cruel. The fandom has some major issues when it comes to accepting that female Water Tribe characters can be complex people who greatly impact the plot and setting with their choices. It's probably the racism.
I read something about Mae Whitman (the voice of Katara) saying that this episode was very tough because of how emotional it is, and i can see why. Katara has spent her entire life in fear, knowing that for some reason, the Fire Nation came after people like her. She found someone from her culture, someone who can answer her questions, a survivor. But this newfound mentor, this person who was a victim but made it out alive just like her, to whom she feels she owes alliegeance because they faced the same violence, turns around and says "I went through this so you have to live through it too." And no amount of "please" or "you don't have to do this" makes her stop.
Not until Katara makes her stop.
There's definitely a struggle being Native because you're supposed to have other Natives' backs because racists will look for inconsistencies and twist it into something that supports whatever dumb shit they think justifies our extinction. It can be hard to speak up if one of your own has hurt you because then you open up your entire community and more to criticism, knowing that most of it (for example "they sit around getting money from the government") is entirely undue and little if anything will actually be done to help you.
When Katara cries at the end of that episode, it's because she thought Hama was someone she could trust. She thought that Hama could be proof that you can suffer the worst and still be someone who doesn't take that suffering and inflict it on weaker people in turn. But that wasn't the case. Hama took a product of her trauma and hatred and pushed it on Katara. Hama kept that cycle going, used Katara for the exact purpose of keeping that cycle going. And some part of Katara is terrified she'll perpetuate it too, and she has good reason, she almost does in The Southern Raiders.
I think Hama could have done with being humanized more, maybe having what she does built up over a few episodes and then it's like a "so all those rumors, they were about you?" moment. But I don't think it's fair to say that she does nothing for Native fans as she is. I have grown up and gone to school with kids who dealt with anti-Native racism, both personally and with how it's affected earlier generations, and were beaten, treated as a burden, neglected, or otherwise unsafe in their own homes. I have my own family drama I don't talk to anyone about that has scarred me in ways I'll never be able to forget. There's value in that pain being validated.