With S3 on the horizon (4 days, holy shit...) I thought this would be a good time to do a round-up of all my post-S2 fics. In case anyone feels like doing a little speculative reading prior to the new season!
For the record, these are all S3 spoiler-free, and other than the last one, were written before we knew anything at all about S3.
Petrol (rated T, 1.6k): A short post-final 15 vignette from the Bentley's POV.
In my blood like earthly wine (rated T, 26.9k): Someone's pulling pranks on Heaven to get Aziraphale's attention. Three guesses as to who it is.
And it burns, burns, burns... (rated E, 35.7k): a.k.a. the sad halo wank fic. Crowley finds Aziraphale's halo in the bookshop after he leaves, and it makes him... feel things. Very, VERY E-rated.
What would Chris do? (rated T, 23.8k, NOW COMPLETE!): my take on the second coming. Crowley accidentally finds Jesus in America and they go to NYC, where they (of course) run into Aziraphale and a bunch of angels.
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OK, so I highly recommend going through the notes and reblogs because there are cute animal pictures (which was totally my secret reason for posting this...), but here is the Big List of Muriel Animals (so far!) all in one place for convenient reblogging.
You all are brilliant, by the way. Every single one of these ideas is pure gold. And you know what? I think Muriel should get to be all of them as a treat. I absolutely adore the idea of them trying on different animal identities depending on how they feel that day.
honey badger - "Something small and cute but also loud and aggressive" - @spookydazechaos
tasmanian devil (ditto above)
remora to go with shark Slorch (also suggested by @spookydazechaos)
the cutest tiny yellow octopus - @pyracantha14
Galarian Zigzagoon - "some wires got crossed when Muriel was exposed to the concept of Pokemon" - @rurouniidoru
kiwi bird - smol and round and just a little pointy (my pick!)
vampire bat - so BAD and SCARY but really a goober who shares blood with their friends - @fenrislorsrai
A group of far-future linguists and archeologists suddenly *poof* into existence in front of me. One is holding a tablet. "What is the difference between 'red sauce' and 'tomato sauce?'" they ask me. "The distinction is not clear in extant texts from this time and place."
"Uh, they're the same thing," I tell them. "Who are you?"
"Yes!" the being with the tablet exclaims.
One of the other researchers groans. "No! My thesis...months of writing wasted..." One of the others comforts them.
"Now, what is this object for?" The first researcher holds up a discolored, dinged-up plastic object. It's clearly been buried in the ground for quite some time, but the two holes and the scuffed plastic window are distinctive.
"That's a cassette tape. You record music with it."
"Interesting, interesting." The being enters something on the tablet.
"How are you speaking English?"
"Sophisticated translation technology," one of the researchers confides. "We are students of your society. From the future."
"What does this pictogram represent?" The researcher with the tablet turns it around so that the screen faces me.
It's the eggplant emoji.
"Sex," I say. "Why do you need to ask me this if you can time travel or whatever? Can't you just go wherever you want to go and look around and see how these things are being used?"
The beings shift guiltily and look at each other. "Technically, travel to times and places prior the advent of time travel is strictly prohibited. Paradoxes, you know."
"Oh."
"We must be get back before our advisor returns to the lab. Just don't tell anyone you saw us, alright? The space-time continuity depends on it. Can you do that?"
"Uh, sure, I guess?"
One of them pats me on the head. "And don't go to Mars."
"Okay. Wait, why? Is it dangerous?"
"No. Just not worth it."
The group disappears in a shimmering light.
The cassette clatters to the sidewalk behind them.
Out of befuddlement, mainly, I pick it up. It's clearly old, discolored and scuffed, but it still has tape in it.
I carry the tape around in my pocket for a while. The curiosity builds. I want to know what's on that tape. I don't have a cassette player anymore, so I go to Goodwill and pick up the first one I can find, praying that it still works. I plug it in. It turns on.
I slide the tape inside. It's dirty, but it still seems to be in decent shape. I snap the player closed and hit play. The wheels begin to turn. I hold my breath.
A familiar tune starts up. A wobbly voice comes out of the machine.
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OK, so I highly recommend going through the notes and reblogs because there are cute animal pictures (which was totally my secret reason for posting this...), but here is the Big List of Muriel Animals (so far!) all in one place for convenient reblogging.
You all are brilliant, by the way. Every single one of these ideas is pure gold. And you know what? I think Muriel should get to be all of them as a treat. I absolutely adore the idea of them trying on different animal identities depending on how they feel that day.
honey badger - "Something small and cute but also loud and aggressive" - @spookydazechaos
tasmanian devil (ditto above)
remora to go with shark Slorch (also suggested by @spookydazechaos)
the cutest tiny yellow octopus - @pyracantha14
Galarian Zigzagoon - "some wires got crossed when Muriel was exposed to the concept of Pokemon" - @rurouniidoru
kiwi bird - smol and round and just a little pointy (my pick!)
vampire bat - so BAD and SCARY but really a goober who shares blood with their friends - @fenrislorsrai
This post is going to be long and is going to dive into my (non-scientific) thoughts about the Good Omens Series Finale and the subsequent fandom fracture, including thoughts on behaviors of fans and specifically a call to action for fandom community leaders (server owners, event organizers, Tumblr Community creators, etc.). It will touch on some of the more triggering head canons that have come out of the Good Omens fandom regarding the series, but we will not be diving into those.
This is going to be long, and anyone who comments without reading the whole thing with takes about how I'm wrong/condescending/stupid for liking the finale/whatever is going to be blocked on sight. This is mostly me just getting my thoughts out and frankly I'm not interested in debating with the kinds of people who have been crawling into my ask box with hatred. I have better ways to spend my time.
So, I've been thinking thoughts since May 13th, but recently these thoughts have really crystalized for me. I largely have to thank whatever anon(s) keep sending some really fascinating takes plus the sock puppet account screaming on one of my posts, as well as watching folks interact and behave in large Good Omens Discord server spaces.
I think there's currently this thought process that there are really two main GO camps in the fandom: those who loved the finale, and those who did not. And somewhere there is a middle of group of those who are "unsure." I would like to challenge this idea.
And in challenging it, I am specifically going to talk about the death of nuance in how people relate to stories and media.
What I've realized is that a lot of folks seem to think that those of us who like the ending, or have positive feelings towards it, all think it's a happy ending. This is not true. I know this is not true because, frustrated by the state of fandom, I started @gomens-timeaftertime, a Discord Server (TAT) for folks who liked the Series Finale. This is a "small" server of 100 people only because I have put a membership limit on it. Otherwise based on how we've had to kick people who were not active, the number of requests I have to join, and folks who were interested in participating in our Warm Close event but hesitant to join a Discord Server, TAT would be a lot larger if I had the bandwidth to moderate more people. Which I don't. So.
But the point is, in TAT the takes on the Series Finale are wildly varied. There are several people who found the ending to be a happy one (lots of reincarnation, snow globe, multi-verse, sort of head canons there). There are as many people who found the ending to be a sad one (Aziraphale and Crowley as we know them are gone, the world as we knew it is over, and similar head canons).
And these are all people who still enjoyed the ending and are having a great time Slorching about. We are picking apart details, putting together fan events, screaming, analyzing and when we complain, because we do complain, our complaints are largely focused on the loss of 6 full episodes. Because I think no matter what you thought of the ending, we can all agree that that deserved 6 episodes and fuck NG and fuck Amazon for all the shit that took that away from us.
The conclusion that one can draw from such a varied group is that the ending of Good Omens S3 is complicated. It can be interpreted in a myriad of different ways, and it is, in the most Good Omens sense, an ending steeped in shades of grey.
Which I find, personally, to be beautiful.
Anyway, "sad" has not been equated to "bad" within this community. We leave space for those who are mourning, but they still jump on the "Ice Cream Truck Bentley's eyes FOLLOW HER PAPA" excitement train.
Therefore it's my belief that the issue amongst the larger fandom is that there are some people who are of the opinion that sad/uncomfortable = bad. Bad writing, bad production, bad directing, bad. These are the folks who hurl accusations such as S3 being a "bury your gays" ending when the finale explicitly ends with a married queer presenting couple sitting in a house they presumably own and being sweet together. They also are writing break downs of how the ending is an abusers final gotcha, ignoring years of interviews and comments from NG, STP, Rob Wilkins, Rhianna Pratchett, and more all confirming that the ending has existed for a long time, and that it is a collaborative ending between the two writers, and that the goal had always been between NG and the Pratchett Estate, to deliver. Also it ignores that said abuser wrote the ending before his abuse was made public, so he had no reason to write a final "gotcha" when at the time he was still working under the assumption he would not be found out and he would still continue to create more and more series (Sandman comes to mind, but also fuck NG).
Folks are picking and choosing what interviews to include in their defense of "this is clearly a Bad Thing" instead of coming to terms with the fact that the ending was not what they expected, and that is disappointing. They point at the genre labels (a deeply flawed labeling system of stories across media types meant to promote marketing and sales and not actually indicative of the story content itself). They point at specific quotes and ignore full interviews (specifically interviews where the contradictions are addressed as information previously NDA'd or unpromised was intentionally kept under wraps). They invent thoughts on how the entertainment industry works (there is no secret cabal trying to personally victimize you in the writers room, and frankly if this was a cash grab, they would've gone with a less divisive ending). They applaud someone for taking an illegal recording of an unaware actor who is making a glib remark (and let it be known, having worked in the industry: actors know what you're looking for pretty quickly when you ask them questions and will not hesitate to say whatever they think will keep themselves safe, "on your side" and make you go away faster, especially if they are under the impression that they are not be recorded).
In sum, these "fans" are using their personal interpretation (aka: head canon) of an intentionally complicated ending, and justifying the vitriol and disrespect they are spilling on other fans, the cast, the crew, the creators, the Estate, and more, by saying that the ending was, unequivocally "bad" and anyone who doesn't agree with them is wrong, stupid, an abuse apologist, and more.
Because why? Because it wasn't a clear cut happy ending? We know that the finale was already adjusted to fit the times (Jesus showing up as a celebrity on a giant plane has very different vibes in 2026 than in 1996.) So we know that this ending was conjured during a different time. And while the time we are currently living in is harder, increasing the desire for more uncomplicated happy endings, that doesn't mean we are entitled to such endings.
So okay, there's all of that.
Let's talk more about the fandom fracture.
Because the thing is, when the finale came out, I was a community leader in some large fandom spaces. And as someone who truly loved the ending (I love how complicated it is, I love that it is both gut wrenching [Michael destroyed their universe, and they decided to accept it to free themselves, and that means they are gone] and uplifting [fuck me am I a slut for soul mates and reincarnation tropes. They found each other again in a different life, a real life, without the movie framing, the found each other and got to make their own choices, and fuck that's what it is to escape a fucked up system and live, truly live, wow, does this mean they keep going and keep finding each other again and again? It must]) it was incredibly difficult for me to sit and watch people not just be sad, but be angry.
And this is where I think as a fandom we fucked up.
In trying to give space to those who were grieving a complicated ending, and the end of an era, and a show that should've gotten 6 hours, not 90 minutes, we legitimized those who decided "sad" and "not what I wanted to see" equals "bad writing/production/directing." In doing so, we gave them the space to come up with conspiracy theories ("not STP's ending", you know, a dead man who can't speak for himself, and I guess we can say fuck you to his living loved ones who fought for this ending?, "NG wants to abuse us all", I cannot even with this one it is so deeply insulting to his actual assault victims. Stop., "NG actually had a different ending in mind, and the six episode script will prove it", ... what.)
In doing this, we harmed the rest of the fandom, both those who enjoyed the ending and fell more towards the bittersweet to happy interpretation of the ending, as well as those who actually needed the space to process and just thought it was a sad ending, without ascribing bad to it.
So when I say things like "you're allowed to just...not like the ending" this is not me saying that the ending was happy, actually, get over it. Nor is it me saying you gotta buck up and smile. Its me saying you should take a step back and look at this ending more objectively. Do you actually hate the ending? Or did it just make you sad? It can be both! You can hate the ending because it made you sad and you wanted to be happy--but then that's on you to grapple with. No one went out to "do" this to you. No one went "You know what, let's make this a sad ending specifically to ruin this person's life." It's just a story, and sometimes stories have sad endings. And frankly, this is why I often tell people I don't "do" in progress media. My anxiety struggles with cliff hangers and I absolutely read the wiki summary before committing to a thing to make sure the ending is going to be what I want it to be. Good story telling can hurt and sometimes I'm into it. And sometimes, I'm not.
And maybe if it just made you sad, you should think about distancing yourself from communities where people are mad. Because it's okay to be sad about an ending meant to be complicated and at least a little sad (if not more). But that doesn't mean you've gotta throw the whole thing, including your fandom community, in the trash too. It does mean that maybe you need to take a more active stance against those who are insisting that their head canon is the only "correct" interpretation of the ending, are throwing around incredibly triggering topics around without care because that's part of their head canon, and are, at the end of the day, disrespecting and hating on the people who made a story.
Frankly, those aren't the kind of people you should want to be in a community with anyway. Misery loves company, and if you're sad, maybe don't hang out with the folks who are mad, they aren't going to help you feel better. And I say that as someone who is mourning the end of some incredible friendships because people who I thought would never have been absolutely engaging in some frankly disturbing behaviors.
In sum: there are so many ways to interpret the Good Omens ending, whether you're looking at the Television Series ending or the Book ending (I mean come on the book ends with them discussing the "big one" and it is not clear which side Crowley thinks they are on, humans or not humans). This kind of shades of grey, wait 20 years and come back again and see how it's changed, ending is precisely the kind of story telling I'd expect out of either STP (GNU) or NG (rot).
And if we're going to preserve the community that has become so important to us, then yes. We need to stop letting the loudest (not the majority, just the loudest) people trample the joy of our community. We need to hold them up to better fandom etiquette: no yucking other people's yum, kink-tomato, all that doesn't just apply to NSFW works, it also applies to "My head canon is different than yours, and you gotta stop shoving your deeply triggering take down my throat without a content warning." We've got to be more firm in that the very existence of Asa and Anthony is not, actually, something that should be spoilered because they are the result of suicide because that is a head canon, not a fact.
And frankly, if you want your communities, your big servers, your whatever, to live on, you've got to take this seriously. Your mod teams have to agree that, personal feelings about the ending aside, the ending is open to a multitude of interpretations, there is no space for conspiracy theories that are harmful or disrespectful to cast, crew, actual NG victims, etc, in these spaces, and that these spaces are meant to come together in celebration of the story, not to complain about how much something sucked. If you want your spaces to survive, to not become cesspools of the worse kind of feedback loops, you've got to make sure there's more joy than hate.
And if you're "in the middle" maybe take a step back from the loud voices and ask yourself: Are you in the middle? Or did something make you sad and the loud voices are trying to convince you that means that thing must not be any good at all?
A nuanced meditation on season 3 of Good Omens by @hkblack. I quite agree with her—some of the responses and theories that have been made are disheartening, particularly because I liked the ending. It made me sad, but felt quite fitting & full of love.
I don’t have much to add except this: the loss of immortality can seem like the most awful thing but at the same time I find it rather beautiful. We have our “one wild and precious life” (thank you Mary Oliver) and is it not rather poignant that Asa & Anthony now get to treasure that finitude? I imagine forever gets a bit tiring. I like the idea of reincarnation, of them finding each other in every time and every world.
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so BAD! the scariest!!!
however, once you know anything about them.... these little goobers scurry around on the ground like this.
Look at this thing.
also if roost members didn't find food that night, they can beg other roost members for blood and generally get fed. Alright, its by regurgitating blood into the other bat's mouth, but friendship is VERY IMPORTANT.
So some of you might remember that, some time ago, I shared a little snippet from a fic based on this ridiculous premise, where Crowley tries to teach Eric how to transform into an animal. Well, several thousand words and a bunch of feelings later, I’ve finally finished it!
All the birds of the air, every beast of the field
Additional Tags: Crack, Crack Treated Seriously, Humor, Animal Transformation, Eric POV, Hell is Terrible (Good Omens), Post-Almost Apocalypse (Good Omens), South Downs Cottage (Good Omens), Established Aziraphale/Crowley (Good Omens), inspired by Laszlo’s bat transformation from What We Do in the Shadows, references to WWDITS and other media, this is basically canon-compliant except that Crowley shouts SNAKE! when he transforms, if you’re looking for a logical explanation for animal transformations this is not the fic for you, because let’s face it neither Crowley nor I have the foggiest idea
Summary:
There was one thing, however, that had always eluded Eric. Animal transformation.
In the end, there was really only one person left to turn to. The one demon who’d always chafed against Hell’s rules, spoken and unspoken, and who now, in the aftermath of the failed Apocalypse, was openly flaunting them. The demon who, ironically, had perhaps the most infamous animal aspect of them all. The Serpent of Eden.
For the record my first thought was kiwi bird. Smol and round but a little pointy. But you all have so many brilliant ideas (seriously check the reblogs!) that now I’m torn.
You know what, I will absolutely allow it because this creature is precisely the animal equivalent of writing BAD on your face and calling yourself a demon
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