“And now that you don't have to be perfect, you can be good.”
— John Steinbeck

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@monicdzej
“And now that you don't have to be perfect, you can be good.”
— John Steinbeck

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White privilege laid bare.
“I dream of lost vocabularies that might express some of what we no longer can.”
— Jack Gilbert

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Luca Ponsato - Does Anyone See My Suffering
i love reading, i love thinking about what i am currently reading, i love thinking about what i am going to read next, i love being privileged enough to be able to read, read, read, and read so much that i never tire of it

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“The censor pretends he is protecting tender hearts, shielding children from sex and violence, keeping the righteous in the right path, guarding against temptation, preserving virtue. How? by burning books, tearing out tongues, stretching necks, stoning women; through torture and imprisonment; by threats of violence against the victim’s friends and family; by force-feeding his own people a philosophy not only false and wicked now but false and wicked the day it was first announced by some imaginary lord and used to purchase or preserve his privileges and hoodwink the world.”
— William H. Gass, Tests of Time
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
"i do not dream of labour" is one of the worst pseudo-marxist taglines that western leftists have co-opted because when you ask them what they do dream of, they say traveling, studying, and creating art. broski, who's flying the plane to take you to prague? who's the security at the library with the texts you're studying? who are the clerks in the museum showcasing your art? like bro, you do dream of labour. you just dream of someone else doing it so you don't have to! you merely want to outsource the labour and make it invisible.
The intimacy of reading someone's eyes

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Maria Skłodowska-Curie's notebooks are crazy once you think about it. They're so radioactive they have to be sealed in a lead box. Imagine a world where atomic theory is forgotten and a dude just goes "yea there's a book that details the secrets of the universe, the machinations of the creation of existence down to its barest essentials, but if you get close to it you fucking die. The more you read it the more your body slowly disassembles into mush." like wat excuse me
junji itō was so right when he said this
this too
junji ito was right about everything actually