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hurt/comfort you say?
I'm a sucker for party or parties unknown trying to (re)capture Dream or otherwise damage/control him and Hob going absolutely feral to protect him... but what if Hob gets badly wounded protecting Dream and Dream has to take care of him....
I know it's not a new idea but..... I love it...
omg yes i love it. a classic
--
Hob hadn't thought you could die in dreams.
Okay, you could die, but you didn't actually, well, die. You just woke up in a cold sweat feeling all discombobulated until it faded to a distant bad feeling and then nothing.
Figures he'd only learn otherwise now.
(Really should have paid more attention when Dream kept telling him dreams are real, Hob.)
Fucking figures.
He gasps awake in his bed with a whole sword still stuck through his chest, and then immediately checks back out again. Happens when you've got a sword through your aorta. When he comes back to life, Dream is standing above him, holding the bloody sword flat on his palms. The blade, the murderous expression on his face, the hallway light haloing his hair makes him look like a holy executioner.
Hob's heart is still pumping blood all over the bedsheets. "Dream, the fucking--" he starts trying to say, then just checks out again.
When he wakes again, Dream is gone, and Hob feels speared through the heart in another way entirely. Take a sword through the chest saving a bloke's eternal existence and he just dips out? But no, that's not like him, not anymore--
Then he's gone again, and when he wakes, this time--
--Dream catches him.
"Wha--? Dream?" Everything feels muzzy, and he shakes his head to try to clear it. This... isn't his bedroom. He's lying propped up against Dream's chest, Dream's arms wrapped around him, one hand pressed to the hole in his chest-- to where there was a hole in his chest, it doesn't seem to be bleeding anymore. "Where are we?"
"Don't pay attention to it," Dream says, voice close to Hob's ear. This of course makes Hob want to pay attention to it, but whatever's around him, the sort of nebulous impression of lack of place and vaguely unsettling haze, hurts to look at. Dream tuts in disapproval when he tries to turn. "This is an in-between space. Not for your mind to perceive."
"Great. In between where, exactly?" Hob tries to push himself up, but a bolt of pain to the chest has him collapsing back into Dream's arms.
"Between sleep and waking," says Dream. "Do not move."
Hob's not moving again. His breath wheezes. He feels like there should be a sword stuck through his chest, and there isn't, but he keeps trying to breathe around it. No, wait, Dream took the sword out. "Did I die or not? I thought I died."
Now there's a crease of pain in Dream's voice. "Temporarily."
A shiver of unease runs through Hob. "Dream, you're... not supposed to be able to die in dreams, right? For real?" He's not sure what it means. If his deal with Death extends to whatever kind of soul-death they might be talking about that could happen in the heart of the Dreaming.
"Not in a way that carries through to the waking, but you so love to defy precedent," Dream says, teeth gritted, and Hob feels him shudder, and his hand on Hob's chest grows warmer, like he's... channeling power? "Admittedly, the spell they used to ensnare me had unforeseen effects on the Dreaming."
"Okay." Fuck, he's tired. Too worn out for this questioning. He leans his head against Dream's shoulder. Nice to touch him like this, even considering the circumstances.
"I am unmaking the dream," Dream says, "hence, this liminal space. You have already brought it with you to the waking and so it can no longer be easily reabsorbed into the Dreaming."
"Yeah, I noticed all the blood." He shudders, eyes falling shut. Still as tired as if his body is expelling all its blood somewhere down... wherever. "I saved you though, right? I killed that guy before they could finish the spell?"
"Yes." Dream strokes a hand through Hob's hair, a gentle touch. His voice is softer when he speaks again. "You saved me."
"Good." That's all that matters, in the end. Hob'll live. Always does.
He's... slipping, again, he can still sense Dream's hands on him, but it's distant. "Will I remember it, if you unmake the dream?" he asks. He wants to remember it. Saving Dream, and Dream's hands on him so gently. Even if it means also remembering the slide of the sword between his ribs.
Dream hesitates. "I--"
Hob wakes up.
Again.
In his bedroom this time. He comes to wakefulness groggily, spreads his hands on the sheets. They're dry, no blood--
He shakes himself. What is he saying, blood? Why would there be blood? Fuck his head hurts. And God he had a strange dream--
There's a sword lying across the foot of his bed.
A proper longsword, the metal gleaming unnaturally bright. Hob reaches for it, mesmerized, and as his hand closes around the hilt, a voice comes from his side.
"I thought you might like it for yourself."
Dream. He's perched beside Hob on the bed, looking strained and tired. Reflexively, Hob rubs at his chest with his free hand. Nothing there.
But when he meets Dream's eyes, he catches a feeling in them. A fragile awe. A hunger. He catches it and while the exact details won't come back, he feels the moment, the killing blow, the one that he'd struck and the one that had struck him. And Dream, holding him close after, trying to make it right.
He lets go of the sword -- it doesn't turn back into sand, surprisingly -- and takes Dream's hand instead. Dream watches him, utterly still, then says, "You saved me."
"I know." He knows, even if he can't remember the exact detail of it. Dream did... something to make it sort of not have happened, except it did happen. Sort of. "Course I did." It happened because of course it happened.
"Of course," echoes Dream. And then a tiny smile blooms on his face.
And, of course, Hob chases that smile until they're kissing.
He's not quite managed the boldness to kiss Dream before now. But the echo of Dream's hands in his hair and his palm pressed firm over his heart gives him courage. And it feels so right it's like it's already happened, only he knows it hasn't, he would remember that.
Well, maybe it's happened in his dreams.
Now, he kisses Dream, leaning in, and Dream cradles the back of his head, fingers digging into his hair. He kisses Dream.
And this time he doesn't wake up.
Who is the hottest old movie woman? (round 5)
Natalie Wood
Katharine Hepburn
Propaganda
Natalie Wood (West Side Story, The Great Race)—She went through so much shit which I know can be said for all these women but Natalie really was a star and her death often overshadows her career and life. She could make you cry, but she also had the capacity to be incredibly funny which I think is lost on people.
Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.
This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Oh no, Natalie is losing. Almost feels futile to add extra propaganda now, but I held back on this in the last round so here it is anyway:
I have been such a fan of Natalie since I was about ten. Hoping she goes to the next round in this poll!

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Frontispiece from Picture Book by Edmund Dulac (1915)
Death and Dream—Mike Dringenberg
Take some writing encouragement
Your story matters. YOU matter.
The writing road is long but worth it. We're all rooting for you. Enjoy the trip
You cannot be replaced by a machine no matter how hard they try
Your story deserves to be told, and you are the best person to tell it
You are an artist no matter what you write, or if you share it
Your inner critic is lying. Your art is fine. Ignore it and keep going
It's okay to take a break. Remember to breathe, and refill your creative well
You stories, your art, have value no matter what it is.
Someone needs to read your story.
It's okay to be scared. Write your story anyway.
Everyone gets rusty when they don't write for a while. Don't let that stop you
It's okay to have fun with your art. You're supposed to! Art is awesome that way
Reblog so everyone can hear what they need.
'The Fairy Queen' - Comus, illustrated by Arthur Rackham, 1921
Crimson Stained Petals (Chapter 4)
Summary: Set in the 1880s, rumors and mysteries swirled around a quaint town, mostly about a lord tucked far into the woods. Arriving in town, you could not deny your curiosities, but you were not here to stay. Or so you thought. Low on funds, and a job for a live-in servant advertised in the paper, you now found yourself in the home of Lord Morpheus - the source of all rumors. Passions and tensions will grow. Questions will be answered, but may come at a hefty price. And a promise may be broken. But, is Lord Morpheus, and those few residents, truly as scary as they seem?
Words Count: ~3.4k
Reader: Fem
Warnings: minor angst (dealing with nightmares and depression), mostly fluff, pining, blood (reader gets minor cut)
Chapter 3 and more chapters to come!
Ahhhhhh another chapter I’ll read tonight!

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*touching his extremely defined six pack* who did this to you.....
*gently lifting a cup of water to his lips* it's going to be okay. *choking back tears* just a few more sips and then we'll get you a sandwich...
Reblog to give a glass of water to every dehydrated actor with shrink wrapped abs whose life was endangered for a shirtless scene
@ravenpuff-charlie
My cousin: "You should watch The Sandman if you're looking for a new show. It's really good!" Me: *googles main character, doesn't know of the actor at all* "Okay, sure, if I don't know the actor, it should be harder to hyper-fixate. Let's do this!" Netflix: "Oh really..." *proceeds to weaponize Tom Sturridge and his voice*
Also Netflix: "Oh, and here's Boyd Holbrook too, for funsies."
Me: "...why do I even try to pretend, anymore?"
I first heard of The Sandman on Twitter, through a guy who was totally obsessed with the show. I trusted him cause he had generally good tastes but had NO IDEA I'd be hooked the second I'd hear Tom Sturridge's incredible voice.
Next thing I knew, I watched the entire season in a week and bought the first issue of the comics the month that followed.
Dream throwing a baby tantrum over having to wear normal clothing will never not be funny to me.
Everyday I love you more and more Moulin Rouge! (2001) dir. Baz Luhrmann

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LUNAE MINX was a purple-skinned female Twi'lek, belonging to one of the rarest color variations of her people. She was the mysterious friend of the exotic dancer Ayy Vida. Lunae Minx is played by Katie Lucas, George Lucas' daughter. "I was purple in [Episode II] and it took about six hours to do! My call time was at 3 a.m., and my makeup took until 7 a.m., and we wouldn't start shooting until two hours after that. The makeup went all down my arm and they airbrushed spots down the tentacles. I was exhausted by the end of the day."
Hell yeah, I got some good ones!