A Star Is Born
1937 | 1954 | 1976 | 2018
Aaaaaa Aaaaaaaaaaaaa aaaaaa
styofa doing anything
Misplaced Lens Cap

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
NASA
Cosimo Galluzzi
noise dept.

if i look back, i am lost
Game of Thrones Daily
One Nice Bug Per Day
taylor price

★
AnasAbdin
wallacepolsom

祝日 / Permanent Vacation
art blog(derogatory)

shark vs the universe
Sade Olutola

seen from Japan
seen from United States

seen from United States
seen from Malaysia
seen from United States

seen from Malaysia

seen from United Kingdom
seen from United States
seen from Bulgaria
seen from Brazil
seen from China
seen from Libya

seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from Germany
seen from Bulgaria
seen from Türkiye

seen from Malaysia
@misterracoon
A Star Is Born
1937 | 1954 | 1976 | 2018
Aaaaaa Aaaaaaaaaaaaa aaaaaa

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“CREON. Listen to me. ANTIGONE. If I want to. I don’t have to listen to you if I don’t want to. There is nothing more you can tell me that I don’t know. Whereas there are a thousand things I can tell you that you don’t know. You stand there, drinking in my words. Why is it that you don’t call your guards? I’ll tell you why. You want to hear me out to the end; that’s why. CREON. You amuse me. ANTIGONE. Oh, no, I don’t. I frighten you. That is why you talk about saving me. Everything would be so much easier if you had a docile, tongue-tied little Antigone living in the palace. But you are going to have to put me to death today, and you know it. And that’s what frightens you. GOD! IS THERE ANYTHING UGLIER THAN A FRIGHTENED MAN!”
— Antigone, Jean Anouilh
me and my friends dancing to “mr. brightside”
I can’t get over how well this fits
As you wish.
— Louise Glück, from “Otis,” Meadowlands (1996)

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you: April Fool’s
me, an intellectual: APRIL is the cruellest month, breeding / lilacs out of the dead land, mixing / memory and desire, stirring / dull roots with spring rain.
people have so little appreciation for craftsmanship and it’s frustrating and sad. like i saw this video on facebook of a guy making a small throwing axe by hand, from start to finish, and half the comments were like “or just buy an axe for $15”
the dude didnt just want an axe! he wanted the experience of handwork, he wanted to engage in a tradition of craftsmanship, he wanted to practice skills. the process of making things is about so much more than the thing you make
if i knit a hat, the fact that i’ll have a hat at some point is tertiary to everything else i get out of the experience. it’s meditation, it’s how i interact with a community, it connects me to a history, it mediates my anxiety, it’s a sensory experience, it’s me engaging with my body in a way that is careful and thoughtful and elegant and beautiful
handwork is so devalued for a lot of reasons, and those reasons are almost always socially complex – there’s a lot to be said about how class and gender play out in different hobbies; how cost can become prohibitive in learning skills that were once vital to the poor, how certain kinds of labor have become a luxury, how histories of gendered labor cause that labor to become mocked. all of those things and so many more are difficult to grapple with
automation tends to lead us to believe that making is all about things, but when you practice handwork, you give the process its own kind of value and reap all its intangible rewards. if i could explain one simple thing to anyone who has ever asked me why i don’t just buy a hat, it’s that there’s a lot more involved in a process than just its product.
Tony Stark meeting Shuri for the first time goes a little like this in my mind??
Shuri not terrified, Shuri is brave and stubborn and knows she’s smarter than Tony. But she also knows that up until now Tony’s been under the impression that he’s the smartest and he’s the best. So she’s worried, not of him turning out to be smarter, but of him being insulted by her genius.
And they meet and Shuri show’s him her work and he stay’s ridiculously quiet through most of the ordeal, only asking questions here and there. Watching her work with the sand tables as she explains each item in her lab and Tony watches closely.
And then, she stops, cause she’s shown him everything and told him what everything is and she just looks at him and waits for the ‘this is child’s play’ comment and to have to defend herself against a man who doesn’t know shit.
And slowly Tony lifts up his sunglasses and his eyes are fucking shining and his grin is huge and he looks at her like she’s the best thing to touch planet earth and he just mutters, “I’ve never had to say this, but explain that again, and slower.”
Sadly, girls’ trauma is more likely to be missed than that of boys. In children younger than about 11, boys tend to act out and behave badly if they are unhappy - so their trauma is noticed and (hopefully) addressed.Girls tend to react by becoming “people pleasers”. It’s as if they see trauma as a punishment, and hope that they can avoid it by being “good”. They will talk less, work harder, always be springing up ready to help anyone with anything at the slightest indication they may want it. They watch the emotional states of adults like a hawk and soothe, placate and offer practical help at the slightest sign of anger or displeasure. As this is the kind of behavior encouraged in girls, no one takes any notice until it’s too late.
Tool of the Matriarchy (via sonnywortzik)
(x)

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Friendship goals
I think there’s a lot of mess in solidarity, because the point of solidarity is a concept—an emotion. You don’t have to like the people you have solidarity with; you just get to be on the same team, and have the project of making the world better. But one of the things that we debate when we’re trying to do that is: Do we want the same world? We agree that we don’t want the world that exists, but do we want the same world? And a lot of politics, a lot of the humorlessness of the political, comes when you realize that the people who share your critique don’t share your desire.
Lauren Berlant in conversation with Bea Malsky, “Pleasure Won: A Conversation with Lauren Berlant,” The Point Magazine (x)
Kedi. Dir. Ceyda Torun. 2016.

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Ann Peebles performing “I Can’t Stand The Rain” live in 1974
What a voiceeeeee
Oooooooo wow
don’t be realistic on what you want. be realistic on how you’re going to get it.