it is not what it is

So that’s comforting, but here’s the kicker: It was invented in 1983 by a man named Randall Rogers. The wikipedia article for the aerial saw mentions that following his death, the patent was sold to another company who holds it today. It does NOT mention how he died, but thankfully the Chicago Tribune has an archived article with this little nugget:

found an ominous sign

If you see a fawn laying down on the ground all alone, leave it alone. It is not lost, it does not need your help, do not pick it up, do not move it.

This behavior evolved to keep deer young safe. The baby is very small, very quiet, and hard for most predators to see. A young fawn cannot keep up with a fleeing mother deer, which is their primary problem-solving strategy. So while the mother goes elsewhere to graze, the fawn stays safe and hidden. The mom will be back.

I say this as someone who sells pottery, and many people who see my art assume I am using art as an outlet to “express myself.”

I am not.

I use art to challenge myself. A lot of what I do is the equivalent of doing a hard sudoko or a half marathon, answering the question of “can I do this?”

I use art to question things and explore ideas. Finding physical synthesis between concepts and working out a design to its end state.

I use art to make money. I make some things just because I suspect they’ll sell well, and I keep making them when they do.

This idea that an artist is “putting themselves out there” every time they create is not only stupid, but harmful, and it kills critique and analysis.

Yes every creative work is influenced by its creator, but the most preliminary step of analysis is to define the purpose of a work of art (functional, narrative, entertainment, persuasive, decorative, ceremonial, etc.) and a vanishingly small percentage of that is self-expression. Even then, it’s generally tied to the self’s relationship with something else—perception, society, etc.

It’s very tiresome to have people assume they know you because they like (or dislike) your art, to make assumptions about who you are and how you approach the world. It’s nothing new— people called the Impressionists insane and the Fauvists degenerate. And now people are expected to hand out their identities and traumas to prove they have the right to explore certain subjects.