A scripted fiction podcast by Ella Watts from Tin Can Audio, coming 2024. A queer, post-apocalyptic drama inspired by folklore and Arthurian legends. Follow Dai, Morgan and Peredur as they try to understand what happened to the world.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Exciting news, detectives! A generous benefactor has offered to match all pledges to our Kickstarter campaign dollar-for-dollar through Sunday, 7/5, up to $500! If you've been waiting for the opportune moment to contribute, this is a great chance to maximize the impact of your pledge!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I have made a little disability pride flag calendar out of audio fiction to celebrate. This is the first of three. Yep yep yep, with some help I've found enough pods to release three of these through July, isn't that exciting? Plus templates if you want to build your own or play BINGO
Information (= sometimes spoilers) below
1. SINKHOLE - MC has a physical condition; societal ableism and institutional barriers are central to the narrative.
2. Eeler’s Choice - Merry, Nama and Prin are all disabled (vision impaired, amputee, and neurodivergent respectively); canes as mobility aids
3. Station Blue - Panic attack, bipolar disorder, psychosis. Central to the narrative.
4. Dustwalker - Arius is autistic and uses a cane for his chronic pain. Mental disorders unrevealed as of July 2026.
5. Seen and not Heard - Bet is HoH and has OCD. Central to the narrative.
6. Hello from the Hallowoods - Danielle uses a wheelchair and other means to help her stand and walk. There are characters with dementia and brain fog. Various supernatural disabilities.
7. Hellside - Jeremiah has schizotypal personality disorder and schizophrenia. Another character in S1 has schizoaffective disorder (confirmed by creator but not yet revealed in work as of July 2026)
8. Small Victories - Addiction is central to the narrative. Bipolar Disorder, Psychosis
9. Ghost Wax - Charlotte has ADHD and Pip gets permanently blinded
10. The Kingmaker Histories - Colette is autistic and suffers from migraines. Eisen Iyer uses a brace after a leg injury.
11. Where The Stars Fell - Dyslexia and ADHD. One episode is entirely in sign language
12. Valence - Liam Alden has depression and PTSD.
13. Mayfair Watchers Society - Morgan in Water Damage is physically disabled and uses crutches as mobility aids. Wren in Lost Media has severe memory issues.
14. Inn Between - Protagonists with anxiety, autism, adhd, narcissism. Phoebe has a physical disability and uses crutches as mobility aids
15. Killjam X X X - Faustina Fetamine is autistic, has narcissistic personality disorder, and PTSD. Bellamy Pink has ASPD and a prosthetic arm. Various other characters use prosthetics and mobility aids.
16. Our Wars Have Ended - A few characters with physical disabilities.
17. Camlann - Dai Thomas has Bipolar Disorder
18. Knightfall - Ben is an ambulatory wheelchair/crutch user with chronic pain. Juno has anxiety
20. Afflicted: A Horror Thriller Audio Drama - Wheelchair user. Kelly has auditory hallucinations (some of which are supernatural in origin)
21. Mystic Prairie - The main characters have disabilities caused by a supernatural event, which roughly map to anemia and chronic fatigue, tinnitus and HoH, a sensory disability affecting taste/causing ARFID. Living with disabilities long term is central to the narrative.
22. Wallpaper - Felicity has rapid cycling bipolar 2 with psychotic features, autism, and hypermobility. John has ADHD. Living with disability is central to the narrative.
23. Monsters of Bureaucracy - MC has chronic pain. Living with disability, institutional barriers, and ableism are central to the narrative.
24. Red Valley - Warren and Gordon both have PTSD. Bryony is missing an arm. Clive Schill has damaged kneecaps and walks with a cane
25. SPACE SPECKS - Nora is an amputee with a cane as a mobility aid
26. WOE.BEGONE - Mike Walters has face blindness, misophonia. Various injuries and trauma end up giving him chronic pain, physical disabilities, and night terrors/insomnia. Some characters lose one of their legs and use prosthetics. Alcoholism and substance abuse are recurring elements in the show, as are depersonalization, self harm, and (passive) suicidality.
27. Your Bloodline Dies Here - Harvey Neroson is autistic and uses stim toys. Willow communicates with sign language (BSL), Harvey and Lo both know BSL.
28. The Godshead Incidental - Tervis has anxiety/agoraphobia
29. The Heresies of Radulf Burntwine - Several characters with chronic illnesses and genetic disorders. Illnesses and disabilities are central to the narrative.
30. Power Trip - MC is chronically ill, and a transplant patient; she uses a cane as a mobility aid. Cluster B. Central to the narrative. CW vomiting, diet culture (pushed on a child), alcohol abuse
31. The Far Meridian - Agoraphobia, central to the narrative.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
just a reminder of my casting call for The Weavers. open till july 19th. you can audition via the google docs form: https://docs.google.com/document/d/1EE0JK2sbPPGSIGafzus2Tq9QJpI6CdxhD4765dBm62U/edit?usp=sharing
or via castingcallclub: https://www.castingcall.club/projects/the-weavers-audio-drama
Valdivian’s [REDACTED] is a science-fiction scripted anthology fiction podcast set in The Afforest, a diverse galaxy from a distant future infested by the techno-feudalist entity known as Valdivian. Each episode subscribes to a different sub-genre and tackles a range of thought-provoking topics. While some episodes are humorous, there is a consistent theme of darkness and dystopia reflecting modern problems through the lens of speculative fiction.
We are currently casting for the episode "Overtime" which follows Regi and Ronnie who quite literally work while they sleep, paying off debts via renting out their subconscious.
Please see the linked Google doc below for more information.
[OVERTIME] Valdivian’s [REDACTED] is a science-fiction scripted anthology fiction podcast set in The Afforest, a diverse galaxy from a dist
Hi Tumblr! My name's Roshan -- I'm an audio drama creator with the Singapore-based studio Andas Productions. We're all about shows with a sense of wonder, scale and heart. We especially love adapting stories! (See: DC High Volume: Batman, Temujin, catskull, and Sayang.)
I love everything you're about, Tumblr, though I must confess I'm just a little bit terrified of the many buttons and columns and sub-tabs you possess. Though many of my friends think you're the coolest and I've only heard nice things, so I hope we can get along.
I especially love over-thought, over-written posts. Is that acceptable here? The internet hasn't been friendly to big text dumps elsewhere for a while and I'm hoping maybe that's cool here. That'd be nice.
(Tagging @thelaurenshippen who has been so effusively supportive of me hopping on here -- am I doing this right?)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Today's theme is, "Developer Blindness in Audio Drama"!
When I'm making something, I am deeply invested in the person on the other end -- the listener, the player. In terms of target audience, I'm usually picturing someone in the middle of a real slog of a workday -- or coming off of one, putting something on to unwind.
It's what drives my intense focus on wonder, awe and spectacle. More than just an 'escape', I love the idea that our art can be something that re-enchants the world for somebody who's had that part of their spirit challenged. Nothing is better than that feeling of softly putting your earphones down, and going "wow", when you've hit the end.
That said -- it can be hard to hold all that in your head when you're Making The Thing. And the more ambitious stuff we're packing in there -- to us, it's super exciting seeing this thing grow in complexity. But that added density of Cool Stuff can sometimes be taxing on the bandwidth.
The game developer part of my brain is usually very aware of something called dev blindness. When you're making a game, most developers are keenly aware that the act of making it has trained you to be -- literally -- the best person in the world at it.
Holding that awareness in your head -- even when making audio drama! -- is EXTREMELY useful. Because parsing sonic information is a skill, and it is something that our listeners are exercising their imaginative muscles to do to follow along. What can, to us, feel like further richness over a foundation we're extremely familiar with, can to a listener feel like one step too far into 'brain hurty' hours to figure out this brand new thing you're exposing them to.
What's really helped me combat this -- without just swinging way over into extreme minimalism -- is being very purposeful about breathing room.
My number one note after any finished mix is usually, "how can we make this about 80% slower across the board"? Especially at the start of a new show, when we're still learning how all the elements fit together -- and even if it initially sounds okay to me. Because it's not about me, it's about the person we're trying to coax into this world.
Audio is one of the few mediums where we get to take our time. TV networks tend to push for constand dialogue/action, and acting in so many mediums means pushing for realism that drives towards "fast and thrown away". I love that audio gets to be, uniquely, a "take your time" type of medium. Injecting time between transitions, or spacing out your dialogue and in-scene action a little more, doesn't detract from all the ambitious things you may otherwise be doing with your sound.
So that's the thought of the day, in what I hope I can keep up as a daily series. I'm so grateful that so many of you have followed me so soon, before I've had the chance to really say or do anything of interest here, and I feel compelled to try to earn the kindness you've already shown!
If there are any questions or themes you'd like to throw my way, I'd really love that. I get to spend most of my days actively working on audio drama for most of them, and I'd love to share the many wonderful things I get to learn from the extremely talented rooms I get to be in.
baratheonpilled
prguitarman
blakekathryn
kaledo-art
