Camlann

the new season has been out since mid-April and we are already halfway through it. i know the WTNV team has been posting about it on their social channels for months leading up to it. i dont think we are doing anything differently, promotion-wise, than we did with the first three seasons which seemed to find their audience much more quickly.

personally i find it rather frustating given the amount of work we put into this show, but im not really sure what to do about it. i know part of it is down to the fact that audiofiction is a far more competitive field than it used to be, and there's also so much noise and chaos in the world these days that its hard to find anything, and so many terrible problems that fiction feels less important.

1.) a mild oversaturation problem in the audio drama space. back in the day, and by that i mean the early 2010's, night vale/night vale presents projects were a dime a dozen and made people aware that podcasts could even be used as vehicles for storytelling. nowadays, there's SO MUCH stuff coming out on a monthly, and, dare i say, weekly basis at this point that getting lost in the shuffle of new content is inevitable

2.) alice isn't dead came out about a decade ago, around the same time as night vale's peak in popularity, so people losing track of a sequel being in production is mildly understandable

3.) a harsh truth is that the general fascination of the audio drama space has almost always been about white men with either heavily implied or canon homoerotic relationships with other white men. wlw, especially if they're woc, are treated as a divisive niche in the long run and just don't attract the tumblr hordes always looking for their new white boy of the week

4.) social media has changed. a lot. i blame all of this on the twitter takeover that used to be one of the best places to advertise audio drama back in the day (i would know, i was there) but ever since the change in ownership, people had to gravitate more to different platforms and rebuild their following from scratch on websites that aren't quite suited for promoting shows (that's not to say you can't build a substantial following, of course. it's always possible.)

the new season has been out since mid-April and we are already halfway through it. i know the WTNV team has been posting about it on their social channels for months leading up to it. i dont think we are doing anything differently, promotion-wise, than we did with the first three seasons which seemed to find their audience much more quickly.

personally i find it rather frustating given the amount of work we put into this show, but im not really sure what to do about it. i know part of it is down to the fact that audiofiction is a far more competitive field than it used to be, and there's also so much noise and chaos in the world these days that its hard to find anything, and so many terrible problems that fiction feels less important.

The death of all "social" media didn't help either. Whenever I people watch now (and I do it myself) it's just doom scrolling to death, with the algorithm feeding me, not getting what I actually want to follow. (Bluesky and Tumblr behave better, but they have nothing like the numbers twitter did.)

This has been a long time coming, we're beyond excited to finally have reached the point where we can say:

Please join us on Kickstarter to help make Beck's End, our atmospheric folk horror audio drama, a reality!

We're working with some fantastic people to make this happen, and we are absolutely certain you'll love what we're making. Once the show is made it will be released for free, in full, for everyone (the Shadows at the Door guarantee!) but in order for that to happen, we need some help in the coming month. Please support our campaign if you can, any amount you can spare will help, and if you cannot – trust us, we know what the times are like – a reblog, or a share, or a "hey look at this thing I found on tumblr" to a friend or a discord server will all be massively appreciated too. The AD community on here is one of the best corners of the internet, and we can't wait to bring you a brand new show to love!

The pilot episode of Everyone Leaves Alive is now available for your listening enjoyment!

Everyone Leaves Alive is a musical audio drama about a struggling indie rock band that secretly solves paranormal problems. Life on the road isn’t easy when you’ve gotta worry about counteracting the more traditional “kill the beast”-style monster hunters and negotiating a fair contract for performing a gig for the Fae King. But with friendship, humor, a dash of queer romance, and the occasional sing-along, our plucky rock band just might prevail—and even get their shit together enough to finish recording their single.

You can listen here on Apple Podcasts, here on Spotify, and it should be filtering down to the rest of the podcatchers soon. If there’s a particular listening platform you’d like to hear it on, reach out and I’ll see about getting it added there. You can also check out our website for more info, including an episode transcript.

roughly in order of duration:

Paddleboat - existential experimental microfiction (12 episodes, ~25 mins)

Generation Crossing - scifi album that made me sob uncontrollably 😁 (~1h 40mins)

The Goblet Wire - extremely cool surreal microfiction (~2h)

Land's End: A Shepherd's Tale - vv cool short folk horror with scary sheep and gay people (5 episodes, ~2h)

The Tower - reflective & gorgeous & strange, 3 short seasons all of extremely manageable length & then a 2-part finale that ripped me apart <3 (~4 and a half hours altogether but you dont need to listen all at once)

Camlann - i actually feel like you might have heard this one before? if not i think it's up your alley. really cool mythological post-apocalypse fantasy w really gorgeously real-feeling characters (~4h 20mins)

SINKHOLE - cool weird fiction w/ unique framing device & world (2 seasons, ~5h altogether)

Conversations With Ghosts - pretty much what it sounds like lol. it's about 6 and a half hours altogether but the episodes are a v digestible length & i think knowing you like Remnants this might be a good pick for you thematically :)

for individual episodes i will also put forth The Cryptonaturalist, which in the past has been one of my go-to shows when i've been in a listening slump. episodes are about 20 mins and don't require you to follow an overarching plot it has a lovely overall feeling of wonder and weirdness and nature :) and also features a poetry interlude each episode. helps me get back in a podcast-friendly frame of mind

+ here they are in podcard form - not all the cards r fully complete atp but hopefully still useful to have a bit more of a visual format & trailers all on one page :D

As we continue working towards Season Two, and on the anniversary of Season One, please enjoy our second minisode! Titled "1985"

Find it at the link below, or wherever you get your podcasts.

Content Warning: Static, themes of captivity and surveillance, and implied torture. Listener discretion is advised.

The Holmwood Foundation is a Found Footage Horror-Fiction Podcast, a modern-day sequel to the gothic novel Dracula.

We follow Maddie Townsend (Rebecca Root) and Jeremy Larkin (Seán Carlsen), two co-workers at the Holmwood Foundation: a secret organisation that has been maintaining and studying the remains of Count Dracula for the last 130 years, as they are possessed by the ghosts of Jonathan and Mina Harker, and embark on a nightmare road trip, carrying Dracula's severed head across the UK, in an effort to stop him once and for all.

EPISODE CAST AND CREW: Asset #6/Elena - Jackie Calistahhh Young Jonathan Harker 3rd - Jonathon Carley Scientist - Anusia Battersby The episode was produced and written by Georgia Cook and Fio Trethewey. Directing by Samuel Clemens. Script Editing by Katharine Armitage. Sound Design and Engineering by Benji Clifford The Theme music was composed and produced by Duncan Muggleton, and the episode art was produced by Georgia Cook

For more information, as well as transcripts and further Cast and Crew details, please visit our official website:

www.theholmwoodfoundation.com

Happy Pride! Queer people have been around for a very long time - here's some medieval examples.

Currently In My Listen Roster (They might be on hiatus or finished as a series, but I'm not caught up yet.)

Hi Nay: It'll give you one piece of information and then later another piece of information, and then you'll have a moment where you make a connection and realize that such and such character is the character you heard about in the other episode.

World Gone Wrong: Captures the experience of going through a crisis and still having to worry about the mundane aspects of life.

Under the Electric Stars: Quality cyberpunk.

Heinous Investigations: Quality hijinks.

Witchpunk: Also quality cyberpunk.

Mabel: Very avant-garde.

Hymns for the Road: The supernatural threats aren't scary because they're supernatural; they're scary because they're abusive shitheads.

Wolf 359: Season Two has been mining the Season One finale for every bit of Consequences, and I love it.

Hannahpocalypse: It's doing it's own thing, and I will always respect that in a piece of art.

InCo: Come, micro-dose on a haughty prince getting bullied each episode by someone he thinks himself better than.

Red Valley: Every episode has me wanting to immediately listen to the next one to find out what's going on!

The Harbingers: The intrigue! The mystery! The unreliable narrators! This one deserves a massive fan base, and everyone should go listen to it right now.

Eeler's Choice: It has giant eels and B. Narr.

The Kingmaker Histories: Excellent shenanigans. Just loads of fun.

Back Again, Back Again: It's a deconstruction of Magical Teenager Chosen One fantasy.

Tales From the Singing Porch: A nice little unsettling tale each episode.

Project Gnosis: It's like an anime you can solely listen to!

Old Gods of Appalachia: It's an exploration of the awful underbelly of U.S. history.

The Strange Case of Starship Iris: The crew is being covertly recorded, and upon learning this, they began to act differently and say different things.

Two Thousand and Late: Very snappy back and forth dialogue.

Where the Stars Fell: I love the dynamic between the two leads.

Malevolent: Threshold: This is a great follow up to a great series.

Welcome to Night Vale: There are not many shows that can run for as many seasons as WtNV and still get a laugh out of the audience.

The Black Chest: The episodic stories are engaging.

Station 404: Great humor. Bingeing this one cheered me up on a day when I was feeling absolutely awful.

Star Files: This one just started, but I think it's neat.

Welcome to Isaiah: This one just started, but I like that it was inspired by AI psychosis.

Dominus: This one just started, but I'm here for the priest yaoi.

The Lion and the Adder: This one just started, but the lead is delightful.

The Mechadova Engine: This one just started, but the lead's enthusiasm is infectious.

The Disappearances of Lydia Fountayne: This one just started, but the reveal at the end of the pilot has me hooked.

Dustwalker: The characters are conspiring to overthrow the shitty government without the story bending over backwards to try to convince me that they're paragons of saintliness.

Twigs and Hearts: The Fey through the lens of 1950s sitcoms.

On Hiatus/Between Seasons

The Magnus Protocol: A really great follow up to one of the greatest audio dramas out there.

The Gospel of Haven: Gorgeous opening music, a solid story, and fascinating worldbuilding.

Camp Here and There: Toxic yaoi in Ohio!

Killjam XXX: Brilliant satire and action.

Camlann: Really interesting worldbuilding.

Project: Daydream: What if, instead of a character who was a trans woman dying, she was revealed to have superpowers instead?

Ones I Finished That Shouldn't Be Forgotten

The Pasithea Powder: Please listen to this one. It's amazing. Just wonderful intrigue and plot arcs.

The Magnus Archives: If you're somehow reading a post about audio dramas and are unfamiliar with The Magnus Archives, yeah, this is another one of the greats. Please go listen to all 200 episodes. Highlight is the worldbuilding.

Unwell: Just absolutely wonderful. This is another standout audio drama. The character work is the highlight.

Mirrors: It does both it's horror and scifi aspects really well.

The Silt Verses: Wonderfully done satire. Absolutely heartbreaking. This is another one of the greats.

Sheeple Chase: A delightful addition to the Magnus storyverse.

Drawtober Chapter IV - Spellbound Princess

the new season has been out since mid-April and we are already halfway through it. i know the WTNV team has been posting about it on their social channels for months leading up to it. i dont think we are doing anything differently, promotion-wise, than we did with the first three seasons which seemed to find their audience much more quickly.

personally i find it rather frustating given the amount of work we put into this show, but im not really sure what to do about it. i know part of it is down to the fact that audiofiction is a far more competitive field than it used to be, and there's also so much noise and chaos in the world these days that its hard to find anything, and so many terrible problems that fiction feels less important.