BTW I made a sideblog for purely ISAT stuff. Mostly reblogs but also my own thoughts/headcanons/maybe art
Check it out over at timeloopedmirphelia

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seen from Canada
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@mirphelia
BTW I made a sideblog for purely ISAT stuff. Mostly reblogs but also my own thoughts/headcanons/maybe art
Check it out over at timeloopedmirphelia

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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being vulnerable rn but i play a lot of horrible ipad baby slop games one of them being monopoly go which is partially a sticker collecting game and there's another app where u can trade the stickers and it just got hacked and now the app is sending hourly notifications with various messages begging people to not uninstall it
my yearly struggle
is anyone else annoyed that "ai" encompasses both chatgpt and tools we train to do repetitive tedious work for us. and by the ripple effect of articles like "scientists develop ai to detect cancer early" that make people argue for the merit of chatgpt or become anti-medicine. and by the general state of the world and society
The adventures of Inquisitor Maddox : Part 105
<<First | <Previous | Masterpost | AO3 vers | Tapas | Next(31/08/2026)>
it took me 105 chapters to reach this..... the whole reason this comic exists.....
also (points and laughs) the seekers are doing the thing they hate the avvar doing

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This entry in my P.I./client commission series is by the wonderful @clairescottart
This time the P.I. is a Victorian Paranormal Investigator... and her client is a vampire.
Our P.I. is a young woman, still inexperienced because her mentor has mysteriously disappeared before she was fully trained. But somebody's got to do the job, so she stepped up and here she is, trying to project more confidence than she actually feels.
Because her client, a young woman about her age, has just been turned into a vampire and is seeking her help. And the only thing the P.I. knows to do with vampires is how to kill them, but she can't imagine doing that to that woman. Still, she's discreetly holding that stake, just in case...
Claire did a masterful job staging this scene, and was graceful enough to deliver both a grayscale and a color version. I love them both, for different reasons: I feel the grayscale version evokes a vintage illustration and gives the occult paraphernalia of the detective's office as much of a presence as the two characters, while the color version really highlights the drama of the scene.
before delis existed if you wanted a panini you had to go to the village blacksmith, the only tradesman with the tools needed to heat up and crush flat your sandwich
Wawa so devastated form lack of attention he succumb to spellcasting and siren calls
IT SHOULD HAVE BEEN
My one boring tip to anyone in their 20s is to resist the temptation to rot in your room every time you get a free moment. Dismiss any neuroses you have about going outside and "being perceived". Be a dictator about it, plan your hangouts like they are binding commitments. No excuses! Go to the bar with your friends. Be kinda hungover at work. Socializing is like exercise; even if you don't feel like you want to, you should still do it because it's good for you.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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somnophillia is super funny like im honk shoo honk shoo having a good nights sleep and now you must pass the ultimate test of fucking me without waking me by knocking something over or stepping on a crisp packet i've left on my floor. can you finish your mission while my pet geckos judge you from their tanks? because they're not leaving the room okay the geckos stay in here. also the markiplier fnaf playlist stays on. i sleep better when he's screaming.
all kink stuff is playing pretend but with somno you're not playing pretend you're locked in you're comfy cozy you're snug as a bug in a rug and your partner is playing pretend instead
and like. if you're the one awake you're playing pretend so hard right now like ouuuuhhh look at me i'm a scary evil intruder or a demon or vampire or whatever we're doing tonight and now i just have to uhhhh okay shimmy the duvet off and shhh dontfucking breathe so loud and okayyyyy alright now. ah shit they're sleeping in the family guy death pose how the fuck do i get in there how. how do i. help. why are these geckos looking at me.
plus you have to not get too scared when freddy fazbear jumpscares you or else you're waking them up with your screams
oh great and this guy's here in the cuck box wondering if the screaming is me waking up or markiplier dying or toy bonnie throwing a tantrum
✨🫧
fuck they’re so cute my heart can’t take it
"Dolly's dead let's all kill ourselves" NO! Dolly is gone, let's all find out who we are and do it on purpose! Let's live authentically and with love for yourself and your community!
hooray :>

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
“the best revenge is living well” no. old man disguise and attack with blade hidden in cane