I MADE MY BED

But what if Ke$ha were to leave the party for some period of time only to then walk in again? This paradoxical scenario in which a party must simultaneously already exist and not exist yet is known as Ke$ha’s Quantum Party and has stumped theoretical physicists for decades.

Here’s your morbid literary fact of the day.

NO ONE will ever be as goth.

In 1827, Mary Shelley was party to a scheme that enabled her friend Isabel Robinson and Isabel’s lover, Mary Diana Dods, who wrote under the name David Lyndsay, to embark on a life together in France as man and wife.[126][note 13] With the help of  [American actor John Howard] Payne, whom she kept in the dark about the details, Mary Shelley obtained false passports for the couple.[127]

I T   I S   T I M E

This person is what I want to be as a parent.

yeah, pretty much

Mirror calligraphy.

archive aesthetic from @tidychaos (5)

Flirting is hard.

s/o to all the lactose intolerant people out there

1. Beethoven: Piano Trio in D major, op. 70 no. 1, “Ghost” - 2nd movement. Rattling of chains, shrieking of spirits; the nickname of this trio fits it well. The first and third movements are good as well, but only the second movement is really spooky. 2. Schubert: Der Leiermann (from Winterreise). A heartbroken young man sings about the hurdy-gurdy, an outcast who sits just outside the village and plays his instrument while dogs snarl at him and people ignore him. Particularly chilling is that this is the last song of an hour-long cycle, and it drones on without clear resolution, ending with the line: “Strange old man, should I go with you? Will you accompany my songs on your hurdy-gurdy?”  3. Mussorgsky: Night On Bald Mountain. You may know this one from Disney’s Fantasia, which is featured during the Witches’ Sabbath sequence. 4. Schubert: Der Erlkönig. Based on a poem by Goethe, this song tells the chilling story of a father and his ailing child riding through the woods on horseback, while a malicious spirit tries to lure the boy away, unseen and unheard by the father. 5. Saint-Saens: Danse Macabre. Death plays his fiddle in the cemetery, rousing all the skeletons from their graves and dancing with them until they have to slink back at the first light of dawn. 6. Brahms: Ballade in D minor, op. 10 no. 1, “Edward.” Based on a Scottish ballade, the story is of a mother who knows that her son has murdered his father - she just wants to hear him say it himself. 7. Shostakovich: Viola Sonata. Shostakovich composed during the height of Soviet censorship, and his music almost always has a hunted, almost panicked feel to it. He composed this viola sonata just a month before his death. 8. Shostakovich: String Quartet no. 8 in C minor, op. 110. Between the frenzy of the second movement and the insistent “knocking on the door” of the fourth, this quartet can really put you on edge. What makes this music even freakier is Shostakovich’s musical signature (D E-flat C B) throughout the work. 9. Mussorgsky: The Hut of Baba Yaga the Witch (from Pictures at an Exhibition). This one always sounds like Baba Yaga’s “Hut On Chicken’s Legs” is chasing me through the woods, but that might just be my wild imagination. 10. Scriabin: Piano Sonata no. 9, “Black Mass.” Some of the directions that Scriabin writes in the score are “mysteriously murmuring”, and “with a sweetness that becomes increasingly poisonous,” which is a pretty apt description for much of this work. It begins mysteriously, then builds in tension until it all explodes in some kind of orgiastic climax. It ends just as enigmatically as it begins.