i miss the old internet

Back then, we began building Ellipsus out of a simple belief: writers deserve a place to create, collaborate, and share their work without handing over their words, their data, or their creative process to bad actors and Big Tech—a promise that matters now, more than ever.

Nearly 600k writers and counting are writing on Ellipsus because of this promise. We see everyday how writers are rejecting Big Tech's data mining model in favor of tools that respect user privacy and reflect our values.

We’re a small full-time team building, maintaining, supporting, and improving the tool every day. And to keep doing that sustainably—without compromising the promises that brought people here—we’re introducing Ellipsus Plus.

Plus is a set of optional features on top of free Ellipsus, designed to help fund the continued development of Ellipsus for everyone, free and paid; while helping us stay independent, ad-free, and working to improve the tool well into the future.

That means the Ellipsus you know is staying free: you can keep writing with unlimited documents, drafts, collaborators, and core features. Free Ellipsus will continue to receive updates, improvements, and new features too, including major work already planned (like offline syncing and native apps).

Plus features have been designed alongside community feedback, our pricing shaped by our users around what felt fair and sustainable.

Every Plus subscription leads to ultimate ownership of the tool. Not metaphorical ownership, but real ownership, including all future updates to the Plus plan. No endless subscriptions. Once you’ve paid, it’s yours. Really.

Our introductory Plus features are designed to be fun, creative, practical, and help you get the most out of the tool! We really hope you enjoy them. Here’s a quick overview:

Custom themes

Make your writing space feel like home with custom themes! Use any colors, gradients, images, or .gifs you love. Share with friends and readers. The choices are infinite.

Writing Insights

See insights into your writing process and spot patterns faster across ten AI-free metrics—like vocabulary diversity, sentence length, sentence rhythm, word frequency, and more. Writing insights are opt-in only, and run on local data, so your text never leaves the editor. 

Customizable Snippets

We all love snippets! Now you can give your words an extra personal touch. Customize your snippets with media backgrounds (GIFs, images), fonts, text colors, and custom themes—you can even add byline credits for authors and characters!

Emboss

Emboss is our AI-free proof-of-work layer for human writing. Show your readers the time, labor, and love that went into your work. Instead of relying on unreliable “AI-powered” “verifiers” that judge a piece after the fact, share your writing journey, with authorship metrics that help inspire trust. You can also show how your work evolved with snapshots of your version history. Emboss is fully opt-in.

We hope you’re as excited about Plus as we are! Try Plus free for 7 days, no payment required. You can read more (and sign up!) on our Plus page.

Again, there’s tons more to come, and we can’t wait to build it for you. Free or paid, Ellipsus is going to keep getting better. Thank you for your support.

Have questions about Plus? We’re hosting an “Ask the Team” doc where we’ll be answering your burning questions. Please make comments there! Now please, go forth and explore!

arsehole

And some years before that, King had gone to school with a couple of girls he pseudonymously calls Tina and Sandra, who were bullied and shunned by the other kids—Tina for wearing the same clothes every day, Sandra for her epilepsy and extremely religious mother, but both really for having some undefinable Other quality that kids pick up on like blood in the water. Both of them were dead by the time King began writing Carrie: Tina by suicide, Sandra from her epilepsy.

Carrie was what King imagined might have happened if that explanation of poltergeist activity were correct, and if Tina and Sandra had been able to tap into such an energy. He started writing the story a few years after getting married (his wife Tabitha is also a writer), but abandoned the idea a few pages in; the raw, merciless adolescent cruelty the story called for was too much to deal with, and what did he know about teenage girls, anyway? But Tabitha dug the pages out of the trash and read them, and convinced him it was a story that needed telling.

Carrie is a story which, perhaps like poltergeist activity, could only happen to a girl on the brink of womanhood, when every emotion and sensation is excruciatingly vivid and nothing makes sense anymore and every single occurrence in your life is the most important thing that will ever happen to you. It's about being horribly powerful and vulnerable at the same time, and alienated from your own body. It's about the visceral, starved animal fear and rage of being a teenage girl, and it goes to show what an arcane and powerful craft creative writing is that a man could manage to capture that without having experienced it firsthand.