do yall ever wonder what you’re best known for in the fandom ?
wallacepolsom
PUT YOUR BEARD IN MY MOUTH

⁂
Xuebing Du
YOU ARE THE REASON
trying on a metaphor

roma★
🪼
Sade Olutola

祝日 / Permanent Vacation
$LAYYYTER
Cosimo Galluzzi

Janaina Medeiros
occasionally subtle

@theartofmadeline
NASA

#extradirty

shark vs the universe

pixel skylines

oozey mess

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@frittteclerk
do yall ever wonder what you’re best known for in the fandom ?

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reblog to give writers the power to write 10k words of porn without plot
SHOCKING NEWS: Fear instinct is taking a very cozy nap (previously thought imposible)
tbh i love hear me outs but i also love the opposite of hear me outs where it’s like nearly everyone thinks they’re fuckable except you
kim getting suuuper burnt out at the 41st bc. you know. everything. and just about surviving at work but having no energy really for anything else. harry's like, why does he not want to hang out :( but it is JUST bc everything is so overstimulating and he's exhausted and it never occurs to him to have people over. anyway eventually harry goes round for whatever reason and they just sit in silence with the radio on until one of them falls asleep on the other (probably harry). send post

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"Doomed yaoi" this "doomed yuri" that what about doomed found family. What about finding comfort in these new people after going through so much on your own—a community, a solace, a home to come back to. Caring for them with all you've got, only to realize that it wasn't going to work, ever, no matter what you tried. Only to have it ripped apart, no matter how much you tried to hold them close. Found family that becomes lost family. Found family that takes your heart with it when they go.
I cannot imagine a future where kim and harry are in each others lives post martinaise and NEVER cuddle non-platonically or not.. No stakeout ever got a little long and NOBODYS shoulder starts looking a little comfortable… yeah sure buddy
KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
Messing up my customer service hotline job and playing a gunshot sound effect over the phone then coming back with a slightly different accent

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The morning calm before the readers arrive. 📚
Bodleian Libraries, Duke Humfrey's Library, 8.30 am
im sleepy can one of you come over and get me some water pls. i dont wanna move
tumblr’s for you page
i’ve never used it
i’ve used it a few times
i use it when i’m reeeally bored
i use it fairly frequently, but i use my following dash more
i use the fyp and following tabs equally
i mostly use the fyp, but i also use my following dash
i mostly use my fyp and use the following dash for smth specific
i only use the fyp
Disco Painting before bed
once these 15 million different stressful situations resolve themselves I’m gonna be so normal again. I can be normal and not exhausted

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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why am i so thrown off by bumping into my flatmates friends in big sainsburys. theyre perfectly nice i just have now forgotten why im here.
Egon Schiele, Seated Woman With Bent Knees, 1917