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He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.

Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.

In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.

Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:

1. explains so much about written communication especially online, truly, as many have observed, but also

BUT

The Fence has published an exposé on Stuart Semple (of Anish Kapoor 'feud' notoriety) which they have been working on for six months.

investigation reveals Semple / his studio / his partner Emily Mann (who's described as acting as his 'enforcer' in his business) :

mishandled £400k grant of public money intended for a public gallery, allowing the money to flow freely between the public project, his own personal studio and personal projects such as Culture Hustle (his online business selling paint etc)

underpaid or failed to pay many of his assistants to the tune of several thousand pounds each.

former assistants have taken him to court and he simply hasn't bothered to show up and he's threatened to sue former assistants who asked for their back pay

repeatedly funds ambitious projects that never see release eg Abode, an 'Adobe-rivalling' suite of creative software (he claims he still intends to release this)

encouraged a cult-like atmosphere at his studio in Bournemouth

was frequently in debt and having to negotiate with bailiffs etc for his debts while at the same time crowdfunding various projects

ran fake social media accounts boosting Semple and his work

The portrait that emerges is one of decades-long scam artistry tbh and someone who's juvenile, manipulative, narcissistic.

The Fence btw is a decent fairly small-circulation quarterly magazine from the UK which specialises in satire, investigative journalism, culture, and fiction. You can read the piece in its entirety if you register (which is free).

a few links:

The Fence's newsletter from April discusses this article & how Semple has tried to muddy the SEO waters

Semple threatened to sue The Fence for publishing this story - many of you are American so here's the relevant UK law on defamation.

The first thig that put up a solid red flag was the shipping material. It's cool that he has custom boxes for his studio, it looked really neat. Then I opened it and sae things like "Not for bean boy" printed all over the inside of the box.

Between Mirror, hyper pigments, and black 2.0, none of them were as extremely out there as the videos on his site made them seem. The colors are vibrant, the black is dark, and the mirror is shiny. But the level the videos showed them at are not levels I can recreate.

So like, he exaggerated as an advertising scheme. Alright, shame on him.

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