Gifts for the Savior of Erid! (one of them, at least. Rocky got a lot of new jewelry, too) <3
$LAYYYTER
The Bowery Presents
Jules of Nature
Sweet Seals For You, Always
🩵 avery cochrane 🩵

blake kathryn
we're not kids anymore.
Show & Tell

gracie abrams

tannertan36
Claire Keane
I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

roma★
𓃗
cherry valley forever
he wasn't even looking at me and he found me
hello vonnie
sheepfilms

shark vs the universe

seen from China
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seen from Bangladesh

seen from United States

seen from United Kingdom
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seen from Türkiye
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@melonpanturtle
Gifts for the Savior of Erid! (one of them, at least. Rocky got a lot of new jewelry, too) <3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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sometimes i feel like im climing up this incline again alone but thankully sisypus and the itsy bitsy spider and here with me
holy shit is that kate bush
get in loser we’re gonna try again despite it all
nothing like going to a cafe, eating some granola, sipping on a latte, and writing fanfiction in public. not even god could stop me right now.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i meant to make a compilation of all my favourite Deeply Unserious endings in rte2, but tbh nothing was able to even get close to this one
Apparently a lot of people get dialogue punctuation wrong despite having an otherwise solid grasp of grammar, possibly because they’re used to writing essays rather than prose. I don’t wanna be the asshole who complains about writing errors and then doesn’t offer to help, so here are the basics summarized as simply as I could manage on my phone (“dialogue tag” just refers to phrases like “he said,” “she whispered,” “they asked”):
“For most dialogue, use a comma after the sentence and don’t capitalize the next word after the quotation mark,” she said.
“But what if you’re using a question mark rather than a period?” they asked.
“When using a dialogue tag, you never capitalize the word after the quotation mark unless it’s a proper noun!” she snapped.
“When breaking up a single sentence with a dialogue tag,” she said, “use commas.”
“This is a single sentence,” she said. “Now, this is a second stand-alone sentence, so there’s no comma after ‘she said.’”
“There’s no dialogue tag after this sentence, so end it with a period rather than a comma.” She frowned, suddenly concerned that the entire post was as unasked for as it was sanctimonious.
And!
“If you’re breaking dialogue up with an action tag”—she waves her hands back and forth—”the dashes go outside the quotation marks.”
Reblog to save a writer’s life.
Thank you
Oh my god thank you. No wonder grammarly keeps complaining about my punctuation when I boot my writing up into word counter
Girls' night, gouache on paper.
a gift sent
artistic rendition of how my cat fell asleep this morning

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
slowly catching up on critical role 4, i hope occtis does some unhinged shit soon
Finding the perfect place to nap
(Source)
requiem for vanished birdsong
Sainte Esconde des Mystères, une confidence pour une prière
Sainte Esconde des Secrets, montre moi ce qui est caché
My comic La Langue des Vipères was released this week in bookstores in France, Belgium and Switzerland !
This beautiful trailer was created by my friends at Potto Collective : @lholmesharfang , Luc Armanet, @noctambuleur , @estellito , @nomnomsandwich , @shliten, Matthieu Chavane and Fanou Lefebvre
everyone loves a classic! (vitronura giselae)
adding the photo I took of this animal with my phone, for posterity

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
Happy April 30th