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Janaina Medeiros


Origami Around

shark vs the universe
d e v o n

⁂
Game of Thrones Daily

JVL
Sade Olutola
One Nice Bug Per Day
we're not kids anymore.

Love Begins
Cosimo Galluzzi
2025 on Tumblr: Trends That Defined the Year
Three Goblin Art
let's talk about Bridgerton tea, my ask is open

Xuebing Du
Misplaced Lens Cap
seen from Belgium
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seen from Türkiye
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@melonpanturtle
a gift sent

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artistic rendition of how my cat fell asleep this morning
slowly catching up on critical role 4, i hope occtis does some unhinged shit soon
Finding the perfect place to nap
(Source)
requiem for vanished birdsong

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Sainte Esconde des Mystères, une confidence pour une prière
Sainte Esconde des Secrets, montre moi ce qui est caché
My comic La Langue des Vipères was released this week in bookstores in France, Belgium and Switzerland !
This beautiful trailer was created by my friends at Potto Collective : @lholmesharfang , Luc Armanet, @noctambuleur , @estellito , @nomnomsandwich , @shliten, Matthieu Chavane and Fanou Lefebvre
everyone loves a classic! (vitronura giselae)
adding the photo I took of this animal with my phone, for posterity
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.
Happy April 30th
It's the last day of April
Wake up babe, new meta layer just dropped

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Not pertinent to anything in particular but I do think it's kinda weird that we keep depicting cavemen in media crawling around on all fours covered in dirt with tangled, matted hair, speaking in broken, cobbled-together toddler language when like.
They were us.
Like literally genetically they were US, just like. A while ago.
Like
Would you trust a TV caveman with a baby? Probably not
A real life caveman though??? I think they'd be at least okay at it
This is actually really important and comes up in Anthropology classes all. The. Time.
As long as homo sapiens have existed, we have had the same emotional and mental capacity as you and I do today. You nailed it. They were US. Even Neaderthals existed alongside and had offspring with Homo Sapiens for many thousands of years.
There's much evidence that cavemen would have had complex spoken language, culture (learned information passed down), symbolic interpretation, and I think they most certainly would have been able to handle holding a baby. In fact I have my suspicisions that an ancient homo sapiens mother may be a more present, attentive, and knowledgable mom than I could be today.
Do not let media trick you into believing we are the pinnacle of humanity. Unilinial evolution theory (google it quick I beg) is BUNK, GARBAGE, and the root of so much evil.
We've been human for a long, long time, and we are not inherently better than all those who came before.
One the most profound experiences of my life was visiting Font de Gaume, which has 12 thousand year old paintings. They use a technique where the horses appeared to run across the wall when seen in flickering firelight. There was a bison the wall staring at us with such attitude, I could practically hear him. I had the most profound feeling of those ancient artists reaching forward to lay their hands on my shoulders. To say, "This was my world." It was a profoundly moving experience.
Some years later, I went to the Orkney islands where we visited a tiny family run museum of artifacts from the chambered tomb at the other end of the farm. They handed me a pestle once held by some neolithci human.They'd worn groves where the thumb and forefinger would be for better grip.
One time, in a French history class, my teacher randomly at the end of the class had all of us draw a sketch of a horse. And we were all like ??? Okay???
At the beginning of the next class, my teacher showed us a cave painting of a horse. And then he showed all of our horses, which he had scanned and put into the presentation.
He then pointed out all the ways that our horses looked similar to the prehistoric horse. Same features, drawn from the same angle, etc.
And then he asked us, "Isn't it cool that you draw horses the same way as someone who lived 20,000 years ago?"
Yeah. That stuck with me for a while.
In Spain, there's a cave full of ancient, ice age era drawings of bison and reindeer and other animals of that period... And one small section of chaotic scribbles just a little away from everything else. These scribblesv were so incomprehensible, they were originally just called the 'Panel of Enigmatic Signs'... Until it occurred to someone that drawings only three feet off the ground probably weren't made by adults.
Scientists are now pretty sure the scribbles were made by kids ages 3-6, more or less on their own. The adult cave artists were probably doing what any modern parent might do when they want to keep small children out of their hair for awhile: they gave the kids some drawing tools of their own and a small section of wall to work on, out of the way but still close enough to keep an eye on them, and let them have at it.
What's most charming about the whole thing is the way the cave scribbles look exactly like what you'd find on the wall of a preschool today. Artistic styles vary widely across different times and cultures, but child development is as near to a universal human experience as it gets.
Wisher made detailed 3D scans of the drawings, which helped her understand the uneven pressure applied to the charcoal and the direction the lines were drawn. The team then compared the panel’s composition with age-appropriate artistic efforts by modern children. Kids across cultures go through the same developmental stages, which influence their physical ability to draw, until about the age of 6, Amir notes.
The team compared the ancient art with the developmental stages exhibited by modern children: the furiously scribbled circles and push-pull lines typical of 3-year-olds just learning to control their bodies, for example, or the wobbly, right-angled figures of slightly older kids beginning to master fine motor skills.
Both are apparent in the cave, superimposed on each other as though two or more kids were drawing at once. That’s a clue the Las Monedas marks were likely made by “siblings or a mixed-age play group within the sphere of safety around adults, but also within their own space,” says co-author Felix Riede, an Aarhus archaeologist.
...
Adults at Las Monedas would have been aware of what the kids were doing and presumably had lit fires or torches; without ample firelight the cave is pitch black.
Yet another new study debunked the basis for the anti-trans sports bans. It was never about sports but for creating legal avenues for exclusion and abjection. This is one of the largest analyses ever conducted, involving 52 studies and 6,485 trans people. Read the study here.
post so nice had to reblog it twice and force it down everyone's throats
At minimum about 4.5 thousand people liked this without reblogging it.
We gotta fix that.
the red herring
2026
DO THE ABSOLUTE MINIMUM AT WORK. MAKE ART THAT HURTS. ABANDON ALL GUILT AND SHAME. DONT LET THEM KILL YOUR SOUL. BECOME YOUR OWN PERSONAL GOD. GROW SPIKES. DONT LET THEM KILL YOUR SOUL
we need to keep this circulating so it can find the people who are about to stay up for 3 to 4 hours

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rate the fit
warm fuzzies