āWhen I was young...ā
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āWhen I was young...ā

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Nine chapters into an eleven-chapter severitus and it hits me:
If snape adopts harry, the entire thing that makes him a functional double agent falls apart.
Snape is a perfect spy because he has nothing to lose. His existence is joyless, controlled, stripped of anything that could give him away. His Occlumency holds because there is almost no warmth in him to leak. You cannot read a room thatās already empty.
Give him a child he loves, and that stops being true.
The traits that make him a good father, attachment, devotion, an interior reordered around one small life, are the traits that make him a bad spy. You cannot seal away a love that has remade you.
And it gets worse. The moment Voldemort returns and learns Severus Snape is raising Harry Potter, the order is obvious: bring me the boy. Or hurt him yourself, to prove your loyalty.
Severus won't.
Thatās the cover, gone.
You cannot heal this man without disarming him. The thing that saves him is the thing that kills him. Giving him a reason to live is the same act as taking away the emptiness the war required of him.
The Conductor
Yeahhh...Batman and Harry again...YEAHHH

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i like to think that Severus uses spells to make the book covers appear blank, so no one knows what he is reading (he reads poetry)
Ya know what i love? I love the idea that post-war, Severus would have no idea what to do with himself. He's been serving others for almost twenty years, and before he was doing that, any time he made his own decisions it carried severe consequences he can't be punished enough for.
He never really had his own identity outside of what he could do or who/what he would become. His life was valued for his servitude. His heart was exploited for warfare. Following the war, with no master left to serve and a world full of opportunities and choices, it would probably dawn on him, horrifyingly, that he has no idea who he even is.
What does he actually like? What does he actually want in life? What does he want to do? What sort of people does he prefer to have around himself? Does he deserve friends? Probably not, according to him. Where should he go? Spinner's End is familiar, but too painful. School was his prison, but it's all he knows, too. What's out there? Who's out there?
Scariest of all would be the fact that he now has choices. He wouldn't trust himself. He was mentored by Dumbledore to some extent, sure, but ultimately he was his servant. Without that, without being a servant, for better or for worse, Severus Snape would feel so lost. I know how i handle this in my head canon, but i wonder what other people think. ā¤ļøāš©¹
good morning severus!
i love the way he never enjoys anything..my grumpy diva
u can use/print it as a sticker if you want^^
ä¹ ć ć«ā¦

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Harry Potter
ŠŃŃŃŃŃŠ¹ ŃŠŗŠµŃŃ
Severus is amazing at Occlumency because he literally had to dissociate constantly, first from the abuse he suffered, and then from realizing he was surrounded by absolute idiots and having to listen to nonsense all day. Basically, he became one of the masters of one of the most difficult magical disciplines purely out of neurodivergence, and honestly that is so fucking relatable.
āAll the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you.
But first they must catch youā"
[Richard Adams' Watership Down]
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When living in Spinner's End as an adult, do you think Snape would still sleep in his childhood bedroom, or would he have moved to his parent's main bedroom?
Thatās actually a really interesting character detail to think about, because either option says something quite different about Severus.
If he stayed in his childhood bedroom, it leans into the idea of emotional stagnation and unresolved trauma. Spinnerās End isnāt just a house, itās basically a physical embodiment of everything he came from: poverty, neglect, violence, isolation. Sleeping in that same small room could suggest he never really āleftā any of that psychologically. It fits with how stuck he is in the past (Lily, Hogwarts, the Marauders, etc.). Thereās something very bleak but very in-character about him not even bothering to reclaim space or redefine the house, just existing in it as it always was. I lean more toward this option when speculating from a merely psychological side because I do think he uses Spinnerās End as a kind of prison, or as a reminder that heās still trapped in the moment when he was still a teenager and received the Mark, that he hasnāt allowed himself to move forward because his past mistakes still haunt him. And part of denying himself that progress is remaining in the house he always saw as a cage, because itās the place he always wanted to escape from as a child and where, in some way, he chooses to confine himself even though he could have moved anywhere else. Itās a form of self-imposed penance.
On the other hand, moving into his parentsā bedroom would signal a different kind of coping: control. Taking over the main bedroom could feel like reclaiming territory, almost rewriting the hierarchy of the house. The kid who had no power now occupies the dominant space. That would align with the more controlled, composed version of Snape we see as an adult, someone whoās very intentional about authority, boundaries, and presentation. But this doesnāt fit him as much to me, because it would imply that he engaged in some kind of power struggle at home, or direct confrontation to assert himself within the family dynamic, and thatās not something we ever see in Severus. He didnāt want to overpower his father or confront him to assert himself; he despised him so much that he completely rejected his muggle side and even joined a group that was actively against muggles, clearly turning his back on a substantial part of himself that tied him to that paternal figure. As a child, he always wanted to escape into the magical world because it represented hope in contrast to the misery of the muggle world, so it doesnāt really fit that he would want to claim a position of authority there as his own, because thatās not something he ever sought.
That said, thereās also a third option which I actually think fits his personality best outside of psychotherapeutic analysis and trauma-based speculation:
He probably doesnāt sleep in either room in a meaningful, personal way. The house feels more like a functional shell than a home. I could easily see him using whatever room is most practical (maybe even the main bedroom), but without emotionally investing in it, minimal personal touches, a utilitarian setup, almost like heās just passing through. Spinnerās End isnāt somewhere he lives so much as somewhere he returns to out of necessity or habit. And while I do think thereās an element of self-imposed imprisonment for him ābecause in some way he chooses to remain psychologically and emotionally anchored in the past, and being in that house can also act as a physical, tangible representation of his emotional stateā I think the rooms themselves donāt matter to him as much as the environment as a whole. In other words, the metaphor is tied to the house āthe place he wanted to escape from, the world he felt he didnāt belong to or didnāt want to belong to, with everything that entailsā and to forcing himself to return to it as part of his penance. But within that house, everything else is purely functional. In fact, I imagine he has terrible sleeping habits and probably spends more time in the living room or larger spaces than in the bedrooms.

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If you saw this scene after curfew in the castle...RUN.