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SlashWhore
@martinsharmony
Primarily: Good Omens and David Tennant. Rarely: my orig OTPs JohnLock and Gahore. My Tumblr: https://martinsharmony.tumblr.com/ My Ao3: https://archiveofourown.org/users/martinsharmony
Like anyone cares about little old me and what I think but I just wanted to say the things on my mind.
I took the day off to watch. I had my breakfast, attended to a little business and then when I was ready, darkened my room, silenced my phone and my computer and settled in. It was finally time.
I have to admit that I'm disappointed. I don't want to admit that though because I wanted it to be everything I always wanted it to be. All the promise that we were....promised.
I wanted a kiss. You have no idea how badly I wanted it (ok I know my audience - maybe you do know). An undeniable testiment and show of their love. No queerbaiting. I thought everything was leading up to that. Genuinely. I'm sad we didn't get it.
But I thought that about Sherlock too. And with Sherlock I felt the fans had been literally slapped in the face with that last episode. I don't necessarily feel that way about this.
I'm seeing some posts pointing out things and yes I have to say I agree to an extent. It could have been so much more. In fact, it was so much more. I really have to wonder what was changed? What was taken away? It does feel rushed and...unfinished.
There were lots of points that I feel went unaddressed: the whole allegory of queer love conquering adversity for example. The fact that them doing miracles together was SO powerful (because of their love for each other?) Or the entire basic premise of Good Omens being a satire on organized religion. Actually now that I think about it the resolution feels a bit too on the nose there.
Maybe this is just a big universal hint that something like this is so built up over so long it can never be what we want. We want too much.
The entire premise was just too powerful. Too perfect. It was the ship that could do everything. It was too much.
We were bound to be disappointed. I wanted it to be perfect but it was never going to be.
But, I'm also genuinely trying not to be disappointed.
I want to find the good bits. The hopeful bits. The bits that I can love. Mostly because I don't want this community and this fandom and my investment in it to be soured. I want to still feel a connection to it - somehow. I want to find a way. I need to find a way.
I want to believe everyone did the best job they could with what they had.
One thing I did love was what Aziraphale said about Crowley being the best Angel. Emotionally, that was the most satisfying part for me. All the while up until then I kept thinking that Aziraphale was being a bit too casual and flippant with Crowley and not acknowledging his pain and even taking a bit of advantage of him or taking him for granted. I kept hoping and waiting for them to really talk. For the truth to come out - for some kind of real confession or heart to heart. Some vehicle for them to make their mutual love known to each other. That confession bit came the closest for me, and Crowley took it to heart and was clearly touched by it. (although I did notice the tears were CG (can anyone confirm?). And yes I'm dissappointed about that too. I know David can summon the tears if he wants to). I mean yes God (where was Frances McDormand?) did literally say they loved each other but I wanted THEM to say it TO EACH OTHER. WITH WORDS.
The fact that Crowley literally said he was heartbroken, and was a drunk depressed mess but also sticking close by the bookshop continuing to protect it for YEARS even though Aziraphale wasn't there says volumes about Crowley's true deep love for Aziraphale, and how much pain he was in. There is a beautiful sadness in that.
And Aziraphale said Crowley was the best Angel. That right there says he loves him. But dammit I wanted it to be a bit more literal. And demonstrative. With tongue.
Even with all of that said I refuse to say it was awful or that we were robbed, etc. I have complicated feelings. I sort of think the minute that Season 2 came into existence where they came up with the love story - breaking them up in order to get them back together again - it became doomed.
Will I stop watching? No. Will I continue to obsess? Yes - for now. I know that my hyperfixation will eventually fade.
For now though I'm very much looking forward to what my dear fanfic writers will do with all of this. What fixits will they come up with? How will all of this information be incorporated into new fics and artwork? What new theories will people come up with about what Clues we missed? How things are maybe not as they seem? What easter eggs will we find? How will this finale be changed and expanded upon in ways that we will love?
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Man, remember how right after S2 came out there was this huge debate in the Fandom where one half was like âOMG I canât wait until GO3 comes out and Aziraphale tearfully apologizes to Crowley and begs him for forgiveness and honestly sincerely shows he realizes how wrong he was and how much he hurt Crowley!!â and then the other half was like âHey, hold on! Aziraphale shouldnât just be groveling to Crowley like that! It's not like he's perfect and right all the time! Aziraphaleâs choices were misguided but understandable and the narrative should acknowledge that he had some good reasons to do what did and that heâs suffering too!â
And then GO3 actually came out and instead of getting either of these, we just got the Worst of Both Worlds. We got a narrative where Aziraphale gave Crowley nothing but the shittiest Nopologies ever and it doubles-down on the one point that Crowley, and the audience, was most upset about (Angel Crowley) and also one that treats Crowley like he is perfect and right all the time and absolutely refuses to engage with Azâs pain and continues to treat his viewpoint as nothing but overly naive foolishness!
Makes me wonder if anything from s3 is salvageable at all for future fic.
Personally I think the fact that Crowley was so heart broken that he was self destructive has some legitimacy.
I really enjoyed slorch the vile and his assistant. I think these can fit into future fics to great comedic effect and even to make his existence have real consequences for hell.
I think the fact that Michael seemed overwhelmed and was ready to destroy everything has some substance. I really related to this aspect of the story as a caregiver myself. I saw burnout there and had empathy for her.
My point is there are some elements that can be adapted into a fixit fic which I think if handled differently could be useful and make a good story
This is an attempt to structure my thoughts about Good Omens 3. I'll leave the third point for later.
As I see it, "the Finale" has three major problems:
The scriptwriters never watched either Season 1 or Season 2
Amazon are greedy b***.
The end of the story
I've seen feew posts lately blaming NG for the poor script, some going so far as to accuse him of doing it out of spite. That's complete rubbish. Don't get me wrong: I'm not defending NG as a person, but he is a successful professional writer. He knows how to write a COHERENT story.
Season 2 may be controversial, but it answered a great many questions left over from Season 1. How Aziracrow first met. How Crowley's Fall began. Why an angel struggles with French. What happened after the church explosion. Why Crowley reacts so strongly to Aziraphale's magic tricks.
What's more, we got wonderful historical minisodes that added even more depth to the relationship between those two.
But even then we lost several important scenes because of Amazon's greed. They didn't care. They knew people would watch Season 2 anyway, and apparently decided there was no point spending more money if they could get away with less.
A few quotes:
In fact I donât think there are any lost scenes in Season 2. That has more to do with me having had to cut the scripts before we started shooting to hit all of our budget and shooting deadlines than anything else.
There was a dream sequence (or was it?) at the end of episode 2 that we never shot that I still miss.
- Hello! I was wondering, were there any deleted scenes of Crowley and Aziraphale that didn't make it into the final cut?
- Not that were shot. For budget reasons they were all cut at script stage.
Important parts of the story were already taken away from us back then. I'm afraid they're lost forever now. Although⌠I do have one thought about that, but I'll save it for dessert.
In the Finale, the script was handed over to people who clearly had no intention of putting any real effort into it. It doesn't matter whether they were friends of NG or loyal Amazon hires - they simply didn't try, and, judging by the result, they weren't particularly capable of doing the job in the first place.
The script was rewritten in a hurry, carelessly and without any real thought behind it. Amazon seemingly just found the cheapest people available - people who wouldn't ask questions, wouldn't dig into the existing story, and wouldn't concern themselves with whether any of it actually made sense.
The quality of the production becomes obvious within the very first minute:
The rebel angels have lost. First we're shown Crowley â he has pale wings (and not serpent eyes), meaning he is NOT a demon yet. Then we see Aziraphale. Good Lord, why has he got what looks like a plastic bath sponge on his head? Was the costume department raided by a discount bathroom shop? Then Michael turns up wrapped in what appears to be a tablecloth. Why are the costumes so dreadful? Did they find them in a second-hand warehouse? Who did the make-up?
The entire scene is dark, shabby, incredibly cheap-looking and painfully artificial. Do you know what it reminds me of? A student theatre production. We did those as well: costumes made out of towels and curtains, a flower pot standing in for nearly every prop imaginable, villains eavesdropping by discreetly poking their heads out from behind a screen. At least our play had original poetry in it.
So apparently Aziraphale is suddenly a brilliant strategist and general whose contribution to the victory was enormous. Fine. Then why does he later become an ordinary guard on the Wall? Why isn't he an Archangel? More importantly, why is he a platoon commander in Season 1 (roughly 25â30 personnel), a position no higher than lieutenant?
Was he demoted because he gave away the sword? Nobody except the Almighty even knew about that!
Back to "Season 3". Michael then says the rebels wanted control of the Eternal Flame but failed. You know, one of those rebels is currently lying right beside that Flame. In a couple of minutes everyone leaves and he'll be there entirely on his own⌠and then what? You introduce a new powerful artefact and never explain its role. Space is cold, yes, I know; nobody would object to warming themselves by a bonfire.
Right. Moving on. Next, Aziraphale and Crowley⌠meet for the first time.
WHAT?! YES!
- Hello. I'mâŚ
- General Aziraphale, I know who you are. I saw you on the battlefield.
I'm already exhausted from commenting on this nonsense, and we're only four minutes into the film.
I have a great deal to say about the logic and internal consistency of this thing.
Wickber Street
For absolutely no reason, Wickber Street has turned into a neglected rubbish dump by the sixth minute of the film. What happened to central London? Where are all the people? I have an answer: poor little Amazon couldn't afford extras or shopfronts. Only a few actors remained, and they probably paid for the privilege of appearing in it.
Crowley
Crowley is left without miracles, without his car, and spends his time lying in a corner permanently drunk.
Why isn't he living in the bookshop when nobody else is there? Where does he get the money to drink? How does he keep the rats out of the bookshop â does he eat them? And just imagine the smell of his clothesâŚ
Incidentally, why is he still wearing the burnt jacket from Season 1? How did they even let him into a casino?
People ask why Aziraphale left him out on the street. Well, because Crowley told him to go away. Also because he probably smells.
Then Hell drags him back and orders him to find Jesus, and he refuses. Remember Season 2, when he was ordered to find Gabriel? He didn't refuse then. Why? Because Crowley is a clever survivor.
What would the REAL Crowley have done in a REAL third season?
He would have demanded his unlimited miracles back. He would have demanded his flat back. He would have got the Bentley back. He would have bankrupted the casino. He would have miracled beer to go with Jesus's pizza. He would have popped up in Heaven for a visit.
This script turns him into a discarded rag. A remarkable achievement considering Crowley spent two seasons being one of the most competent characters in the room.
The Metatron
His storyline is simply obliterated. Not concluded. Not resolved. Obliterated.
At the end of Season 2 he had the beginnings of a genuinely substantial role. Perhaps the actor's health prevented them from pursuing it, or perhaps the character was simply thrown in the bin. Yet the set-up was clearly there.
Especially that line about him rummaging around in the Book of Life.
Jesus
Jesus is useless. Which is certainly a fascinating narrative decision.
His entire arc is destroyed.
If everything follows the Almighty's Plan, then did She really send Her Son to Earth for half a day purely so he could taste pizza?
Agnes Nutter's Book
Do you remember the Further Book of Agnes Nutter? I do. It was quite long.
What exactly was written in it if Earth had less than ten years left? A daily weather forecast?
The Further Book is fascinating, actually.
You could argue: Ah! That means Free Will doesn't really exist if Agnes was able to predict everything so accurately. So everything truly is following the Plan after all?
I have an answer to this question.
But first answer this one: why was Agnes's book so thick if the end was coming so soon?
Hell
They turned Hell into a circus, Dagon into an idiot, and Eric into a hysteric. (Why didn't he burn down the bookshop, by the way?)
Dagon needs Jesus. Why? Because Beelzebub needed Gabriel in Season 2? The writers copied the shape of the storyline and forgot the reason it existed in the first place. Like someone reproducing a maths equation by drawing the symbols and hoping nobody asks what they mean.
Aziracrow and Jesus
Aziracrow find Jesus.
But they're in a tremendous hurry because they now have the Bentley and need to get to the Eternal Flame. (Michael apparently took the last bus.)
Why not bring Him with them?
Perhaps He could have persuaded Michael not to destroy the universe, given that the two of you couldn't even manage to hold her hands.
(25-Lazarus miracle, where are you?)
The Dialogues
The dialogues between Aziraphale and Crowley, Crowley and Satan, Satan and the Almighty, the Almighty and AziraphaleâŚ
Good Lord, I scarcely even want to comment on it.
Every single line is nonsense. Not in a poetic way. Just in a nonsense way.
No professional writer would write dialogue this absurd and meaningless. No one.
I have lots of questions. No, actually I have one question. Why did you create people and then punish them for behaving like people? Why make them both good and evil in the first place? Why are you ending everything now?
Am I the only one who thinks this sounds ridiculous? Am I the only one who remembers that Angel Crowley had much cleverer questions long before humanity even existed?
Incidentally, he never got an answer to a single one of those questions. So that's sorted, then.
Satan:
"You joined us because we had a chance."
Crowley:
"I don't even remember why I joined you. I was tired and angry."
Honestly, what was he so tired from? Polishing stardust?
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Like, okay, there's a level where I'm trying to be like "I have to engage with the baseline of what the story was clearly attempting to convey via it's framing and directorial choices and basic narrative structure. And the story that Good Omens Season 3 is trying to tell is that Crowley and Aziraphale have defeated God by convincing Her to make a Godless Universe. This is them wrestling some sort of agency out of God's rigged game, breaking the Ineffable Plan, and giving all of us free will"...
But also the thing is that it is so so easy, temptingly easy even, to make the argument that they never truly outplayed God, that everything that happened was exactly according to Her plan, that the Ineffable Plan was to get these two to sacrifice their lives to create a Godless Universe, that Crowley and Aziraphale just lost one final time in the Ineffable Poker Game for infinite stakes.
After all, why DID the Metatron think Aziraphale would be a good candidate for replacement Supreme Archangel? (and not any other of the 10 million Angels out there, or, say, one of the 4+ perfectly good actual Archangels hanging around Heaven who haven't repeatedly committed acts of treasons?) We never got any sort of decent explanation for thatâŚ
And how come Hell only bothered to revoke Crowley's access to Miracles just now, after letting him get away with it for years?
Well, a potential explanation would be that God was the one who actually told Metatron to promote Aziraphale and that God pulled the strings to finally suspend Crowley's Miracle Account, to get Crowley to his lowest point, to make him miserable and pessimistic and waste years gambling on rigged games, all to make him give up on Free Will and give up on his lifeâŚ
Meanwhile, Aziraphale goes along with his decision out of Love, the same Love that God has already said is 'Predictable'. So⌠wouldn't They have predicted that Aziraphale would agree to Crowley's 'Heroic Sacrifice' right at that moment?
And how come Crowley and Aziraphale even survived after the entire Book of Life burned? Well, what was the explanation for how Satan survived? It made for a 'Good Story' for God.
So is that why Crowley and Aziraphale survived? Because God wanted Her favorite little ship around for the final round of the Universe? Why, what is the Story She was trying to 'tell' with this ending? Maybe the Story was just⌠GO3?
And why did She even entertain Crowley and Aziraphale's questions and requests? She had no reason too, if She truly wanted to end the Universe once and for all, She could've just done it. She didn't have any obligation to follow Crowley's request for a new universe either? Maybe because this what She planned all along?
When Crowley and Aziraphale made their request, they didn't actually specify they wanted an Earth and Humans in that new Universe, God tossed it in (even though you'd think Predetermining Evolution like that would go against some sort of Free Will..), maybe because that was already in the Plan?
After all, the World was destroyed, exactly as the Great Plan said it wouldâŚ
If they actually restored that old world, you can say the Great Plan has been defied or broken. But is making a new Universe breaking it, or just continuing on the part that no one but God has ever seen?
Like, the thing is that we already introduced the concept of "actually, what if you just THINK what is happening now is going against the Plan but since the Plan is Ineffable and Nothing Can Be Against God's Will, so is just what She Planned All Along!"
Originally, it was presented jovially, with an optimistic, or at least ambivalent tone. Well, if anything you do is part of God's Plan, then you can do whatever you feel like! Maybe God wants Adam to choose his destiny, maybe God doesn't want the Universe to end, maybe God just wants Humans to have Free Will?
But then GO3 decided that, no, God is a straightforward antagonist that wants the world to end, and the existence of Her and Her Ineffability means that there is no Free Will and this world is not "real". It even emphasized the point of how someone might seem like and even think they are rebelling against God but they are actually only following Her will with Satan.
So⌠how the hell do we know that Crowley and Aziraphale aren't following God's will as well? That they aren't doing their jobs as characters in Her story? How do we know that this isn't also part of the greater ineffability?
I think the actual answer is just Bad, Rushed writing. The story put itself in a very difficult position, going up against an Ineffable God whose machinations invalidate the Free Will of the entire universe, and then never really establishing how or why our protagonists apparently have Free Will to defy Her this time. Even though the intent is for it to be the case.
But because the writing is so bad, it can absolutely set the stage for an even bleaker narrative than what was intendedâŚ
also, I really don't know how to phrase this but to me the finale misses the joke, you know?
it forgets that the christian cosmology was the setting, told through corporate satire, not the villain. even God wasnât an active tyrant; she was an absent CEO, leaving individual contributors like Aziraphale and Crowley to realize their job descriptions were irrelevant to the company's bottom line anyway, so they coasted by on minimum effort
that corporate satire was what allowed this to be a comedy, a space to tell a beautiful story about choices, humanity, and love.
the finale for some reason treats that background seriously, it turns that setting into an omnipotent, dystopian threat, which completely suffocates both the romance and the humor by replacing a petty system you can outwit, outsmart, outmanouver with a bleak, unearned nightmare where "the company controls your every breath, and you can never clock out"
We want the Government to repeal the Online Safety act.
sign.
this is ridiculous, censoring âharmfulâ topics just causes more harm because how are you supposed to avoid and prevent things you know nothing about? like what?
studying history is like. here's to another beautiful day of not being pregnant and of having no obligation to ever be. thank you women who fight for abortion and contraception and independance from men for another beautiful day of not being pregnant and of having no obligation to ever be
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NG (fuck NG) thought of a book plot where a demon finds himself in The Omen movie. But he screws up the baby switch. And the Antichrist grew up as a character in a Richmal Crompton novel.
He didn't know what to do with it next.
TP offered to buy the story. He changed the demon into a demon and an angel defying their bosses on the earth they both loved. He added his smart whimsy and gave the story a moral core far beyond a silly spoof.
When the story was written, queer kids saw themselves in the angel and demon based on the subtext. Because they lived in subtext.
Gender fluid and trans readers created stories about an angel and demon for whom gender was a choice depending on how or whether they decided to make an effort.
The strangeness of fitting into a planet dominated by beings the angel and demon differed from spoke to neurodivergent readers.
Religious readers found healing after years of struggling to make sense of doctrine divorced from morality.
Some ace and aro readers saw the deep and meaningful relationship beyond romance between a pair together over 6000 years.
And tons of horny people from all walks of life poured their hearts into smut that made the most of beings whose bodies allowed for a range of sexual practice that would never be realistic for humans.
People who felt rejected or unloved because they were "too much" or "too little", took solace from an angel who didn't mind the gruffness of the demon who couldn't bear to be cruel. And the demon who liked the angel being a little bit of a bastard. If an angel and demon could care for and accept each other for themselves, perhaps it could happen for them too?
This is why the Good Omens fandom is so special. Transformation has been baked into his story from the very beginning.
Biblical fan fiction, a collaborative story by two authors, a tv show/movie brought to life by a team of actors, designers, writers...
And now also entire worlds of fan fiction and art. Good Omens continues to transform itself and the people who love it. And it will always be ours as we continue to transform it for generations to come.
I WAS FUCKING WONDERING WHAT THOSE DIGITAL PRICE TAGS WERE ABOUT SUDDENLY i had hoped they were so the workers didn't have to finagle those little papers into the slider part anymore đ
Hi, yes, that is the OFFICIAL excuse made to me by the guy replacing the paper tags with digital ones at my local Walmart, but the end goal is to remove the numbers off the shelf entirely, replacing them with QR codes that you have to scan with the appâŚ. Which requires your login informationâŚ.. and also stores your card information so even if you didnât use your Walmart account at the physical checkout, if you used a card they recognize, they assign that purchase to your Walmart account purchase history.
I explained very clearly to the manager my issue with the meat section not having the price tags listed, and they claimed it was only going to be for the meat, since meat is by weight, and the price of each item is printed on the packs of each item.
Sure. Thatâs how they get their foot in the door. Fast forward not even two weeks, and here we are:
Bar codes. No prices, no item descriptions. No price stickers on the individual items. Heck, not even the name of the item that is SUPPOSED to be there.
No. The only way to see the price is to scan it on your phone app, which is also recording what you looked at recently, as a way of gauging what you might be looking for in the future.
So hereâs what weâre gonna do gang:
Every time you go into a store that has implemented these price-less tags:
Take 1-3 items up to the cash register. Ask the cashier for the price, or hit the price check item on the self checkout, which will likely call over the attendant.
Express that you didnât actually want it, you just couldnât see on the shelf how much it was.
POLITELY, AND WITH A THANK YOU FOR THE PRICE CONFIRMATION, Give the items to the cashier or attendant to put back.
When they inevitably try to push the app, politely decline. If pressed for why not, say you donât want to have to carry your phone in-hand the whole time you are shopping in order to see how much things cost. (Not having cell service or data to use the app is NOT a valid excuse, as stores already often have complimentary WiFi AND more stores will provide WiFi rather than give up on this push for surveillance pricing)
If itâs a shelf-stable item, the cashier will have to set it aside, taking up room in their limited operating space, and eventually pass it off to someone to put in a holding area to put back later. If itâs a fridge/freezer item, it might have to get tossed due to food product sale regulations.
In either case, you are making it a pain in the ass for them to have these digital bar codes. Tie up the checkouts. Give the employees more busywork that the company has to pay them to do. Hurt their bottom line having to toss the pint of ice cream you carried around in your cart for 20 minutes before giving it back to the cashier.
Yes, call your reps. Yes, push for more legislation like this in more places. But also take an extra minute out of your shopping trip to MAKE IT HURT for companies to pull this shit.
I've seen some people in the notes express (very fair) concern that this is only going to inconvenience already under-paid laborers, and not have any impact on corporate. While I can't speak for every company or every store, I do work in a grocery store and I can tell you this is precisely the kind of thing that would have an impact, especially if people are doing it en masse. Stores absolutely track their shrink numbers, and they do draw distinctions between what gets stolen, damaged, or wasted for other reasons. If people are making it clear that the reason they're bringing things to the cashier is that the prices are not adequately represented on the displays, and rather than improving business it's wasting product, slowing down transactions, and causing confusion and mistrust in customers, that is a language that shareholders speak.
"Of course the plot of the finale wasn't coherent, they were rushed with the 90 minute time frame so they COULDN'T tell a full story"
Okay, but Disney movies literally do it all the time in 90 minutes. That's the norm for most animated films. It's ABSOLUTELY possible to use a ninety minute runtime wisely and make it feel like a satisfying story. You just have to make it focused and trim away the side quests unless they contribute in an important way to our understanding of theme or character.
What exactly did the subplot about Crowley losing the Bentley actually contribute? I'm not just trying to be snide here, I am actually truly wondering, what was the POINT?
(My point is, dolphins)
Obviously the answer is, it was probably one of the original six episodes that comprised Season 3, so they kept it in despite having to trim so much of it away that might have given it relevance. But why keep it in at all??
That entire sequence with the crime boss wasted SO MUCH of the precious runtime, time that could have been spent better elsewhere. Like, I dunno, maybe having Crowley and Aziraphale actually reconciling?? Or actually developing Michael's motivation as a villain?? Or giving poor Jesus an actual conclusion to his arc instead of Thanos-snapping him away before he ever "finds the lady"?
I just. I went into the finale feeling SO easy to please. I could have forgiven a rushed plot, bad special effects, some mysteries from S2 never being solved because there wasn't time. I could've even forgiven the fact that some major characters didn't make an appearance again, due to budget constraints and actors not wanting to return.
It didn't need to be Objectively Good for me to enjoy it! Truly!
I would've hand-waved it all away...if they had only given me the one thing I wanted in the end: Crowley and Aziraphale living in peace together for eternity.
But since we were denied that, i AM going to be critical of the plot holes and inconsistencies, because what else did they give us, really?
CW and TW: discussions and mentions of Neil Gaiman.
Ok, itâs been a minute since my first post which basically gives a run down on my emotional state, my emotional reaction, and just a lot of deep seated feelings. I did promise I would talk a little bit more about contextual issues and todayâs post is going to be devoted to the writing of the finale.
Again because this is going to be yet another critical take, I understand those of you out there who either enjoyed the finale and donât want to see anything negative or even if you hated it but donât want to be exposed to any further negativity may not want to read this. So I will put my thoughts under the cut.
Again, I ask that people do not argue or send hurtful or derogatory messages to each other or anyone involved in the cast and crew*
*Iâd give a caveat to the writers but in the end, donât even send them hate messages. Theyâre not worth your time or effort.
This is a bit of a long one, so buckle in!
Post 2. The writing
I know Iâm probably not going to say anything that hasnât already been said. There has been so many great takes about the incomprehensible writing and I donât know if I will do them justice but I will give it my best go.
Firstly, weâre going to get the elephant in room out of the way first. Everything we saw on that screen was Neil Gaiman. Plain and simple. Perhaps I had been incredibly naive in thinking that when he was removed from production the new script writers brought in were going to use the skeleton of his story beats and re-write the finale from scratch. I mean, if thousands of fandom fic writers can do it, why canât published authors? But when you look at the timeline of events, the decision to bring on new writers and the length of time before filming started (whilst pre production had already commenced), the only thing that could have happened was a gutting and condensing of the script.
This was made abundantly clear in the cryptic crossword scene when Aziraphale says the word pedometer, a moment that punched me in the gut, because NG had given that inclusion fact long ago. You can go to this previous post of mine for further context about that.
NG has always had a nihilistic structure to his stories. His charactersâ âhappy endingsâ come at great personal cost or sacrifice, or through incredible hardship or heartache. Read Neverwhere, read American God, read Ocean at the end of the Lane, or Sandman (or actually donât, but you get my point). Protagonists who go through awful tumultuous times before coming out the other end, sometimes unscathed, sometimes worse for ware, sometimes dead. So the way the finale ended set my sights directly on NG to blame.
What is the most galling is, Iâm convinced this was ALWAYS how he intended to end it. He spoke many times prior to the allegations coming out how he had completed episodes 3-4 was finishing drafting episode 5 and the end of episode 6 was written. You can clearly see the outlines of the episodes where the story was cut away for time, and then where the plot completely falls apart when everyone is erased which in my opinion, clearly shows where he stopped writing. Plot threads are woven and then completely dropped, and itâs obvious to me how the writers just couldnât be bother figuring out how to tie them off properly.
Jesus
What on earth was the point of Jesus, except to be a plot device? A reason to get Aziraphale out of Heaven and to work with Crowley. His actions and story arc went no where and affected nothing. Wouldnât it have made more sense to have him appear in the bookshop in the end? Solve the problem of the destroyed universe? Face God himself? Bring the find the lady card game full circle? Be the literal counterpoint to Adam and his arc in S1? On the topic of Jesus, he mentions his disciples and his mother (Mary) and Aziraphale just sadly says itâs been a long time. WHERE THE FUCK ARE THEY?! Theyâre in Heaven, WHERE ARE THE DEAD HUMANS?! Iâve pointed this out before about how Heaven looks suspiciously empty so where do all the humans go? Looks like weâll never know the answer.
Michael
Michaelâs set up as the bad guy was obvious from the start, but why not include a set up to her feelings of being under appreciated? Actually give her motivation for feeling like she has to do everything and get no reward. Maybe a scene of Aziraphale telling her to do a bunch of stuff. Instead what we get is âOh those silly women and their emotions.â Honestly, not surprising to have such a one dimensional character arc from the man who we now know has no respect for women.
The Metatron and the FF
So, The Metatronâs setup in S2 always seemed like there was something far more nefarious going on. The music queues, the menacing look he gives Crowley, the furtive and anxious looks Aziraphale has. Now, we just have to accept everything in that scene was at face value. He really was offering Aziraphale a job. He legitimately thought Aziraphale was the best. There was no secret threat to Crowley. And Aziraphale did just want to go back to Heaven to make a difference (remember it had nothing to do with the second coming because he finds that out in front of the elevator). There is also the small mention that The Metatron was tampering with the Book of Life. Again, probably something cut for time, but had the potential for something far more meaningful. His story arc instead is meaningless and becomes just part of the plot line to create a mystery. Also, when you think about it, nothing in S2 was necessary to get us to S3. Except maybe to explain why Gabriel wasnât there, and to have a reason that Crowley is angry and Aziraphale is in heaven. So why on earth bother with S2? *cough NG cash grab cough*.
Crowley having no miracles
What was the point other than the side quest to get the Bentley back. Which frankly was fun and the best part of the finale in my opinion. But when it didnât matter at all to the plot it could have just been cut and more spent given to Aziraphale and Crowley just reuniting in a better and more fulfilling way. Crowley without miracles doesnât seem to matter or be resolved in the end, considering the Bentley still got to space and Crowley still got them to the bookshop using the burning book of life page.
Did the writers even watch S2? Or S1 for that matter? Or even read the book?
When I first heard who the writers were I did a bit of a deep dive into their writing credits and history. When fantasy horror was all that came up and no proof at all that they were a fan or even spoke of Pratchettâs work, alarm bells started ringing. But I didnât want to bring everyoneâs moods down as a lot of angst around whether the finale would be any good was being thrown around at the time. So I kept my fears to myself.
But when the writers seemed to miss key elements of what made S1 and parts of S2 great and special (companion of owls and the resurrectionists specifically) it honestly felt like they didnât bother to do any research at all. For example:
Adam is convinced in the end of S1 that the world is worth fighting for. That he doesnât need to make it new even though the voices keep telling him. That itâs up to the humans to make it right. So how can you reconcile that with Crowley saying we need to just start again? It makes no sense.
Crowley drunkenly berates Wee Morag for wanting to commit suicide âNo dying. No more dying. No trying to kill yourself, itâs wrong!â So why the FUCK does he decide complete annihilation is the answer?!
The entire Job minisode is devoted to explaining why Job and Sitis donât want new children, they want their own children because they love them. Why on earth would the writers think Human Crowley and Aziraphale would be at all satisfying?
And for that matter, the entire S2 storyline with Jimbriel tells us that Jim is not Gabriel because he doesnât have his memories and experiences. So how can you expect the fandom to accept Anthony and Asa are just a reincarnated versions of Crowley and Aziraphale when the lore you set up in your own show contradicts otherwise!
Plot lines that were added which makes no sense:
In the great war prologue Aziraphale is seen as this great general and leader. A master strategist. Why not have anything to do with him being a great strategist included in the rest of the plot then? Why do the angels later think him an incompetent idiot when they had so much praise for him (which has been established since S1)? Where did he lose their faith and gain such distain? Are we supposed to infer it is merely from being on earth?
Also was this Great War scene just a way to establish why Crowley doesnât fear to approach Aziraphale on the Wall of Eden in S1? Because Aziraphale was kind to him and therefore he can trust him? You know we didnât need that right?
Crowleyâs knowledge of the book of life. How does Crowley go from âthat was just a story to scare the cherubsâ to âtampering with it sends you crazyâ and âcanât be destroyed, itâs too well madeâ. How does KNOW all of this?
Why didnât Michael just erase Aziraphale from the book of life to begin with? (Pitch Meeting Guy voice: so the movie can happen!)
Missed opportunities:
Aziraphale seemed to be in over his head in Heaven, it seemed like Sandalphon was about to start some kind of coup. So why did Michael not work with him? Why erase him? Did she just want to get the competition out of the way first? Why bring Sandalphon back at all when again he served no purpose to the story, except to be erased.
As much as I love Crowleyâs heaven outfit (I will get down on my knees and worship that outfit), there was no reason for him to be dressed like that. He wasnât in disguise, Saraqael saw him immediately and objected to his presence. Crowley also is still supposed to be without miracles at this point, so itâs implied itâs all Aziraphale. So damn well focus on that! Put some quick banter in there, maybe about how tight Crowleyâs trousers are and Aziraphale just raises his eyebrows and turns away to smirk (perhaps it was lost to the cutting room floor, but I needed flirting and closeness between them, and these sacrificed moments were too much to lose).
Give us more of Asa and Anthony if you wanted us to care about them. A montage of dates, kissing in the rain, seeing one of them propose, sitting in a park having a picnic, a brief glimpse of their wedding day, dancing in the living room of their cottage, sweet soft moments of affection. Something! A 30 second montage would have been all that we needed. Instead weâre left with a semi platonic hand hold and some lovely music. I get that that is sweet and wonderful, but as I said in my previous post, the fandom has been fucking reeling for almost 3 years. We needed healing and proper visible on screen queer representation. This would have helped sway the anger and disappointment!
Character Assassinations:
Aziraphale. Just, everything. Leaving Crowley in the ally. Not actually apologising. That whole âyouâre the best angelâ bit (god damn it accept him for the demon his is you maniac!) I rest my case. I donât enjoy at all how he was written this season, and it just shows the writers had no clue how to fix that or understand who he was a character.
Circling back to NG
When he was on Tumblr, NG would try to convince us constantly that there was going to be a happy ending.
The post where someone asked why and he said the answer was Love. The post where he was asked what his favourite line from S2 was and he answered the invisible line that connects Crowley and Aziraphale. That the ending was set and was what Terry wanted. The years of speaking about a cottage where Crowley and Aziraphale were retired. Telling us to trust the process. He said this for a year after S2 before he abandoned social media. Rachel Talalay said it in her Blueksy post there was never any kiss scripted for the finale. NG always intended to never resolve the heartbreak of S2. For S3 he sets up Crowley as broken, depressed, sick of life, and then has Crowley suggest at the end to just accept the end of the universe. Start again, make it new, but not with him in it. And weâre meant to accept this as somehow noble? What kind of a fucking message is that?! NG always saw himself in Crowley and I think this incredibly broken man is frankly telling on himself here. And he used our comfort show to do it. I still canât get over how incredibly angry I am with this man. For everything he did to those women and everything he did to this fandom.
This season was full of plotholes, contradictions, and non-sensical out of character actions, and they cannot all be blamed on the cutting down of 6 hours to 98 minutes, but can be laid at the feet of a broken man who sadistically took pleasure in the pain and suffering in others.
And the most upsetting thing of all is the inability of fandom to now continue writing in canon universe stories for Crowley and Aziraphale. They are dead and gone, unless we can think of a way to bring them back. What point is there to write of Asa and Anthony when there was already thousands of human AU stories out there. And also we know so little of their characters and how they lived in this world that itâs hard to write anything for them (full props to all the fanfic writers out there who have managed it so far. Please donât let me discourage you).
I think this is why Iâve struggled to continue writing my WIPs, even though I am getting there, but it worries me that people will see this end as a way to just stop participating in the fandom. And I canât help but feel that maybe NG was playing a long game with us all along, that this was his endgame. He initially hated the shipping of Crowley and Aziraphale and then years later leaned into it when it meant financial gain. And now that he canât have these characters anymore, neither can anyone else.
I realise that this is quite a dark and heartbreaking conclusion to end on. So I will say to everyone out there, keep creating, keep writing, keep making art, keep making friends in this wonderful fandom. You donât need to take anything in S2 or S3 seriously if you donât want to. You donât need to accept it as canon if you donât want to.
If you got this far, thank you for reading. My next post will be more positive about the things that I did like and love about the finale. So stay tuned.
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