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@maky

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I think Iโm gonna do this challenge
rummaging for an earl grey teabag like its a cigarette
https://twitter.com/hisashirahama/status/968163177723674624/photo/1

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Love and light yeah but also sacred rage and darkness
(via tkqใใใฏTwitterใไฝฟใฃใฆใใพใ: ใไฟบใใใ้กใฃใฆใ https://t.co/bjx2HvdnLWใ / X)
formative years? arenโt they all?
show me a permanent self and i will show you a facade or a corpse

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๐น๐๐๐ข ๐ท, ๐ท๐ฟ๐ท๐บ, ๐๐๐ ๐ณ๐๐๐๐๐๐ ๐พ๐ ๐ต๐๐๐๐ฃ ๐บ๐๐๐๐, ๐ท๐ฟ๐ท๐บ-๐ท๐ฟ๐ธ๐น
[ID: July 1. Too tired. END ID]
same month, same exhaustion, different century
All I can think abt is that one quote that basically just describes that you canโt be your true self in your native language bc thereโs too much emotional attachment, but that second languages allow speakers to be truly free with their words
โSome things could only be written in a foreign language; they are not lost in translation, but conceived by it. Foreign verbs of motion could be the only ways of transporting the ashes of familial memory. After all, a foreign language is like artโan alternative reality, a potential world.ย ยป
- Svetlana Boym,ย โEstrangement as a Lifestyle: Shklovsky and Brodskyโ
โBilinguals overwhelmingly report that they feel like different people in different languages. It is often assumed that the mother tongue is the language of the true self. (โฆ) But, it first languages are reservoirs of emotion, second languages can be rivers undammed, freeing their speakers to ride different currents.โ
- Love in Translation by Lauren Collins from the New Yorker, August 8 & 15, 2016
when ilya kaminski said in an interview โeven the shape of my face changed when i began to live inside the english languageโ
If we put aside the idea of a โtrue self,โ because that is a discussion in its own right, from my reading and research few exophonic writers ever speak about freedom of expression in such termsโฆ what the other language provides is detachment. And by detaching oneself from their writing (from the emotional background of chosen words, their socio-historical significance, familial usage etc), what these writers report is another point of view, a newfound clarity. Which isnโt limited to learning/using another language, it can be achieved through any sort of displacement. But it is no wonder these often come together, the new language and displacement, in whichever order that may be. In many cases the othe
I have pages and pages of research on this but another thing to consider
โWhich language we choose to convey our experience shows how we position ourselves and to whom we explain ourselves: Do we choose to enter a dialogue with our new culture or to the ones we left behind in our native country?โ
from Julia Beltsiouโs Immigration in Psychoanalysis: Locating Ourselves
careers under capitalism
helping elderly people: one dollar
Senior Torture Manager: $1,500,000,000/yr plus benefits
i hope everything works out in the end because i am so so scared
When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my childrenโs lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
โWendell Berry, โThe Peace of Wild Things,โ Collected Poems 1957-1982 (Counterpoint, 1985)

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Kiyoshi Yamashita, Nagaoka fireworks display
Nicknamed โThe Naked Generalโ,ย Yamashita used the chigiri-e method of sticking torn pieces of colored paper together to depict the scenery he saw on his travels.ย