i would like a parrot to perch on my shoulder and tweak my ear as i putter about the house like tasha tudor

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cherry valley forever

Love Begins
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PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me
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@magicgoose123
i would like a parrot to perch on my shoulder and tweak my ear as i putter about the house like tasha tudor

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Fish skin can be grafted onto burns and diabetic wounds. The material recruits the bodyās own cells and is converted eventually into living tissue.
ābut if i communicate it perfectly then they will understand meā WRONG 10,000 years of suffering
finn wolfhard takes center stage in patti smith biopic

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Brother and Sister trying to race a train on their horse in Chiapas, Mexico
david lynch.
Joanna Newsom - āHave One On Meā
In her own words:
āThe photo on the cover of Have One on Me was modeled after typical Orientalist fantasy-figure iconography, like an odalisque or a Venus in Fursāa sort of cartoonish amalgamation of feminine signifiers stylized to illustrate the Lacanian idea āWoman is a symptom of man.ā Annabel Mehran, the photographer, used black-and-white film that the artist Becca Mann later hand-tinted over with watercolors. The idea was to mock-up a shabby, 1920s Parisian studio with an absinthe-dulled lady posing on a divan in bits of old drapery fabric, and then paint over the resulting tableau into some idealized, Technicolor, hedonistic fantasy set. The specifically female, earthbound, corporeal, and decadent character in that album art reflects the character of those songsā narrator as well as the idea of feminine self-diminishment.ā -Joanna Newsom
I feel entirely dehumanized by the sun now and wish for fog, snow, rain and humanity.
Virginia Woolf, in a letter to Edward Sackville-West, written c. September 1926, from The Letters of Virginia Woolf: Vol. III, 1923-1928
god going on the computer is so awesome

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Detail from Papilla Estelar, by Remedios Varo, 1958
Ā« We must get over the error which makes us think that a manās life takes place inside himself and that, consequently, it can be reduced to pure psychology. Would that our lives did take place inside ourselves! Then life would be the easiest thing imaginable: it would be to float in its own element. But life is as far as possible from a subjective phenomenon. It is the most objective of all realities. It is a manās finding itself submerged in precisely what is not himself, in the pure other which is his environment. [ā¦] This unity of dramatic dynamism between the two elements, the I and the worldāis life. [ā¦]
Every life is, more or less, a ruin among whose debris we have to discover what the person ought to have been. This obliges us to construct for ourselvesāas the physicist constructs his āmodelsāāan imaginary life of the individual, the graph of his successful life, upon which we can then distribute the jags (they are sometimes enormous) which external destiny inflicted. We all feel our real life to be a deformationāsometimes greater, sometimes lessāof our possible life. The second problem is to weigh the subjectās fidelity to this unique destiny of his, to his possible life. This permits us to determine the degree of authenticity of his actual life. Ā»
ā JosĆ© Ortega y Gasset, The Dehumanization of Art and Ideas about the Novel (1925)
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plath
Uwe Henneken (German, 1974) - Something is Coming (2002)
Martin Lacko:
Birth of Pegasus oil pastels on paper cca 21x29cm

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J. Carino (American, 1988) - The Unicorn Defends Itself (2021)
Birth of Pegasus 6
oil pastels on paper cca 21*29cm 2025