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Saw this guy today who was in the same homeroom class as me in 2014. He came into my job i saw like half the side of his face and knew it was him and felt kind of amazed my brain clocked that because we never spoke

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Something kind of hilarious to me about how if me and N don’t see each other for like 36 hours one of us will send some awkward text like …how’s it going

Moving..bare walls…just Karen above my bed

blessedanddesired

bracelets by jen wojtowicz

Feeling impatient overwhelmed ….and hungry

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This obituary

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nononobodyunderstands

Chaka Khan, 1975.

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Darlene, Danville, Virginia, 1974 © Emmet Gowin

Baby nail clipper

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La Chimera (2023) dir. Alice Rohrwacher

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Elsa von Freytag-Loringhoven

Enduring Ornament, 1913

Enduring Ornament is a Dadaist steel sculpturecreated by Elsa von Freytag-Loringhoven in 1913. It lives in a private collection. The image is used according to educational fair use, and tagged readymade and sculpture. See Enduring Ornament in the Kaleidoscope

The year is 1913 and Elsa Endell, kaleidoscopic performance artist and poet is on her way to New York’s city hall for her third marriage, this time to a German Baron named Leopold von Freytag-Loringhoven. En route, Elsa spots a rusted iron ring. To Elsa this street trash was a totem of her marriage to be, and in an act marking a new era in the definition of art—Elsa called this found object an artwork.

To state that artwork didn't need to be created with your hands, but that found objects could be claimed as art through the force of the artist’s intent was a shockingly radical concept. And as so often happens with new ideas, the newly minted Elsa von Freytag-Loringhoven was not credited with the shattering of artistic tradition. A year later, Elsa’s close friend Marcel Duchamp showcased Bottle Rack, a found object he claimed as a new category of art, the ‘readymade.'

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